Perugia Press
An American not-for-profit poetry press that publishes an annual collection by a woman poet selected through the Perugia Press Prize.
Last updated August 26, 2026
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Overview
Perugia Press is an American not-for-profit poetry publisher based in Florence, Massachusetts. Founded in 1997 by Susan Kan, the press developed a focused editorial model centered on contemporary poetry by women. Rather than operating as a broad commercial publishing house, Perugia Press has historically issued one poetry collection each year, with the annual title selected through its book contest, the Perugia Press Prize. The prize functions as the press's principal discovery and publishing mechanism. It gives an unpublished or emerging woman poet an opportunity to have a manuscript selected, edited, and released by an established small press. This structure places literary quality, author development, and sustained attention to a single annual book ahead of a large seasonal list. The resulting catalog is therefore relatively compact, but it has included poets whose work later received significant critical recognition and literary awards. Among the authors associated with Perugia Press are Diane Gilliam Fisher, Melanie Braverman, Frannie Lindsay, Jennifer K. Sweeney, Lynne Thompson, and Nancy K. Pearson. Fisher's collection Kettle Bottom, published by the press in 2004, is one of the catalog's specifically documented titles. Authors published by Perugia Press have received or been associated with honors including the James Laughlin Award, the L. L. Winship/PEN New England Award, the Great Lakes Colleges Association New Writers Award, the Ohioana Library Association Poetry Book of the Year award, the Pushcart Prize, National Endowment for the Arts literature fellowships, and Massachusetts Cultural Council grants. Perugia Press occupies a specialist position within American independent publishing. Its identity is defined by poetry, an annual contest-based acquisition process, and a stated commitment to publishing women poets. The press's books have been reviewed in literary outlets including Valparaiso Poetry Review, Prairie Schooner, and Blackbird, helping extend the visibility of its authors beyond the small-press ecosystem. Publicly available reference material does not establish a corporate parent, public-company affiliation, stock listing, or separate commercial division. Its principal offering remains the publication and distribution of carefully selected poetry collections.
History
Perugia Press was established in 1997 in Florence, Massachusetts, by Susan Kan. From its foundation, the press adopted a deliberately narrow literary mission: to publish poetry by women and to do so through an annual manuscript competition rather than through a large, continuously expanding commercial list. The contest became known as the Perugia Press Prize and served as the principal route by which the press selected its yearly book. This model distinguishes Perugia Press from general-interest publishers and from larger poetry houses. A single annual publication allows the press to concentrate editorial and promotional resources on one collection, while the prize creates a competitive and visible mechanism for identifying poets whose work merits publication. The press's catalog consequently represents a curated sequence of contemporary poetry collections rather than a broad range of genres or formats. One documented title is Diane Gilliam Fisher's Kettle Bottom, published in 2004. Other authors associated with the press include Melanie Braverman, Frannie Lindsay, Jennifer K. Sweeney, Lynne Thompson, and Nancy K. Pearson. The authors in the catalog have achieved recognition through a range of literary distinctions, including the James Laughlin Award, the L. L. Winship/PEN New England Award, the Great Lakes Colleges Association New Writers Award, the Ohioana Library Association Poetry Book of the Year award, the Pushcart Prize, National Endowment for the Arts literature fellowships, and grants from the Massachusetts Cultural Council. Perugia Press titles have also received attention from literary journals and review publications. References identify coverage in Valparaiso Poetry Review, Prairie Schooner, Blackbird, and other outlets. Such reviews place the press within the network of American independent literary publishing, where small presses often provide an important route to publication for poets who may not yet have access to major commercial houses. The available reference material does not document a change in ownership, acquisition by a larger publishing group, public listing, or transformation into a multi-imprint company. The press remains characterized by its Massachusetts base, not-for-profit orientation, annual publishing rhythm, and prize-centered commitment to women poets. Detailed information about its current staff, distribution arrangements, annual operating finances, and present publication schedule is not established by the supplied sources.
Products and positioning
A specialist American literary press focused on publishing one high-quality poetry collection each year by a woman poet selected through an annual national book contest.
Poetry books · 1997
Perugia Press poetry collections
Perugia Press publishes contemporary poetry collections, with its editorial program historically centered on one book each year. The annual title is selected from submissions to the Perugia Press Prize and is written by a woman poet. The books form a deliberately curated literary catalog rather than a mass-market list, with publication intended to support emerging or otherwise underrepresented poetic voices.
Poetry collection · 2004
Kettle Bottom
Kettle Bottom is a poetry collection by Diane Gilliam Fisher published by Perugia Press in 2004. It is specifically identified in reference material as one of the press's notable publications and represents the type of single-author contemporary poetry volume associated with the press's contest-led publishing model.
Brand decisions
1997
Adoption of an annual prize-based publishing modelStrategyBackground
At its establishment, Perugia Press adopted a focused editorial structure built around publishing one poetry collection each year by a woman poet selected through the Perugia Press Prize.
Action taken
The press made the annual manuscript contest its principal acquisition and author-discovery mechanism, concentrating its publishing program on contemporary poetry.
Aftermath
The model shaped the press's specialist identity and produced a small but critically visible catalog of poetry collections.
Sources1 sources
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