Wascana Review
Trademark
UnclaimedWascana Review was a Canadian biannual literary magazine published by the University of Regina from 1966 until 2012.
Last updated August 26, 2026
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Overview
Wascana Review was a Canadian literary magazine associated with the University of Regina in Regina, Saskatchewan. Established in 1966, it published twice a year and focused on contemporary writing, particularly essays, critical and general-interest articles, and poetry. Its contributor roster connected the publication with a broad range of Canadian literary and intellectual activity, while also including internationally recognized writers and critics. The magazine published work by authors such as Di Brandt, Elizabeth Brewster, Sharon Butala, Lorna Crozier, Northrop Frye, Janette Turner Hospital, Linda Hutcheon, Mark Kingwell, Robert Kroetsch, Susan Musgrave, Al Purdy, Leon Rooke, Guy Vanderhaeghe, Tom Wayman, Susan McCaslin, Lance Woolaver, and George Woodcock. This range reflects the review's role as a venue for both established and emerging contemporary voices rather than as a narrowly specialized academic journal. Wascana Review also used formats beyond conventional print literary publishing. Its contents included text alongside video and sound files, giving the publication a multimedia dimension. Beginning with volume 42 in 2007, it was published on an open-access basis, making its material available online without a subscription paywall and extending the reach of a university-affiliated literary periodical. The publication was editorially connected to the University of Regina. Joan Givner was among its former editors-in-chief, and Kathleen Wall was identified as the general editor in 2011. The magazine ultimately ceased publication in 2012 after reductions in funding affecting the university's English Department. It is therefore a defunct literary-magazine brand whose historical significance lies in its long Saskatchewan institutional affiliation, its contribution to Canadian literary culture, its publication of notable writers, and its early adoption of open-access and multimedia presentation.
History
Wascana Review was founded in 1966 as a literary magazine connected with the University of Regina in Saskatchewan, Canada. It appeared on a biannual schedule and developed as a venue for contemporary literary and intellectual writing. Rather than restricting itself to one genre, the review published essays, articles, and poetry, placing creative work alongside critical and broader literary commentary. Over the course of its publishing life, Wascana Review featured a substantial group of Canadian writers and critics. Its contributors included Di Brandt, Elizabeth Brewster, Sharon Butala, Lorna Crozier, Northrop Frye, Janette Turner Hospital, Linda Hutcheon, Mark Kingwell, Robert Kroetsch, Susan Musgrave, Al Purdy, Leon Rooke, Guy Vanderhaeghe, Tom Wayman, Susan McCaslin, Lance Woolaver, and George Woodcock. The range of contributors indicates that the review participated in national literary culture while retaining its institutional base in Regina. The publication also incorporated digital and multimedia elements. In addition to written material, it carried video and sound files, allowing literary and cultural content to be presented in forms not available in a conventional print-only periodical. Beginning with volume 42 in 2007, Wascana Review was published open access. This transition made its contents available online without the access restrictions associated with subscription-based journals and represented an important change in distribution. The magazine's editorial history included Joan Givner among its former editors-in-chief. Kathleen Wall was identified as the general editor in 2011. The publication remained linked to the University of Regina until financial pressures affected its institutional support. Following decreases in funding for the university's English Department, Wascana Review ceased publication in 2012. No later continuation or successor publication is identified in the supplied reference material. The brand is consequently best understood as a defunct Canadian literary-magazine title with a legacy in contemporary writing, university publishing, open access, and multimedia literary presentation.
- 2012
Publication ends
[1]The review ceases publication amid funding reductions affecting the University of Regina's English Department.
- 2011
Kathleen Wall identified as general editor
[1]Kathleen Wall is identified as the magazine's general editor.
- 2007
Open-access publication begins
[1]Starting with volume 42, Wascana Review is made available through an open-access model.
- 1966
Wascana Review is established
[1]The University of Regina-affiliated literary magazine begins publication in Canada.
Products and positioning
A university-affiliated Canadian literary review presenting contemporary essays, articles, poetry, and multimedia work, with an emphasis on literary and intellectual writing and later open-access distribution.
Literary magazine · 1966
Biannual print and digital issues
Wascana Review published two issues per year, bringing together contemporary essays, articles, and poetry. Its university affiliation gave the periodical an institutional setting while its contributor list connected it with a broad Canadian and international literary community.
Digital literary publishing · 2007
Open-access multimedia edition
From volume 42 in 2007, the review used open-access distribution. Its published material could include text as well as video and sound files, extending the magazine beyond a conventional text-only literary format.
Brand decisions
2012
Cessation of publicationOtherBackground
Funding for the University of Regina's English Department decreased.
Action taken
Wascana Review ended its publishing run.
Aftermath
The magazine became defunct after publishing from 1966 to 2012.
2007
Adoption of open-access publishingStrategyBackground
The magazine was moving from a conventional periodical model toward broader online availability.
Action taken
Beginning with volume 42, Wascana Review published on an open-access basis.
Aftermath
The change expanded access to the magazine's contents, including its text, video, and sound materials.
Sources2 sources
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