Monterey Media

Monterey Media Inc., formerly known as The Monterey Movie Company, is an American independent film distribution business founded in 1979 by filmmaker and entrepreneur Scott Mansfield. The company initially operated in the independent-film and home-video market, where it released feature films, concerts, documentaries, instructional programs, and other specialized titles for the growing videocassette audience. Its home-video operation was established as Monterey Video in 1982 and was initially financed by Noel C. Bloom. Early distribution arrangements connected the label with Family Home Entertainment, a subsidiary of Caballero Control Corporation, making Monterey an early sub-label associated with that home-entertainment structure. The company's first release was Deadly Games, a film made by Mansfield. Monterey subsequently assembled a varied catalogue that included concert and music titles, exercise programming, independent features, documentaries, and library films. Early releases included a Dorsey Burnette tribute concert, a Sandahl Bergman aerobic-dance program, Dynamite Chicken, a concert by The Tubes, Oh, Alfie!, The Werewolf of Washington, Can She Bake a Cherry Pie?, And Nothing But the Truth, Tomorrow, The Children of Sanchez, and Autumn Born. This eclectic selection reflected the economics of independent video distribution, in which genre films, performance recordings, exploitation titles, public-interest programs, and niche entertainment could coexist under one label. Monterey's distribution relationships changed during the 1980s. In 1987, Len Levy moved to Fries Home Video and took the Monterey line with him after Monterey ended its relationship with International Video Entertainment. International Video Entertainment subsequently received distribution rights to all 53 titles after five years. Also in October 1987, The Monterey Movie Company entered into a 22-title agreement with Forum Home Video for the launch of Forum's Phoenix Video label. Under that arrangement, Mansfield supplied the package while Forum handled United States distribution, with cassette prices planned across a range from $19.98 to $34.98. Over time, Monterey developed beyond a conventional videocassette label. Its activities expanded into independent theatrical distribution, film-festival and event circulation, television, digital delivery, DVD, video on demand, and other home-entertainment channels. The company has distributed feature films, documentaries, self-help programs, and PBS-related programming. It also became the exclusive distributor for Grateful Dead concert videos and DVDs for more than two decades, including The Grateful Dead Movie and Dead Ahead, giving the company a significant position in the specialized music-video market. Its theatrical and independent-film catalogue has included titles such as 10 Questions for the Dalai Lama, The Blue Butterfly, Endgame, Eye of the Dolphin, The Endless Summer, The Citizen, Half of a Yellow Sun, I Am Comic, Leonie, No God, No Master, Redwood Highway, and The Red Baron. These releases illustrate Monterey's focus on independently produced features, documentaries, specialty cinema, and titles requiring targeted rather than mass-market distribution. In 2019, Monterey was acquired by BayView Entertainment. Under that ownership, the Monterey name and catalogue remain associated with multi-platform distribution of independent films and specialized video content.

Monterey Media originated in 1979 as The Monterey Movie Company, an independent film-distribution venture founded by Scott Mansfield. The business entered the home-video market in 1982 through a related operation known as Monterey Video. At a time when videocassette distribution was creating new opportunities for independent producers, Monterey built a catalogue that combined Mansfield's own productions with acquired films, music performances, documentaries, exercise programming, and other specialized content. The early Monterey Video operation was financed initially by Noel C. Bloom. Its titles were distributed by Family Home Entertainment, a subsidiary of Caballero Control Corporation. This relationship placed Monterey within an emerging network of independent home-video labels and gave the company access to national videocassette distribution. The label's early programme was intentionally broad. Its releases included Deadly Games, the Dorsey Burnette tribute concert, a Sandahl Bergman aerobic-dance video, Dynamite Chicken, a concert by The Tubes, Oh, Alfie!, The Werewolf of Washington, Can She Bake a Cherry Pie?, And Nothing But the Truth, Tomorrow, The Children of Sanchez, and Autumn Born. Distribution arrangements shifted during the second half of the 1980s. In 1987, Len Levy moved to Fries Home Video, taking the Monterey line with him after Monterey cut ties with International Video Entertainment. International Video Entertainment later received all 53 titles after five years. In October of the same year, The Monterey Movie Company signed a 22-title agreement with Forum Home Video to launch Forum's Phoenix Video label. Monterey supplied the package and Forum handled United States distribution, with the planned cassette prices ranging from $19.98 to $34.98. The company subsequently expanded well beyond the original videocassette business. Monterey developed capabilities in independent theatrical distribution and circulated films through festivals and events, cinemas, television, DVD, video on demand, and digital delivery. Its catalogue came to encompass independent features, documentaries, self-help content, and PBS programs. One of its most notable catalogue relationships was its role as exclusive distributor for Grateful Dead concert videos and DVDs for more than 20 years. This included releases such as The Grateful Dead Movie and Dead Ahead and connected Monterey with a durable music-fan audience. Monterey's theatrical distribution work included a mixture of independent narrative films, documentaries, and specialty titles. Examples include 10 Questions for the Dalai Lama, The Blue Butterfly, The Cellar Door, Endgame, Eye of the Dolphin, The Endless Summer, I Am Comic, No God, No Master, Redwood Highway, and The Red Baron. The breadth of the catalogue reflects a specialty-distribution model based on targeted audiences, rights management, and the use of multiple release windows rather than reliance on large commercial studio releases. In 2019, BayView Entertainment acquired Monterey Media. The acquisition placed Monterey within a larger entertainment-distribution group while preserving the relevance of the Monterey name as a catalogue and specialty-distribution brand. Public reference material does not provide a complete current account of its headquarters, senior management, revenue, or release-by-release operations.

• 2019

  Acquisition by BayView Entertainment

  [1]Monterey Mediaen.wikipedia.org

  BayView Entertainment acquired Monterey Media.

• 1987

  Home-video distribution relationships change

  [1]Monterey Mediaen.wikipedia.org

  Len Levy moved to Fries Home Video with the Monterey line after the company ended its relationship with International Video Entertainment.

• 1987

  Phoenix Video agreement

  [1]Monterey Mediaen.wikipedia.org

  The Monterey Movie Company signed a 22-title agreement with Forum Home Video to support the launch of the Phoenix Video label.

• 1982

  Monterey Video enters home entertainment

  [1]Monterey Mediaen.wikipedia.org

  The company established a home-video operation known as Monterey Video, initially financed by Noel C. Bloom and distributed through Family Home Entertainment.

• 1979

  The Monterey Movie Company is founded

  [1]Monterey Mediaen.wikipedia.org

  Scott Mansfield founded the independent film-distribution company that later became Monterey Media.

An independent and specialty distributor serving niche film, documentary, music, television, and home-entertainment audiences through theatrical, festival, physical-media, television, and digital channels.

• Home video · 1982

  Monterey Video home-video releases

  The Monterey Video label released feature films, concerts, documentaries, exercise programming, and other specialist content on videocassette. The early catalogue included both Mansfield-associated productions and acquired titles, reflecting the broad programming mix common to independent home-video distributors in the 1980s.

• Film distribution

  Independent feature-film distribution

  Monterey distributes independent narrative films through selected theatrical engagements, festivals, events, DVD, video on demand, and digital channels. Its catalogue has included films such as The Citizen, Endgame, Eye of the Dolphin, Half of a Yellow Sun, Leonie, Redwood Highway, and The Red Baron.

• Documentary distribution

  Documentary and specialty programming

  The company handles documentary and specialty programming aimed at defined audiences rather than the mass studio market. Examples associated with its distribution catalogue include 10 Questions for the Dalai Lama, I Am Comic, Nobelity, One Peace at a Time, and other socially focused or educational titles.

• Music video distribution

  Grateful Dead concert videos and DVDs

  For more than 20 years, Monterey served as the exclusive distributor for Grateful Dead concert videos and DVDs. The associated catalogue included The Grateful Dead Movie and Dead Ahead, making music performance video one of the company's most recognizable specialist activities.

• Television and instructional video

  PBS and self-help video programming

  Monterey's broader home-entertainment activities have included self-help videos and PBS programs, distributed through physical and digital channels alongside films and documentaries.

• 2019

  Sale to BayView EntertainmentM&A

  Background

  After decades in independent film and home-entertainment distribution, Monterey became part of a larger entertainment-distribution group.

  Action taken

  BayView Entertainment acquired Monterey Media.

  Aftermath

  Monterey continued as a recognized distribution name and catalogue within BayView Entertainment.

  Source

• 1987

  Phoenix Video distribution agreementStrategy

  Background

  Forum Home Video was preparing to launch the Phoenix Video label and sought a package of titles for distribution.

  Action taken

  The Monterey Movie Company agreed to provide a 22-title package while Forum handled United States distribution.

  Aftermath

  The agreement expanded Monterey's distribution reach through another independent home-video label.

  Source

• 1982

  Creation of a dedicated home-video operationStrategy

  Background

  The company sought to participate in the expanding videocassette market alongside its independent-film activities.

  Action taken

  It established Monterey Video and used outside home-video distribution arrangements to bring its titles to the United States market.

  Aftermath

  The home-video operation became a central part of the company's early identity and catalogue.

  Source

1. 1Monterey Mediaen.wikipedia.org
2. 2Monterey Media official websitemontereymedia.com