Schema Records
An Italian independent record label known for jazz, Brazilian, Latin-influenced, funk, acid-jazz, and electronic music.
Last updated August 31, 2026
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Overview
Schema Records is an Italian independent record label based in Milan and founded in 1997 by Luciano Cantone and Davide Rosa. The label is associated with jazz and with recordings that draw on Brazilian, Latin, funk, acid-jazz, and electronic traditions. Its catalogue combines reissues and new recordings, connecting historic jazz repertoire with contemporary producers, musicians, and vocalists. Schema operates as a sublabel of Ishtar, a Milan-based recording and publishing company. Ishtar also oversees related imprints including Schema Rearward, Sensible, Summer Dawn, Big Sur Recordings, and Milano 2000. This structure places Schema within a broader specialist music group rather than treating it as an isolated label. The label's catalogue includes work by a wide range of artists and ensembles, including Alessandro Magnanini, Balanco, Benny Bailey, Eraldo Volonté, Gerardo Frisina, Giorgio Azzolini, Johnny Griffin, the Kenny Clarke/Francy Boland Big Band, Les Hommes, Mario Biondi, Neos, Nicola Conte, Piero Umiliani, Pietro Ciancaglini, Quartetto di Lucca, Rosalia de Souza, Sahib Shihab, Soulstance, Steve Evans, Marvin Parks, and Toco. Nicola Conte is among the artists most closely associated with Schema's international profile, while the catalogue as a whole reflects the label's interest in sophisticated, groove-oriented jazz and cross-cultural musical references. Schema's positioning is based on curated musical taste, archival depth, and the meeting of acoustic jazz with modern production. Its releases appeal to listeners interested in jazz history, Brazilian and Latin sounds, rare-groove culture, and contemporary electronic interpretation. Publicly available reference material provides limited detail about the label's internal management, financial performance, release schedule, and current operating status; those areas therefore remain unconfirmed in this dossier.
History
Schema Records was established in Milan in 1997 by Luciano Cantone and Davide Rosa. From its foundation, the label developed as a specialist imprint centered on jazz and related musical forms rather than as a mainstream, genre-neutral record company. Its catalogue is associated with Brazilian and Latin influences, funk, acid jazz, and electronic production, giving the label a place within the international culture of jazz-informed dance music and modern groove. The label functions within Ishtar, a Milan-based recording and publishing company. Ishtar's wider family of imprints includes Schema Rearward, Sensible, Summer Dawn, Big Sur Recordings, and Milano 2000. Schema's relationship with this group is significant because it situates the label within a coordinated catalogue and publishing environment, while preserving a distinct identity focused on jazz-oriented and cross-cultural repertoire. Schema's catalogue brings together contemporary artists, vocalists, ensembles, and historically important jazz recordings. The artists associated with the label include Alessandro Magnanini, Balanco, Benny Bailey, Eraldo Volonté, Gerardo Frisina, Giorgio Azzolini, Johnny Griffin, the Kenny Clarke/Francy Boland Big Band, Les Hommes, Mario Biondi, Neos, Nicola Conte, Piero Umiliani, Pietro Ciancaglini, Quartetto di Lucca, Rosalia de Souza, Sahib Shihab, Soulstance, Steve Evans, Marvin Parks, and Toco. This range illustrates a catalogue strategy that links European jazz, American jazz figures, Brazilian and Latin musical traditions, and contemporary electronic or groove-based interpretation. Nicola Conte is one of the label's most visible associated artists. His connection with the label reflects Schema's characteristic combination of jazz composition, cinematic atmosphere, Brazilian and Mediterranean references, and modern production. Other catalogue entries extend the label's historical reach through recordings by established jazz musicians and ensembles, while newer projects broaden the sound into acid jazz, funk, and electronic territory. The available reference material does not document a detailed sequence of corporate changes, ownership transfers, financial results, major marketing campaigns, or a confirmed current executive team beyond the label's two founders. It also does not establish a definitive present-day operating status. Accordingly, Schema Records is best documented as a Milan-based label founded in 1997 and associated with Ishtar, with its historical identity defined by carefully curated jazz and jazz-adjacent recordings.
- 1997
Schema Records founded
[1]Luciano Cantone and Davide Rosa established Schema Records in Milan as a specialist label focused on jazz and related musical forms.
Products and positioning
A specialist, taste-led label combining jazz heritage, Brazilian and Latin influences, funk, acid jazz, and electronic production.
Recorded music · 1997
Jazz catalogue
Schema's core catalogue is built around jazz recordings, spanning historic performers, ensembles, and contemporary artists. The repertoire includes material connected with figures such as Benny Bailey, Johnny Griffin, Giorgio Azzolini, Sahib Shihab, and the Kenny Clarke/Francy Boland Big Band. It represents the label's strongest link to jazz history and specialist collector culture.
Recorded music
Brazilian and Latin-influenced releases
A major part of Schema's identity comes from recordings that incorporate Brazilian and Latin musical influences. Artists such as Rosalia de Souza and projects associated with Nicola Conte exemplify the label's interest in combining jazz language with rhythmic, melodic, and vocal traditions from outside the conventional jazz mainstream.
Recorded music
Funk, acid-jazz, and electronic catalogue
Schema also releases music positioned between jazz, funk, acid jazz, and electronic production. This part of the catalogue connects instrumental musicians, vocalists, and producers with the modern groove movement, extending the label's audience beyond traditional jazz listeners while retaining a strong emphasis on musicianship and curation.
Sources2 sources
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