Peroxide
A short-lived punk zine published and edited in the late 1970s by Andrew Thomas, Quentin Cook, and Ian McKay.
Last updated August 26, 2026
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Overview
Peroxide was a late-1970s punk zine associated with Andrew Thomas, Quentin Cook—later known professionally as Norman Cook—and Ian McKay. The publication lasted for only two issues, placing it within the brief, highly informal tradition of British punk self-publishing. Its importance lies less in commercial scale or longevity than in the subsequent careers of its editors and in the connections it created with the professional music world. The zine was inspired by other punk publications, including Chainsaw, and functioned as an outlet for music-related writing, interviews, and commentary typical of the period's independent punk press. After the first issue, McKay was removed from the project by Cook, leaving the publication to continue without its original three-person editorial configuration. The short run means that Peroxide is best understood as an ephemeral cultural publication rather than an enduring media business. Peroxide is particularly notable because it gave Cook an early and significant connection to the professional music industry. His contact with Adam Ant is identified as one example of the relationships that emerged from the zine. Cook subsequently remained active in music, later becoming widely known as Norman Cook. For Thomas and McKay, the publication represented an early experience in publishing and cultural production. McKay went on to work as a writer focused on visual arts and culture, while Thomas moved into business and later ran Cravenhill Publishing, the company behind Communicate and Transform magazines. Although Peroxide ceased publication after two issues, surviving copies have become collectible. Their later interest is driven substantially by the association with Norman Cook and by the zine's place in the history of British punk publishing. There is no indication that Peroxide developed into a continuing company, imprint, or broader product line.
History
Peroxide emerged during the late 1970s, when punk culture supported a large ecosystem of independently produced magazines and zines. These publications were commonly created with limited resources and circulated outside established media channels. Peroxide was edited and published by Andrew Thomas, Quentin Cook, and Ian McKay, and drew inspiration from punk zines such as Chainsaw. The publication had a very short life, producing only two issues. Its editorial structure changed after the first issue, when McKay was ousted by Cook. Despite this limited run, Peroxide became an important early platform for its editors. For Cook, the zine provided a significant first connection with the professional music business, including contact with Adam Ant. Cook continued in music and later became known as Norman Cook. The publication therefore represents an early step in the network-building and media activity that preceded his later career. Peroxide was also the first publishing experience for Thomas and McKay. Their later paths diverged from Cook's musical career. McKay became a writer in visual arts and culture, while Thomas moved into the business sector and later ran Cravenhill Publishing, the publisher associated with Communicate and Transform magazines. The zine did not continue as an active publication or develop into a larger commercial enterprise. Its surviving copies have nevertheless gained collectable status, primarily because of the connection to Norman Cook and the historical interest of late-1970s punk publishing. Peroxide is consequently remembered as a brief but meaningful cultural artifact: its importance comes from its role in the careers and networks of its editors rather than from circulation, financial performance, or institutional longevity.
Peroxide is established
[1]Andrew Thomas, Quentin Cook, and Ian McKay begin publishing the punk zine during the late 1970s.
Editorial change after the first issue
[1]Ian McKay leaves the editorial team after the first issue following a decision by Quentin Cook.
Publication ends after two issues
[1]Peroxide ceases publication after producing its second issue.
Products and positioning
An independently produced punk publication rooted in the late-1970s British zine culture, valued retrospectively for its cultural context and its association with Norman Cook.
Punk zine
Peroxide
A short-run punk publication produced in the late 1970s. It was inspired by the independent punk press of the period and ran for two issues. Beyond its role as a zine, it is historically notable for providing early publishing experience to Andrew Thomas and Ian McKay and an early professional music connection to Quentin Cook, later known as Norman Cook.
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