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M. & N. Hanhart

M. & N. Hanhart was a London lithographic publishing house known especially for technically sophisticated large chromolithographs.

Last updated August 25, 2026

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Overview

M. & N. Hanhart was a London lithographic publishing house established by Michael Hanhart and Nicholas Hanhart. The firm operated during the nineteenth century and is particularly associated with the development and production of high-quality chromolithographic work. Its publishing output covered a broad range of printed material, including book illustrations and lithographic covers for sheet music. The company’s strongest reputation rested on large chromolithographs, a demanding form of colour printing that required the careful registration and combination of multiple lithographic stones. The Hanhart family had French origins. Michael Hanhart, his wife Catharina, née Zetter, and Nicholas Hanhart were born in Mülhausen in Alsace, then part of the Upper Rhine region. The family later became associated with London, where M. & N. Hanhart developed its publishing and printing activities. Michael Hanhart was born on 21 May 1788 and died on 16 December 1865; Nicholas Hanhart was born in 1815 and died in 1902. The firm’s heyday is generally placed between 1839 and 1882, a period in which lithography and colour printing were important means of distributing visual information and decorative imagery. M. & N. Hanhart’s work reflected the expanding nineteenth-century market for illustrated books, commercially produced sheet music, and visually striking standalone prints. Rather than being defined by a single product line, the house functioned as a specialist lithographic publisher whose output served several adjacent print markets. Its chromolithographs were distinguished by the use of a complex sequence of tint stones. By layering different colours and tones through successive printing stages, Hanhart could achieve distinctive colouration and tonal effects. This technical approach was central to the firm’s reputation and helps explain why its surviving prints are of interest to historians, collectors, and institutions concerned with nineteenth-century graphic arts. M. & N. Hanhart is now a historical publishing and printing name rather than an active commercial brand. Documentation about its operations, catalogue, corporate structure, and closure is limited in the supplied reference material. The Hanhart family’s continuing historical presence is also reflected in Highgate Cemetery, where Michael, Catharina, Nicholas, and other members of the family were buried together.

History

M. & N. Hanhart was a London lithographic publishing house associated with Michael Hanhart and Nicholas Hanhart. The firm’s documented period of importance falls in the nineteenth century, with its most successful phase generally identified as running from about 1839 to 1882. No precise founding date is provided in the reference material. The Hanhart family originated in France. Michael Hanhart, his wife Catharina Zetter, and Nicholas Hanhart were born in Mülhausen in Alsace, in the Upper Rhine region. The family later settled in London, where Michael and Nicholas established and operated their lithographic publishing business. Michael was born on 21 May 1788 and died on 16 December 1865. Nicholas was born in 1815 and died in 1902. The firm published a varied range of printed works. Its activities included illustrations for books and lithographic covers for sheet music, placing it within the expanding nineteenth-century market for illustrated publications and commercially distributed visual culture. The company was especially noted for large chromolithographs. Chromolithography required the coordinated use of multiple stones, each carrying different colour or tonal information. Hanhart employed a complex layering of tint stones, producing prints with distinctive colour relationships and tonal depth. This technical method appears to have been the central feature of the firm’s artistic and commercial identity. Its output was not confined to one subject category, but its large-scale colour lithographs represented the highest level of craft associated with the house. The combination of specialist printing knowledge, colour layering, and publishing distribution enabled M. & N. Hanhart to serve both the book trade and the market for decorative or standalone printed imagery. The business is no longer active and is chiefly remembered as a historical British lithographic publisher. The available reference does not document a specific closure date, later corporate owners, detailed management succession, or a complete catalogue. The family’s history is also preserved through the burial of Michael, Catharina, Nicholas, and other Hanhart family members at Highgate Cemetery in London.

  • 1882

    End of the commonly cited heyday

    [1]

    Around 1882 marks the end of the firm’s historically recognized peak period, although the supplied reference does not specify an exact closure date.

  • 1839

    Beginning of the firm’s principal heyday

    [1]

    The period from approximately 1839 is identified as the beginning of M. & N. Hanhart’s most successful phase in lithographic publishing.

Products and positioning

A specialist nineteenth-century London lithographic publishing house positioned around technically accomplished colour printing and illustrated commercial publications.

  • Colour lithographic prints

    Large chromolithographs

    The firm’s most highly regarded work consisted of large chromolithographs. These prints were made through the controlled application of several tint stones, allowing successive layers of colour and tone to create distinctive visual effects and unusually rich tonal values.

  • Illustrated publishing

    Book illustrations

    M. & N. Hanhart produced lithographic illustrations for books, contributing printed visual material to the nineteenth-century illustrated publishing market. The available source does not identify specific titles, authors, or subjects.

  • Sheet music publishing

    Lithographic sheet music covers

    The house also published lithographic covers for sheet music. These covers formed part of the broader commercial use of lithography in nineteenth-century music publishing, although the supplied reference does not provide a detailed catalogue.

Sources1 sources

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