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United States Television Manufacturing Corp.

An American television manufacturer active from 1945 to 1950 and known for large-screen projection televisions designed for public venues.

Last updated August 31, 2026

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Overview

United States Television Manufacturing Corporation was an American television manufacturing and distribution company founded in Manhattan in 1945. It operated during the formative commercial period of television, when receivers were expensive, production materials remained constrained after the Second World War, and television ownership was still concentrated among businesses, public venues, and affluent households. The company became particularly associated with large-screen rear-projection television sets intended for taverns, clubs, fraternal organizations, department stores, theaters, and other spaces where many people could watch a single program. The company was led by president Hamilton Hoge, with his brother John Otis Hoge serving as vice president. Its initial commercial strategy emphasized comparatively large and expensive units rather than attempting to compete immediately for mass household volume. Management argued that limited supplies of components and materials made it more practical to sell fewer high-priced sets to commercial customers. The company used the names U.S. Television Manufacturing and UST in some public communications and advertising. In September 1946, the company staged a widely publicized demonstration of a large-screen rear-projection television. Sets displayed live coverage of the Joe Louis–Tami Mauriello heavyweight boxing match at department stores in Manhattan, Brooklyn, and Newark. The demonstration illustrated the company's central proposition: television could function as a shared public spectacle rather than merely as a household appliance. By July 1947, the company said it was producing approximately 300 units per month, with dealers in 13 states and the District of Columbia. Its portfolio expanded beyond its original large-screen projection model. Announced products included projection televisions with screen areas of approximately 390, 475, 675, and larger square inches; direct-view receivers using 10-inch cathode-ray tubes; tabletop models; console televisions incorporating radio and phonograph functions; and equipment proposed for theaters and auditoriums. Product names included Tavern Tele-Symphonic, Tele-Symphonic, Tele-Symphonic Modern, Telesonic, and the Dumbarton radio-phonograph. Model numbers associated with the company included T502, T507, T508, T521, T525, T530, T621, and T10823. The company also developed a degree of vertical capability through its subsidiary Zetka Television Tubes, Inc., in Clifton, New Jersey. By late 1948, Zetka was manufacturing 12-inch and 15-inch cathode-ray tubes using glass blanks supplied by Corning Glass Works. Increased availability of 15-inch glass tubes contributed to price reductions announced in December 1948. At the same time, the company promoted its products through dealer distribution, direct mail, and print advertising. A planned direct-mail effort targeted 41,000 tavern owners, while a later print campaign for tabletop sets had a reported budget of $250,000 and was handled by Huber-Hoge & Sons. Despite technical ambition and early publicity, the business experienced uneven financial results. It reported losses and profits at different points between 1946 and 1949, and its full-year 1947 sales were accompanied by a net loss. The company reported a small profit in 1948 but a larger loss in 1949. After the public company's 1950 earnings report recorded another loss, no further reports were issued. The company is therefore generally understood to have ceased operations or become inactive around 1950. It is historically notable as an early American television maker that tried to commercialize very large-screen projection television before such products became practical for ordinary consumers.

History

United States Television Manufacturing Corporation was established in Manhattan, New York City, in 1945, at a time when television was moving from experimental demonstrations toward commercial broadcasting. The postwar economy presented both an opportunity and a constraint. Public interest in television was rising, but manufacturers faced shortages of components, glass, and other materials left over from wartime production conditions. The company responded by concentrating initially on large-screen rear-projection equipment that could be sold at high prices to venues serving groups of viewers. Hamilton Hoge served as president and John Otis Hoge as vice president. The company's target customers included taverns, clubs, fraternal organizations, and other commercial or public establishments. Its management reasoned that a business could economically purchase one large receiver for collective viewing, whereas selling many lower-priced household sets would require greater access to scarce materials. The company's early identity was consequently tied to the idea of television as a public attraction. In April 1946, the company announced an offering of 99,000 shares of common stock. Later that year, it promoted its technology through a public demonstration of a large-screen rear-projection television. On September 18, 1946, sets installed at Bloomingdale's and Macy's in Manhattan, Bamberger's in Brooklyn, and Abraham & Straus in Newark displayed live coverage of a heavyweight boxing match between Joe Louis and Tami Mauriello at Yankee Stadium. The event gave the company a prominent showcase and demonstrated how large-screen television could draw crowds in retail and hospitality settings. By July 1947, the company stated that it was producing about 300 units monthly and had dealers in 13 states and the District of Columbia. It announced a 475-square-inch projection model with AM-FM radio reception, as well as home-oriented products. These included a direct-view television using a 10-inch cathode-ray tube, a projection receiver with a 390-square-inch image, and combination sets incorporating radio and phonograph features. The direct-view model was initially listed at $895 and later reduced to $745 in November 1947. The company also marketed models under names such as Tavern Tele-Symphonic, Tele-Symphonic, Tele-Symphonic Modern, and Telesonic. The product program continued to expand in 1948. The company raised the listed price of its large projection set to $2,495 and discussed production of 50 to 75 such sets per month. It also proposed a system for theaters and auditoriums with screens ranging from 9 by 12 feet to 12 by 16 feet. By October, it was advertising improved models with 475- and 675-square-inch screens. A tabletop model with a 10-inch tube was also in production by January. The company's combination products reflected the period's expectation that a premium television might serve as a complete home entertainment center rather than as a standalone display. The company sought greater control over key components through Zetka Television Tubes, Inc., a subsidiary located in Clifton, New Jersey. By November 1948, Zetka was manufacturing 12-inch and 15-inch cathode-ray tubes using glass blanks supplied by Corning Glass Works. Increased supplies of 15-inch glass tubes enabled the parent company to announce price reductions in December 1948. At that point, a home console with radio and phonograph was listed at $1,095, while tabletop models were listed at $695 and $325. Marketing was directed toward both commercial customers and home consumers. In August 1947, the company said it would use Huber-Hoge & Sons for a direct-mail campaign aimed at 41,000 tavern owners throughout the United States. In January 1948, the same agency was reported to be preparing a $250,000 print campaign for tabletop sets, with messaging intended to emphasize product quality rather than low price. Distribution included independent dealers and named distributors in several cities, including Philadelphia, Cleveland, Buffalo, and the Bronx. Financial results were inconsistent. The company reported a net loss for the first half of 1946, an estimated after-tax profit for the first half of 1947, and a full-year 1947 net loss despite reported sales of nearly $1.9 million. It recorded a modest profit in 1948 but reported a substantially larger loss in 1949. Following its 1950 earnings report, which also showed a loss, the company issued no further reports documented in the available account. Its operating life is therefore generally placed between 1945 and 1950. The company's historical importance lies less in long-term commercial success than in its early attempt to make large-screen television a viable business product. Its rear-projection receivers anticipated later demand for large displays, while its combination sets and public-venue strategy reflected the technological and economic conditions of television's first commercial era.

  • 1950

    Public reporting ends after losses

    [1]

    After a loss reported in the company's 1950 earnings account, no further reports were issued in the available historical record.

  • 1948

    Zetka subsidiary manufactures larger CRTs

    [1]

    Zetka Television Tubes was reported to be producing 12-inch and 15-inch cathode-ray tubes.

  • 1947

    Production reaches approximately 300 units per month

    [1]

    The company reported monthly production of about 300 receivers and dealer distribution across 13 states and the District of Columbia.

  • 1946

    Initial public offering announced

    [1]

    The company announced an offering of 99,000 common shares at $3 per share.

  • 1946

    Large-screen boxing broadcast demonstration

    [1]

    Rear-projection receivers displayed live heavyweight boxing coverage at department stores in the New York and Newark area.

  • 1945

    Company founded in Manhattan

    [1]

    United States Television Manufacturing Corporation was founded in Manhattan to manufacture and distribute television receivers, initially emphasizing large-screen products.

Products and positioning

Early large-screen television specialist focused on commercial venues and affluent home users, with products combining television, radio, and phonograph functions.

  • Large-screen rear-projection television

    Tavern Tele-Symphonic

    A commercial-oriented projection television line designed for taverns and other public venues. Listed models included T508, T521, T525, and T530. Like other products in the company's range, it incorporated radio and phonograph functions.

  • Rear-projection television

    Tele-Symphonic

    A large-screen projection television marketed for customers seeking a substantial shared viewing image. The range was associated with premium pricing and was promoted for commercial as well as high-end domestic use.

  • Rear-projection television

    Tele-Symphonic Modern

    A modern-styled version of the company's Tele-Symphonic projection television family. It represented the company's effort to combine large-screen viewing with the furniture-oriented styling common to premium home entertainment products of the period.

  • Direct-view television · 1947

    Telesonic

    A direct-view television line offered in modern and period cabinetry. One announced version used a 10-inch direct-view cathode-ray tube and included AM-FM radio and a phonograph, positioning it as a combined home entertainment console.

  • Radio-phonograph

    Dumbarton

    A radio-phonograph product associated with the company's broader combination-entertainment offering. It complemented the company's television receivers, many of which integrated radio and phonograph functions.

  • Television component · 1948

    Zetka cathode-ray tubes

    Cathode-ray tubes manufactured by the company's Zetka Television Tubes subsidiary in Clifton, New Jersey. The subsidiary was reported to produce 12-inch and 15-inch tubes using glass blanks supplied by Corning Glass Works.

Marketing campaigns

  • 1948Tabletop television print campaign

    United States

    The company announced a print advertising campaign for tabletop televisions, with reported spending of $250,000 and messaging focused on quality rather than price.

    Outcome. The available account does not report a measurable outcome for the campaign.

  • 1947National tavern-owner direct-mail campaign

    United States

    Huber-Hoge & Sons was engaged for a proposed direct-mail campaign directed at approximately 41,000 tavern owners nationwide.

    Outcome. The available historical account documents the planned campaign but does not establish its final commercial results.

  • 1946Department-store large-screen demonstration

    United States

    The company displayed rear-projection sets at major department stores in Manhattan, Brooklyn, and Newark during a live heavyweight boxing broadcast.

    Outcome. The demonstration provided public visibility for the company's large-screen technology and reinforced its positioning around communal viewing.

Brand decisions

  • 1948

    Develop in-house cathode-ray-tube productionStrategy

    Background

    Screen size and tube availability were important constraints on television manufacturing.

    Action taken

    The company used its Zetka subsidiary to manufacture 12-inch and 15-inch cathode-ray tubes.

    Aftermath

    Greater availability of 15-inch glass tubes was cited alongside price reductions for selected television products.

  • 1948

    Increase the listed price of the large projection modelPrice change

    Background

    The company continued to position its large projection television as a premium product while planning expanded distribution.

    Action taken

    The listed price of the large projection set rose to $2,495.

    Aftermath

    The company simultaneously discussed shipment to distributors in multiple cities and monthly production targets of 50 to 75 units.

  • 1948

    Reduce prices on selected home modelsOther

    Background

    The company cited increased supplies of 15-inch glass cathode-ray tubes.

    Action taken

    It reduced listed prices for a home television console with radio and phonograph and for tabletop models.

    Aftermath

    The reductions brought selected listed prices to $1,095 for the console and $695 and $325 for tabletop sets.

  • 1947

    Expand into household television combinationsProduct launch

    Background

    The company had established an initial large-screen projection business but sought a broader customer base.

    Action taken

    It announced direct-view and projection home models combining television with AM-FM radio and a phonograph.

    Aftermath

    The range broadened beyond tavern and institutional buyers, though the company remained a premium-priced manufacturer.

  • 1945

    Prioritize large-screen commercial televisionStrategy

    Background

    Postwar shortages limited the availability of television components and production materials.

    Action taken

    The company initially targeted taverns, clubs, fraternal organizations, and similar venues with fewer, higher-priced large-screen receivers.

    Aftermath

    The strategy established the company's identity as an early specialist in public-venue television, although later products also addressed household consumers.

Recent events

  • 1950

    Company reports later loss and ceases regular public reporting[1]

    Bankruptcy

    After reporting a loss for the preceding year and issuing a 1950 earnings report that also recorded a loss, the company apparently stopped issuing further reports.

  • 1948

    Zetka Television Tubes begins producing larger cathode-ray tubes[1]

    Product launch

    The company's Clifton, New Jersey subsidiary was reported to be manufacturing 12-inch and 15-inch television tubes.

  • 1948

    Company lowers prices following improved component availability[1]

    Pricing

    The company reduced prices for selected home console and tabletop models, attributing the changes in part to increased supplies of 15-inch glass cathode-ray tubes.

  • 1947

    United States Television Manufacturing expands dealer distribution[1]

    Other

    The company reported monthly production of about 300 units and distribution through dealers in 13 states and the District of Columbia.

  • 1947

    Company introduces broader television and radio-phonograph range[1]

    Product launch · Product generation

    The company announced larger projection models, direct-view household receivers, and combination television-radio-phonograph products.

  • 1946

    United States Television Manufacturing announces public offering[1]

    Other

    The company announced an initial public offering of 99,000 common shares with a par value of 50 cents and an offering price of $3 per share.

  • 1946

    Company demonstrates large-screen television during heavyweight boxing broadcast[1]

    Product launch · Campaign

    The company presented rear-projection television sets at department stores in the New York metropolitan area while showing live coverage of the Joe Louis–Tami Mauriello boxing match.

Sources1 sources

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