Palazzo Coccina Tiepolo Papadopoli
Palazzo Papadopoli is a historic Baroque palace on Venice’s Grand Canal, now operating as the Aman Venice luxury hotel.
Last updated August 26, 2026
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Overview
Palazzo Papadopoli, also known as Palazzo Coccina or Palazzo Coccina Tiepolo Papadopoli, is a historic palace on the Grand Canal in Venice’s San Polo district. Although it is being catalogued here as a named place and hospitality property rather than as a conventional consumer brand, its name identifies one of the city’s prominent architectural landmarks and the building’s successive aristocratic owners. It stands between Palazzo Giustinian Businello and Palazzo Donà a Sant’Aponal, opposite Palazzo Corner Contarini dei Cavalli. The palace was commissioned in the mid-sixteenth century by the Coccina family, a family from Bergamo that had recently entered the Venetian patriciate. The architect was Giangiacomo dei Grigi, son of Guglielmo dei Grigi, and the building was completed by about 1570. Its original development reflected the ambitions of a newly established patrician family seeking a suitably prominent residence on the Grand Canal. In the eighteenth century the property passed to the Tiepolo family. The palace was associated with an important art collection, much of which was sold in 1745 to the elector of Saxony for 100,000 zecchini and subsequently transferred to Dresden’s Gemäldegalerie Alte Meister. The Tiepolo period also gave the interior much of its artistic distinction. Giandomenico Tiepolo decorated rooms on the piano nobile with frescoes, including subjects identified as The Charlatan and The Minuet. A ceiling painting has also been attributed, though not definitively, to his father Giambattista Tiepolo. The building changed hands several times during the nineteenth century. It was associated with Valentino Comello in 1837 and later with Bartholomäus von Stürmer, an Austrian general and diplomat. In 1864 it was acquired by Niccolò and Angelo Papadopoli, wealthy bankers and counts of Greek origin whose family came from Corfu and had entered the Venetian patriciate in 1791. The Papadopolis expanded the property by acquiring neighboring buildings and creating a large garden and a rear wing, unusual features in the dense urban fabric of central Venice. Between 1874 and 1875, the palace underwent a Neoclassical refurbishment. The work involved Girolamo Levi, Michelangelo Guggenheim, and Cesare Rotta, with Rotta responsible for fresco decoration in the ballroom. This renovation layered nineteenth-century historicism onto the earlier Renaissance and Baroque fabric, producing the complex architectural and decorative identity associated with the palace today. The property was inherited in 1922 by the Arrivabene Valenti Gonzaga family. In the twenty-first century it was adapted for hospitality use and became Aman Venice, operated by Aman Resorts. The hotel opened in 2013 and was Aman’s first resort in Italy. The conversion positioned the palace as both a heritage building and a high-end destination, combining preserved historic interiors, Grand Canal architecture, gardens, and luxury accommodation. Its significance therefore rests primarily on architectural history, aristocratic patronage, art heritage, and adaptive reuse rather than on manufactured products or conventional brand-market activity.
History
Palazzo Papadopoli was commissioned in the middle of the sixteenth century by the Coccina family, a Bergamo-origin family that had recently joined Venice’s patrician class. The architect was Giangiacomo dei Grigi, son of Guglielmo dei Grigi. Construction was complete by approximately 1570, establishing the palace as a prominent Grand Canal residence in the area now identified with the San Polo sestiere. The property entered the Tiepolo family’s hands in the eighteenth century. During this period the palace was connected with a notable painting collection. In 1745, the collection and palace were sold to the elector of Saxony for 100,000 zecchini; the paintings were later moved to the Gemäldegalerie Alte Meister in Dresden. The interior was also enhanced through Tiepolo-family decoration. Giandomenico Tiepolo produced piano nobile frescoes representing The Charlatan and The Minuet, while a ceiling painting has been tentatively attributed to Giambattista Tiepolo. During the nineteenth century the palace passed through several owners. Valentino Comello was associated with the property in 1837, followed by Bartholomäus von Stürmer, an Austrian general and diplomat. In 1864, the building was purchased by Niccolò and Angelo Papadopoli, bankers and counts of Greek origin. The Papadopoli family originated in Corfu and had entered the Venetian patriciate in 1791. They enlarged the complex by buying adjacent structures and developing a substantial garden and rear wing. A major decorative renovation took place in 1874–1875. Girolamo Levi, Michelangelo Guggenheim, and Cesare Rotta carried out a Neoclassical refurbishment, and Rotta decorated the ballroom with frescoes. The intervention added a nineteenth-century layer to the palace’s earlier Renaissance and Baroque architecture and helped shape its later identity as a highly decorated aristocratic residence. In 1922, the palace was inherited by the Arrivabene Valenti Gonzaga family. After remaining a private historic residence for much of its later life, it was ultimately adapted for luxury hospitality. Aman Resorts converted the property into Aman Venice, which opened in 2013 as the group’s first resort in Italy. The conversion preserved the palace’s architectural setting while introducing guest accommodation and hotel services. The building’s current public identity is therefore tied to both its historical name and its contemporary use as a luxury hotel.
- 2013
Opening of Aman Venice
[1]The palace reopened as Aman Venice, Aman Resorts’ first resort in Italy.
- 1922
Inheritance by the Arrivabene Valenti Gonzaga family
[1]The palace was inherited by the Arrivabene Valenti Gonzaga family.
- 1874
Neoclassical refurbishment
[1]A refurbishment involving Girolamo Levi, Michelangelo Guggenheim, and Cesare Rotta began during 1874–1875, including new ballroom decoration.
- 1864
Acquisition by the Papadopoli family
[1]Niccolò and Angelo Papadopoli acquired the palace and subsequently enlarged the complex.
- 1748
Transfer to the Tiepolo family
[1]The property came into the hands of the Tiepolo family during the eighteenth century.
- 1745
Sale of the palace and art collection
[1]The palace and its remaining painting collection were sold to the elector of Saxony; the paintings were later transferred to Dresden.
- 1570
Completion of the Coccina palace
[1]The palace commissioned by the Coccina family and designed by Giangiacomo dei Grigi was completed around this date.
Products and positioning
A historic Venetian palazzo positioned as an exclusive heritage and luxury-hospitality destination through its adaptation as Aman Venice.
Luxury hotel · 2013
Aman Venice
Aman Venice is the palace’s contemporary hospitality use. Opened in 2013, the property adapts the historic Grand Canal residence for luxury accommodation while retaining its architectural and decorative heritage. It represents the building’s principal modern commercial offering and connects the Palazzo Papadopoli name with Aman’s international luxury-resort portfolio.
Architectural heritage
Palazzo Papadopoli historic complex
The palace complex comprises the historic Grand Canal residence, decorated interiors, garden areas, and later extensions associated with the Papadopoli family. Its significance derives from the combination of sixteenth-century construction, Tiepolo-era decoration, nineteenth-century Neoclassical refurbishment, and continued adaptive reuse.
Brand decisions
2013
Adaptive reuse as a luxury hotelStrategyBackground
After centuries as an aristocratic Venetian residence, the palace was selected for conversion into a hospitality property.
Action taken
Aman Resorts adapted the building for hotel use and opened Aman Venice in 2013.
Aftermath
The property became a luxury accommodation destination and Aman’s first resort in Italy, while the building continued to function as a historic landmark.
Sources1 sources
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