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Perseverance Records

Perseverance Records is a specialist record label focused primarily on film and television soundtrack releases.

Last updated August 26, 2026

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Overview

Perseverance Records is a specialist soundtrack label whose catalogue centers on film scores, television music, library material, unused compositions, expanded editions, and archival soundtrack projects. Its releases have appeared both on physical formats, particularly compact disc, and through digital distribution. The label is distinguished by presenting score music in collector-oriented editions rather than treating soundtrack albums as simple tie-ins. Releases are often accompanied by substantial booklets containing contextual information, credits, notes, and other editorial material. Some editions have also included supplementary audio content, such as interviews with composers. The catalogue covers a broad range of screen-music history. It includes music associated with horror, science fiction, action, drama, comedy, animation, television, documentary film, and older cinema. The label has issued or announced material connected with films such as The Matrix, Amundsen, Prom Night, Kickboxer, Bloodsport, Rain Man, The Punisher, The Prophecy, Loch Ness, The Witches of Eastwick, Capricorn One, The Gauntlet, Thief, Chitty Chitty Bang Bang, and The Exorcist. It has also worked with music from television productions, including Knight Rider and The Secret Adventures of Jules Verne, and has released projects involving unused or reconstructed scores, such as music associated with Chinatown, Edge of Darkness, and the planned score for Dawn of the Dead. Perseverance's catalogue demonstrates a particular interest in expanding the documented history of screen music. Several releases are identified as expanded editions, anniversary editions, collections, or archival presentations. The label has also published music by composers whose work may otherwise be difficult to find in commercial soundtrack catalogues, including Phillip Lambro, Donald Rubinstein, Craig Safan, J. Peter Robinson, Richard Band, Dennis Dreith, Elia Cmiral, Paul Hertzog, and others. Its output therefore serves both conventional soundtrack listeners and collectors interested in alternative versions, unreleased material, restoration, and detailed production history. Although most of the catalogue is related to film or television, the label has not been limited exclusively to original motion-picture soundtracks. The reference discography identifies Hired Guns by the Sales Bros. as the label's only non-soundtrack release to date. Other adjacent projects include composer anthologies, concert or performance-oriented material, music connected with visual-art documentaries, and releases based on source music or archival compositions. The available reference material does not establish the label's founding year, headquarters, ownership structure, legal status, current management, or present operating condition. It also does not identify an official corporate website. Accordingly, Perseverance Records is best described here through its documented catalogue and publishing approach rather than through unverified corporate information. Its public identity is that of a niche, archival-minded soundtrack imprint emphasizing authorized, carefully documented, and often expanded presentations of film and television music.

History

Perseverance Records is documented as a record label specializing in film-score releases on compact disc and online platforms. The available reference material does not provide a verified founding date, founder, headquarters, ownership history, or chronology of changes in management. Its history is therefore most clearly understood through the development and character of its catalogue. The label's output is rooted in the soundtrack-collecting tradition, with an emphasis on material that may be unavailable through mainstream music companies. Its catalogue includes original soundtrack albums, expanded scores, anniversary presentations, composer compilations, unused film music, television scores, and projects assembled from archival sources. The releases span several decades of screen music and include both well-known titles and obscure or previously difficult-to-access works. Early catalogue entries include Prince Valiant by David Bergeaud, Dr. Phibes Rises Again by John Gale, The Abominable Dr. Phibes by Basil Kirchin, Invasion of the Body Snatchers by Denny Zeitlin, The Deadly Spawn by Michael Perilstein, and Loch Ness by Trevor Jones. Other early releases covered The Punisher, Remo Williams: The Adventure Begins, Dark Skies, The Prophecy, Kickboxer, Bloodsport, Deadly Friend, and various projects by Phillip Lambro and Jim Manzie. These entries established the label's interest in genre cinema, composer-focused collections, and soundtrack editions with archival or expanded value. Later releases broadened the catalogue across film, television, animation, documentary, and concert-related material. The label issued scores and related music from titles such as Rain Man, Slipstream, Lord of Illusions, The Secret Adventures of Jules Verne, Chitty Chitty Bang Bang, The Gauntlet, Animals United, The Witches of Eastwick, Capricorn One, Three Amigos!, The Exorcist, and Seeking Justice. It also documented music that had not served as the final released score for a film, including Phillip Lambro's unused music from Chinatown, John Corigliano's unused score from Edge of Darkness, and Donald Rubinstein's music based on original sketches for a planned Dawn of the Dead score. The catalogue also shows a sustained interest in franchise and television-related projects. Releases connected with Knight Rider were issued in several volumes, with volumes 4 through 7 described as USB cards containing two episodic scores in WAV and MP3 formats. The label released a five-CD Puppet Master soundtrack collection containing music from multiple entries in that series, and it issued several projects associated with Flash Gordon. These formats and collections suggest an effort to serve dedicated collectors while adapting some releases to digital or hybrid distribution. In its more recent documented catalogue, Perseverance Records continued to issue both physical and digital material. Examples include The Matrix Symphony, Amundsen, Solis, Prom Night, digital releases by Sharat Chandra Srivastava, Miriam Cutler, and Alan Derian, and the compilation Forsaken Themes From Fantastic Films, Vol. 1: Tears in Rain. The reference discography also identifies Hired Guns by the Sales Bros. as the imprint's only non-soundtrack release to date. The available sources do not confirm whether the label remains active, how its catalogue is currently administered, or whether all listed releases remain commercially available.

Products and positioning

A specialist, collector-oriented soundtrack label focused on archival preservation, expanded editions, authorized score releases, and richly documented presentations of film and television music.

  • Film score

    The Matrix Symphony

    A soundtrack-related release by Don Davis connected with The Matrix. It represents the label's practice of presenting substantial screen-music material in a dedicated collector edition rather than only as a conventional commercial soundtrack tie-in.

  • Multi-disc soundtrack box set

    Puppet Master – The Soundtrack Collection Box

    A five-CD collection bringing together music from multiple Puppet Master productions. The credited contributors include Richard Band, Jeff Walton, John Massari, and Peter Bernstein, and the set covers several installments and related entries in the franchise.

  • Television score collection

    Knight Rider volumes 4–7

    A series of releases devoted to episodic music from Knight Rider, credited to Don Peake. Volumes 4 through 7 were presented as USB cards containing two episodic scores in WAV and MP3 formats, illustrating the label's use of non-traditional physical distribution for archival television music.

  • Film score

    Kickboxer

    A soundtrack release of Paul Hertzog's music for Kickboxer. The label later also listed a 2014 deluxe edition, reflecting its interest in revisiting genre-film scores through expanded or upgraded presentations.

  • Composer anthology

    The Film Music of Phillip Lambro

    A two-volume presentation of music by Phillip Lambro. The releases exemplify Perseverance Records' composer-centered approach and its interest in making archival or less widely distributed film music available as a distinct catalogue project.

  • Compilation

    Forsaken Themes From Fantastic Films, Vol. 1: Tears in Rain

    A compilation credited to various artists and presented as the first volume in a series focused on themes from fantastic films. It demonstrates the label's willingness to curate thematic material in addition to releasing single-film scores.

  • Non-soundtrack album

    Hired Guns

    An album by the Sales Bros., Hunt Sales and Tony Sales. The reference discography identifies it as Perseverance Records' only non-soundtrack release to date, making it an outlier within an otherwise screen-music-focused catalogue.

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