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Rosendale Theatre

Rosendale Theatre is a historic 260-seat cinema and live-performance venue in Rosendale, New York.

Last updated November 4, 2026

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Overview

Rosendale Theatre is a three-story, 260-seat movie theater and performance venue in Rosendale Village, a hamlet within the Town of Rosendale in Ulster County, New York. The building opened in 1905 as the Rosendale Casino, a community entertainment facility that also accommodated theatrical activity. During the 1920s it screened films on 16 mm equipment, and during the 1930s a raised stage was added for vaudeville and burlesque performances. In a later period the building became locally known as Firemen's Hall, housing the town fire department while also serving as a basketball court, dance hall, and community gathering place. The venue became a dedicated movie theater in 1949, when Poughkeepsie tile setter Anthony Cacchio Sr. rented the building and reopened it on February 18 with a screening of the Western film Blood on the Moon. His wife, Fannie, sold tickets and helped select the program, while their sons Anthony Cacchio Jr. and Rocco Cacchio worked as ushers, projectionists, and managers. The family eventually acquired the building outright, and the Cacchios operated the theater for more than six decades. Their family-centered management became a defining part of the venue's identity: the theater was not simply a commercial cinema but also a familiar local institution staffed and maintained by several generations. The theater's early programming strategy shaped its later positioning. It presented a very large number of titles each year, often showing films for short runs and using double features. This made the venue less attractive to distributors and limited its access to first-run releases. The resulting reliance on independent, foreign, art, and locally produced films gradually became a strength. Rosendale Theatre developed a reputation for eclectic programming and for serving audiences interested in films outside the mainstream commercial circuit. Its delayed access to some popular releases could occasionally produce unusual timing, such as a screening of Chariots of Fire during the week that film won the Academy Award for Best Picture. The building suffered major damage during the 1955 Rondout Creek flood, when approximately three feet of water entered the theater and destroyed its interior contents. The Cacchios rebuilt with loans and government relief funds, installing new 35 mm projection and sound equipment. The family also maintained a distinctive operating culture, including a long period without popcorn after Anthony Cacchio Jr. discontinued it because of its smell, mess, and noise. By 1980, the theater was known for comparatively inexpensive tickets and drew approximately 40,000 to 50,000 visitors annually, according to historical accounts. Live performance gradually returned to the venue after decades in which cinema was its primary function. A 2004 John Kerry campaign rally was the first major live event there in more than 55 years, and by 2005 live performances had become a regular part of the program. Concert activity expanded in 2006, including a jazz performance by Kevin Mahogany. The theater also became one of the screening locations for the Woodstock Film Festival and hosted local cultural events. The Cacchio era came to an end after the 2008 death of Rocco Cacchio. Rather than sell the property to a real-estate developer, the family favored a transfer to a locally organized preservation group. The Rosendale Theatre Collective was formed in 2009 as a nonprofit dedicated to acquiring and preserving the building. It raised money through individual donations, benefits, auctions, social-network campaigning, and other community events. A successful entry in PepsiCo's April 2010 Pepsi Refresh Project brought a major grant and helped close the funding gap. Ownership passed from the Cacchios to the Collective on August 19, 2010. Under nonprofit ownership, Rosendale Theatre retained its dual identity as an independent cinema and community performance space. The Collective introduced digital cinema equipment, upgraded sound, installed a retractable screen that exposed more of the stage, and added related technical infrastructure. Its preservation model emphasizes local cultural stewardship, independent film, live music, festivals, civic gatherings, and accessible community programming rather than a conventional multiplex business model.

History

The site occupied by Rosendale Theatre is associated with nineteenth-century industrial Rosendale, where a blacksmith shop reportedly served the area's cement mills and the Delaware and Hudson Canal. The present three-story building opened in 1905 as the Rosendale Casino. Despite its name, the facility functioned as a broader entertainment venue. It screened 16 mm films during the 1920s, and in the 1930s added a raised stage for vaudeville and burlesque. After becoming village property, it was used as Firemen's Hall, accommodating the local fire department, basketball activities, dances, and other community functions. Anthony Cacchio Sr., a tile setter from Poughkeepsie, rented the building in 1949 after the village mayor expressed a desire for a local movie theater. He opened it as a one-room cinema on February 18, 1949, showing Blood on the Moon. Tickets initially cost 50 cents for adults and 25 cents for children. The theater's operation quickly became a family enterprise. Fannie Cacchio handled ticket sales and played a major role in choosing films, while Anthony Jr. and Rocco worked in front-of-house and technical positions. Michael Cacchio, the next generation, joined the operation in 1998. The family owned the building outright by 1954. A severe Rondout Creek flood in 1955 filled the theater with roughly three feet of water and destroyed its contents. The Cacchios rebuilt with borrowed funds and public relief assistance, replacing the projection and sound systems and restoring the auditorium. The theater's programming practices were unusual for its market. It sometimes presented about 300 different movies in a year, with short engagements and double features. Distributors consequently made first-run titles difficult to obtain. Rosendale responded by developing a program of independent, foreign, art, and local films. This constraint became a form of differentiation, attracting patrons who valued less conventional cinema. By 1980, attendance was reported at approximately 40,000 to 50,000 visitors a year, while ticket prices remained below those of larger competing theaters. The Cacchios also developed distinctive house practices. Popcorn was discontinued in the mid-1960s because of concerns about odor, litter, and audience noise, although concessions later returned. The theater remained a closely held family business for decades. Anthony Sr. continued working despite declining health and died in 1998. Fannie continued working at the venue until her death in 2004. A short documentary made by local teenagers in 2004 recorded the theater's history and included footage of Fannie shortly before her death. Although primarily a cinema, the building's stage and acoustics supported a gradual expansion into live events. The stage hosted a John Kerry rally in October 2004, the first such event in more than half a century, and regular live entertainment became common by 2005. Concert programming began in earnest in 2006 with a jazz performance by Kevin Mahogany. Rosendale Theatre also became a venue for the Woodstock Film Festival, joining theaters in Rhinebeck and Woodstock as screening locations. Rocco Cacchio's death in November 2008 led the family to consider selling the property. A local preservation effort emerged in 2009, when residents formed the Rosendale Theatre Collective. The Collective was established specifically to acquire the building and maintain it as a cultural resource. Its fundraising depended heavily on small donations, benefits, auctions, and community events. The group also pursued a Pepsi Refresh Project grant through an online voting campaign. Its strong social-media mobilization placed the theater among the winning projects in the April 2010 competition, providing important support for the purchase and planned equipment upgrades. The Cacchio family preferred a sale to the local Collective over a transaction with developers. The theater remained in family operation while fundraising and financing were completed. The Collective obtained mortgage financing and took ownership on August 19, 2010. After the transfer, it committed to preserving the venue's established mix of independent film, art cinema, festival screenings, and live performance. A retractable screen was installed to make the stage more accessible, and new surround-sound equipment, a digital projector, a programming server, and other technical systems were added. The resulting institution retained the historic theater's local character while adapting its exhibition technology and nonprofit operating model.

  • 2011

    Digital cinema and surround sound introduced

    [1]

    The venue adds a digital projector, programming server, stage thrust, and upgraded surround-sound equipment.

  • 2010

    Community campaign wins Pepsi Refresh support

    [1]

    The Collective wins an April Pepsi Refresh Project competition through community voting and social-media outreach.

  • 2010

    Ownership transfers to the Theatre Collective

    [1]

    The Rosendale Theatre Collective takes ownership of the property on August 19.

  • 2010

    Retractable screen installed

    [1]

    A retractable screen is added to expose more of the theater's stage for live performances.

  • 2009

    Rosendale Theatre Collective is formed

    [1]

    A local nonprofit is organized to purchase and preserve the theater.

  • 2006

    Concert programming expands

    [1]

    A jazz performance by Kevin Mahogany helps establish the theater as a live music venue.

  • 2005

    Live performances become regular programming

    [1]

    The venue's stage begins hosting live performances on a regular basis.

  • 2004

    Political rally returns live events to the stage

    [1]

    A John Kerry rally becomes the first major live event in the building in more than 55 years.

  • 1981

    Chariots of Fire receives an unusually timely screening

    [1]

    The theater screens Chariots of Fire during the week it wins the Academy Award for Best Picture, despite its customary delay in receiving major releases.

  • 1955

    Flood damages the theater

    [1]

    A Rondout Creek flood fills the theater with approximately three feet of water and destroys its contents.

Products and positioning

A historic, community-owned independent cinema and performance venue that combines film exhibition, live entertainment, arts programming, and civic gathering in a preserved local theater.

  • Cinema programming

    Independent and art-film exhibition

    Rosendale Theatre developed a strong identity around independent, foreign, art, and locally produced films after its short-run programming made access to first-run studio releases difficult. This programming gives the venue a distinct alternative to large commercial multiplexes and reflects the preferences of its longtime local audience.

  • Performing arts · 2005

    Live performance program

    The venue uses its historic stage and favorable acoustics for music, jazz, theater, improvisation, rallies, and other live events. Regular live programming expanded from the mid-2000s, and later technical changes made it easier to alternate between cinema screenings and stage performances.

  • Film festivals

    Film festival screenings

    Rosendale Theatre has served as one of the screening locations for the Woodstock Film Festival. Festival use extends the theater's role beyond routine exhibition and connects the venue with regional independent-film culture.

  • Community venue

    Community events

    The theater hosts civic, political, cultural, and community gatherings in addition to film and performance programming. Its stage has been used for public events, benefits, and local activities, reinforcing its status as a shared community institution.

Marketing campaigns

  • 2010Pepsi Refresh Project preservation campaign

    Rosendale · Ulster County · United States

    The Rosendale Theatre Collective entered PepsiCo's Pepsi Refresh Project while seeking funds to purchase and modernize the theater. It mobilized residents through Facebook and other social-networking tools, alongside dozens of offline fundraisers and small individual donations. The theater's proposal outperformed hundreds of competing entries in the April contest.

    Outcome. The Collective won the competition and received a grant that contributed to the acquisition and planned conversion to digital projection.

  • 2009Community preservation and acquisition drive

    Rosendale · Ulster County · United States

    Residents organized the Rosendale Theatre Collective to acquire the building from the Cacchio family rather than allow its conversion or sale to a real-estate developer. The effort used benefits, auctions, potlucks, workshops, online appeals, and direct donations.

    Outcome. The campaign helped establish nonprofit ownership, completed on August 19, 2010.

Brand decisions

  • 2010

    Property transferred to the Rosendale Theatre CollectiveM&A

    Background

    After more than six decades of family operation and following Rocco Cacchio's death, the Cacchio family sought a preservation-minded buyer.

    Action taken

    The family sold or transferred ownership to the locally formed Rosendale Theatre Collective, a nonprofit preservation organization.

    Aftermath

    The venue continued operating as an independent cinema and performance space, with nonprofit ownership supporting renovation and equipment upgrades.

  • 2010

    Cinema technology modernization approvedGeneration change

    Background

    The newly organized owner needed to preserve film exhibition while improving the building's ability to host live performances.

    Action taken

    The Collective pursued a retractable screen, digital projection, digital programming infrastructure, and upgraded sound equipment.

    Aftermath

    The theater gained greater flexibility between film screenings and stage events and moved from traditional 35 mm presentation toward digital cinema.

  • 2005

    Regular live programming adoptedStrategy

    Background

    The venue had a historic stage but had primarily operated as a movie theater for many years. The 2004 political rally demonstrated that the building could again support substantial live events.

    Action taken

    Rosendale Theatre began incorporating live performances into its regular program.

    Aftermath

    The theater broadened its role into music and performing arts while retaining cinema as a core activity.

  • 1964

    Popcorn discontinuedStrategy

    Background

    Anthony Cacchio Jr. considered popcorn disruptive and messy in the auditorium and believed its odor affected the viewing environment.

    Action taken

    The theater stopped selling popcorn for a period, despite concessions being an important revenue source for many cinemas.

    Aftermath

    Popcorn was later available again, but the decision became part of the theater's distinctive local character.

Sources1 sources

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