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The Lakeview Review

The Lakeview Review is an American literary journal originating in New York's Finger Lakes region and later continuing as an online publication.

Last updated August 31, 2026

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Overview

The Lakeview Review is an American literary journal associated with the Finger Lakes area of Upstate New York. Founded in 2008 by Tanya Babcock, it began as a print publication headquartered in Wayland, New York. The original journal was issued quarterly, with publication scheduled for January, April, July, and October, and was positioned as a platform for literary writing and emerging authors. The print edition ended in late 2009. Rather than abandoning the project, its organizers decided to revive it in digital form in 2010. The online incarnation changed the publication's rhythm from quarterly print issues to a biannual digital journal. It also retained a connection with the Review's writing contests, continuing to accept submissions for those competitions. Beyond journal publishing, The Lakeview Review developed a broader online literary community. Its activities included blogs and a book club, extending the brand from a periodical into a participatory space for readers and writers. This community-oriented model complemented the journal's editorial role by encouraging ongoing discussion and engagement between issues. The publication is best understood as an independent literary-media brand rather than a commercial mass-market magazine. Its identity is rooted in regional American literary culture, author submissions, contests, and community programming. Publicly available reference material does not establish a corporate parent, ownership structure, revenue figures, public listing, or a separate commercial website. The available record documents the transition from print to online publishing but does not provide enough current operational detail to determine the scale or regularity of its present activity.

History

The Lakeview Review was established in 2008 as an American literary journal serving the Finger Lakes area of Upstate New York. Tanya Babcock was its founding editor, and the publication was headquartered in Wayland, New York. In its initial form, the journal was a print periodical published four times a year, with issues planned for January, April, July, and October. This quarterly schedule gave the publication a conventional literary-magazine structure while allowing it to present writing on a recurring basis. The print phase was relatively brief. In late 2009, publication of the print journal ceased. The project was subsequently rethought rather than permanently discontinued, and in 2010 it was resurrected as an online literary journal. The digital format altered the publication's frequency: the online Review was described as appearing biannually rather than quarterly. The move also allowed the project to maintain submission opportunities connected with its continuing writing contests, preserving an important participatory element of the original publication. The online version expanded the brand beyond the publication of journal issues. The Lakeview Review operated an online writing community that included blogs and a book club. These features created additional ways for writers and readers to participate between issues and positioned the journal as a literary community as well as an editorial outlet. The combination of journal publishing, contests, blogs, and book-focused discussion suggests a model centered on literary discovery and reader-writer engagement. Available reference material does not document a corporate parent, acquisition, public-company relationship, financial performance, circulation figures, or a detailed list of editors beyond the founding editor. It also does not provide sufficient evidence to describe a later ownership change or to confirm the publication's current publishing schedule in detail. The documented historical trajectory is therefore a transition from a quarterly print journal founded in 2008, through the end of print publication in 2009, to an online biannual literary journal and community project beginning in 2010.

  • 2010

    Online revival

    [1]

    The project was revived as an online literary journal, described as publishing biannually and continuing to support writing contests.

  • 2009

    Print publication ends

    [1]

    The original print edition ceased publication late in the year after operating on a quarterly schedule.

  • 2008

    Print journal established

    [1]

    The Lakeview Review was founded as a print literary journal in the Finger Lakes area of Upstate New York, with Tanya Babcock as founding editor.

Products and positioning

An independent, community-oriented literary journal serving writers and readers through regional print publishing and later online editorial and cultural programming.

  • Literary magazine · 2008

    Print literary journal

    The original form of The Lakeview Review was a printed literary journal established in 2008. It was published quarterly, with issues scheduled for January, April, July, and October. The print edition represented the publication's initial editorial and distribution model before it ended in late 2009.

  • Digital publishing · 2010

    Online literary journal

    Following the end of the print edition, The Lakeview Review was revived online in 2010. The digital journal was described as biannual and continued to provide a venue for literary writing and submissions associated with the Review's writing contests.

  • Literary community · 2010

    Online writing community

    The online version included community-oriented features beyond journal issues, including blogs and a book club. These activities broadened the publication's role into an ongoing forum for interaction among writers and readers.

Brand decisions

  • 2010

    Shift from print to online publishingStrategy

    Background

    The quarterly print journal ceased publication in late 2009, creating the need to determine whether and how the project would continue.

    Action taken

    The project was resurrected as an online literary journal, with a biannual publishing schedule and continued writing-contest submissions.

    Aftermath

    The digital format also supported an online writing community featuring blogs and a book club, expanding the brand beyond a conventional periodical.

Sources1 sources

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