Prann Records

Prann Records emerged in 1963 within the independent recording and distribution network used by Ike Turner. Turner founded the label as a vehicle for releasing singles by musicians he was producing outside the Ike & Tina Turner Revue. This focus distinguished Prann from a conventional artist-centered company: its documented purpose was closely tied to Turner's production activities and to the circulation of individual singles rather than to a broad, publicly documented album program. The label operated with the assistance of CIRCA, or Consolidated International Record Company of America. CIRCA had been formed in 1962 to function as a releasing company for independent labels, coordinating with distributors across the United States. Prann's relationship with CIRCA placed its releases within the decentralized commercial structure common to many independent American labels of the era, in which a small imprint could make recordings while relying on outside organizations for wider release and distribution. Prann's documented artists include George Jackson, Fontella Bass, and Ike Turner himself under the name Little Bones. Jackson met Turner at a concert in 1963 after developing an interest in songwriting during his teenage years. Turner brought him to Cosimo Matassa's studios in New Orleans, where Jackson recorded his first single for Prann. Bass recorded for the label early in her career while she was a member of Oliver Sain's band. Turner’s Little Bones recordings show that the imprint could also serve as an outlet for projects connected to his own artistic identity. The surviving reference description does not establish a detailed chronology of individual releases, the full catalog, sales performance, later ownership, or a formal closing date. Consequently, Prann Records is most securely understood as a historically documented independent label associated with Ike Turner's early-1960s production network. Its importance rests in the careers and recordings linked to the imprint, especially the early release of George Jackson and the formative recording activity of Fontella Bass, rather than in evidence of a long-running corporate operation.

• 1963

  Prann Records is founded

  [1]Prann Recordsen.wikipedia.org

  Ike Turner establishes Prann Records as an outlet for singles by artists he was producing outside the Ike & Tina Turner Revue.

• 1963

  George Jackson records his first single for Prann

  [1]Prann Recordsen.wikipedia.org

  After meeting Ike Turner at a concert, George Jackson is taken to Cosimo Matassa's New Orleans studios to record his first single for the label.

• 1962

  CIRCA is formed

  [1]Prann Recordsen.wikipedia.org

  Consolidated International Record Company of America is established to support independent labels by coordinating releases with distributors around the United States.

An independent early-1960s record label used by Ike Turner to release and distribute singles by artists associated with his production work outside the Ike & Tina Turner Revue.

• Recorded music · 1963

  Prann singles

  The label's principal documented product was the single. Prann issued individual recordings by artists connected to Ike Turner's production work, with distribution handled through CIRCA and associated distributors. The available reference material does not provide a complete discography or identify every release title.

• Recorded music · 1963

  George Jackson recordings

  George Jackson released his first single on Prann after Ike Turner encountered him at a concert and arranged recording in New Orleans. The release represents an early recorded milestone for Jackson, who had started writing songs as a teenager.

• Recorded music

  Fontella Bass recordings

  Fontella Bass recorded for Prann early in her career while she was a member of Oliver Sain's band. The available source confirms the association but does not specify the complete titles, release dates, or number of recordings.

• Recorded music

  Little Bones recordings

  Ike Turner also recorded for Prann using the alias Little Bones. These recordings demonstrate the label's role as an outlet for projects tied directly to Turner's own performing and producing activities.

1. 1Prann Recordsen.wikipedia.org