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Uzbekfilm

Uzbekistan's oldest and largest film studio, producing feature films, documentaries, animation, and related screen content.

Last updated August 31, 2026

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Overview

Uzbekfilm is the oldest and largest film studio in Uzbekistan and one of the central institutions in the country's national cinema. Established in Tashkent on July 1, 1925, the studio began under the name Sharq Yulduzi, meaning Eastern Star. Its creation formed part of the development of a dedicated film-production infrastructure in Soviet Uzbekistan, allowing local stories, performers, writers, and directors to reach cinema audiences through a permanent production organization. The studio adopted the name Uzbekfilm in 1936. During the Soviet-German War, when film production was reorganized across the Soviet Union, it operated as Tashkent Film Studio. The Uzbekfilm name was restored in 1958. Across its history, the organization has produced feature films, documentaries, and animated works, becoming a major vehicle for Uzbek-language screen culture as well as a producer of films made within the broader Soviet cinema system. Uzbekfilm's catalogue includes roughly 400 feature films and about 100 animated films, according to reference material associated with the studio. Its widely recognized productions include Maftuningman (1958), Mahallada duv-duv gap (1960), Yor-yor (1964), Shum bola (1977), To'ylar muborak (1978), Suyunchi (1982), Kelinlar qo'zg'oloni (1984), Armon (1986), and Abdullajon (1991). These titles span musical comedy, social comedy, family entertainment, literary adaptation, and speculative or fantastical storytelling, and are frequently cited as part of the canon of Uzbek popular cinema. Uzbekfilm also supported short-form and satirical production. In 1966, Samig Abdukakhkhar and Anatoly Kobulov created the Nashtar newsreel series at the studio. Combining fictional or documentary sketches with cartoons, Nashtar used humor and satire to criticize social shortcomings and address public issues. The series illustrates the studio's role beyond conventional feature production and its connection to Soviet-era traditions of satirical cinema and newsreel-making. Following Uzbekistan's independence in 1991, the Uzbek government assumed full control of the studio. In 1996, Uzbekfilm was reorganized as an open joint-stock company. Although its legal and administrative arrangements have changed over time, the studio has continued to function as a national production institution. Reference material states that it produces approximately six feature-length films per year in the contemporary period. Its principal importance lies in preserving and extending Uzbekistan's film heritage, supporting domestic production, and maintaining a recognizable institutional platform for Uzbek cinema.

History

Uzbekfilm was founded in Tashkent on July 1, 1925, as Sharq Yulduzi, or Eastern Star. Its establishment gave Soviet Uzbekistan a permanent institutional base for motion-picture production and helped develop a local film culture involving Uzbek subjects, languages, performers, writers, and directors. In 1936, the organization adopted the name Uzbekfilm. The studio's identity changed during the Soviet-German War, when it operated as Tashkent Film Studio. This period reflected the wider wartime reorganization of Soviet film production. In 1958, the Uzbekfilm name was restored. Over the following decades, the studio became the principal production center associated with Uzbek cinema, making feature films alongside documentaries, animation, and shorter forms of screen content. Its output includes approximately 400 feature films and 100 animated films. The studio's best-known titles include Maftuningman, released in 1958; Mahallada duv-duv gap, released in 1960; Yor-yor, released in 1964; Shum bola, released in 1977; To'ylar muborak, released in 1978; Suyunchi, released in 1982; Kelinlar qo'zg'oloni, released in 1984; Armon, released in 1986; and Abdullajon, released in 1991. The range of these works demonstrates Uzbekfilm's long involvement in popular comedy, musical entertainment, family stories, literary and social themes, and imaginative cinema. Uzbekfilm's production history also includes satirical newsreel work. In 1966, Samig Abdukakhkhar and Anatoly Kobulov created Nashtar, a series that combined fictional or documentary novellas with cartoons. Its purpose was to expose social vices through humor and satire, extending the studio's cultural role beyond feature films. The political and institutional position of Uzbekfilm changed after Uzbekistan became independent in 1991. The Uzbek government took full control of the studio, reinforcing its role as a state-linked national film institution. In 1996, it was converted into an open joint-stock company. Reference material describes the studio as continuing to produce approximately half a dozen feature-length films annually in the contemporary period. Uzbekfilm therefore remains significant both as an active production organization and as the custodian of a large body of Uzbek cinematic heritage.

  • 1996

    Conversion into an open joint-stock company

    [1]

    Uzbekfilm was reorganized as an open joint-stock company.

  • 1991

    Post-independence state control

    [1]

    After Uzbekistan gained independence, the government took full control of Uzbekfilm.

  • 1966

    Creation of Nashtar

    [1]

    The satirical newsreel Nashtar was created at the studio by Samig Abdukakhkhar and Anatoly Kobulov.

  • 1958

    Name restored

    [1]

    Following its wartime identity as Tashkent Film Studio, the organization returned to the Uzbekfilm name.

  • 1936

    Renamed Uzbekfilm

    [1]

    The organization adopted the Uzbekfilm name.

  • 1925

    Founding as Sharq Yulduzi

    [1]

    The studio was established in Tashkent on July 1 under the name Sharq Yulduzi, or Eastern Star.

Products and positioning

National film studio and cultural production institution of Uzbekistan

  • Film production · 1925

    Feature films

    Feature-length narrative films form the studio's central production activity. Uzbekfilm's catalogue includes popular comedies, musical films, family stories, social dramas, literary works, and imaginative cinema. Frequently cited examples include Maftuningman, Mahallada duv-duv gap, Yor-yor, Shum bola, To'ylar muborak, Suyunchi, Kelinlar qo'zg'oloni, Armon, and Abdullajon.

  • Documentary production · 1925

    Documentary films

    Documentary production has been part of Uzbekfilm's work alongside narrative cinema. The studio's documentary output reflects its broader role as a national screen institution and includes factual and socially oriented forms of filmmaking.

  • Animation production

    Animated films

    Uzbekfilm has produced approximately 100 animated films over its history, making animation an established part of the studio's catalogue rather than a marginal activity.

  • Satirical newsreel · 1966

    Nashtar

    Nashtar was a satirical newsreel series created at Uzbekfilm in 1966 by Samig Abdukakhkhar and Anatoly Kobulov. It combined fictional or documentary novellas with cartoons and used humor to criticize social vices and shortcomings.

Brand decisions

  • 1996

    Corporate reorganizationStrategy

    Background

    After independence in 1991, the Uzbek government had taken full control of the studio.

    Action taken

    Uzbekfilm was converted into an open joint-stock company.

    Aftermath

    The reorganization changed the studio's corporate form while it continued operating as a major national film-production institution.

  • 1958

    Restoration of the Uzbekfilm nameStrategy

    Background

    During the Soviet-German War, the studio had operated under the name Tashkent Film Studio.

    Action taken

    The Uzbekfilm name was restored.

    Aftermath

    The restored name continued to identify the studio through the late Soviet period and after Uzbekistan's independence.

  • 1936

    Adoption of the Uzbekfilm nameStrategy

    Background

    The studio had operated since 1925 as Sharq Yulduzi.

    Action taken

    The organization was renamed Uzbekfilm.

    Aftermath

    The name became the studio's principal long-term identity, apart from its wartime designation as Tashkent Film Studio.

Sources1 sources

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