Wild-Touch
A French nonprofit organization that uses films and media projects to raise awareness of environmental issues.
Last updated August 26, 2026
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Overview
Wild-Touch is a French nonprofit organization established in 2010 by filmmaker Luc Jacquet, the director of March of the Penguins. The organization was created to turn Jacquet's public profile and filmmaking experience into a platform for environmental communication. Its stated purpose is to develop and support projects that make ecological problems more visible, particularly through cinema and documentary production. The organization emerged after Jacquet's international success with March of the Penguins, which won the Academy Award for Best Documentary Feature in 2006. Rather than treating that recognition solely as a personal career achievement, Jacquet sought to use it to help audiences engage with threatened species, fragile ecosystems, and broader environmental questions. Wild-Touch was formed with the involvement of Jacquet's wife and friends, although the available reference material does not identify all of the organization's founding participants. Wild-Touch's first major initiative focused on primary forests. Shortly after the organization's creation, Jacquet met French botanist Francis Hallé, who had spent many years trying to bring the ecological and cultural importance of primary forests to a broad audience through film. Their meeting led to a documentary project initially associated with the title La Forêt des pluies and later known as Once upon a forest, or Il était une forêt. Jacquet and Hallé traveled to French Guiana in August 2010 to begin filming and document the structure, biodiversity, and vulnerability of tropical primary forests. Actress Marion Cotillard supported the forest-film project as its patron. A preliminary short version, C'était la forêt des pluies, was presented as the opening film of the International Festival of Ecological Films of Bourges in October 2011. This early public presentation illustrated Wild-Touch's core method: combine scientific expertise, cinematic storytelling, recognizable cultural figures, and festival or educational distribution to make environmental subjects accessible beyond specialist audiences. Wild-Touch is therefore best understood not as a conventional consumer brand but as an environmental media and advocacy organization. Its work sits at the intersection of documentary filmmaking, science communication, public education, and conservation awareness. The organization emphasizes projects capable of mediating environmental problems to a general audience, with film serving as its principal tool. The available reference material does not establish a full current program, financial profile, staff structure, or continuing operational status, so its present scale and activities remain uncertain.
History
Wild-Touch was created in France in 2010 by filmmaker Luc Jacquet after the international success of March of the Penguins. The film's Academy Award recognition in 2006 gave Jacquet a prominent public platform, and he sought to use that visibility for environmental communication. The organization was formed with his wife and friends to support projects that could help the public understand endangered animals and ecological threats. Soon after Wild-Touch was established, Jacquet met Francis Hallé, a French botanist who had spent approximately two decades seeking to develop a film about primary forests. Jacquet joined Hallé's effort and made it the organization's first major project. In August 2010, the two traveled to French Guiana to shoot initial material for a documentary about tropical primary forests. Jacquet described the project as both an artistic undertaking and an ethical response to the need for a different relationship with the natural world. The project was developed under the working title La Forêt des pluies and later became associated with the feature documentary Once upon a forest, known in French as Il était une forêt. Its subject was the ecological complexity of primary forests and the risks posed to these ecosystems by human activity and disappearance. Actress Marion Cotillard, who had previously supported environmental causes, became patron of the film project and helped provide it with additional public visibility. Before the feature-length work reached wider audiences, a shorter prologue titled C'était la forêt des pluies was shown publicly. It opened the International Festival of Ecological Films of Bourges in October 2011. This screening demonstrated the organization's preference for combining film production with festival circulation and awareness-building. Wild-Touch's broader model was to bring together filmmakers, scientists, artists, and environmental themes in projects intended for general audiences rather than only specialist or activist communities. The available references describe Wild-Touch primarily through its creation and its forest-film initiative. They do not provide enough reliable information to establish a complete chronology of later productions, organizational restructuring, funding, staff changes, or present-day operations. Consequently, the organization’s current status and the breadth of its subsequent portfolio remain unverified.
- 2011
Forest-film prologue premieres at Bourges
[1]The short documentary C'était la forêt des pluies opened the International Festival of Ecological Films of Bourges in October.
- 2010
Wild-Touch is established
[1]Luc Jacquet created Wild-Touch in France with his wife and friends as a nonprofit platform for environmental communication and media projects.
- 2010
Primary-forest documentary project begins
[1]Jacquet and botanist Francis Hallé traveled to French Guiana in August to begin filming the organization's first major project about primary forests.
- 2006
March of the Penguins wins an Academy Award
[1]Luc Jacquet's documentary March of the Penguins received the Academy Award for Best Documentary Feature, giving him the public profile that later informed the creation of Wild-Touch.
Products and positioning
Environmental nonprofit and documentary-production platform using cinema, scientific collaboration, and public figures to communicate ecological risks and conservation issues.
Documentary film
Once upon a forest
Wild-Touch's first major documentary project, developed with filmmaker Luc Jacquet and botanist Francis Hallé. The film examines primary forests, their ecological richness, and the threats associated with their disappearance. The project grew from filming undertaken in French Guiana beginning in August 2010 and was also known by its French title, Il était une forêt.
Short documentary film · 2011
C'était la forêt des pluies
A short documentary or prologue connected with Wild-Touch's primary-forest film project. It provided an early public presentation of the subject and opened the International Festival of Ecological Films of Bourges in October 2011.
Marketing campaigns
- 2010Primary forest awareness project
France · French Guiana · International
Wild-Touch developed a film-based awareness initiative focused on the ecological importance and disappearance risk of primary forests. The project brought together Luc Jacquet, botanist Francis Hallé, and actress Marion Cotillard as patron.
Outcome. The initiative produced the short prologue C'était la forêt des pluies and the feature documentary Once upon a forest.
Brand decisions
2010
Adopt film as the organization's principal environmental communication toolStrategyBackground
Wild-Touch was created to make endangered animals and environmental problems more visible to broad audiences.
Action taken
The organization prioritized documentary production and related media projects, beginning with a film about primary forests.
Aftermath
The forest project became Wild-Touch's first major initiative and led to both a short prologue and a feature documentary.
Sources2 sources
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