Leatherhead Theatre
A Grade II listed theatre, cinema and community venue in Leatherhead, Surrey, originally opened as the Thorndike Theatre in 1969.
Last updated August 25, 2026
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Overview
Leatherhead Theatre is a performing-arts and community venue in Leatherhead, Surrey, England. It opened in 1969 as the Thorndike Theatre, taking its name from the celebrated British actor Dame Sybil Thorndike. The building was designed by architect Roderick Ham for theatre founder Hazel Vincent Wallace and constructed within the retained exterior walls of the former Crescent Cinema, a 1930s building that had itself replaced an earlier entertainment venue. The theatre was created to provide Leatherhead with a larger and better-equipped stage than the small Ace Cinema on Leatherhead High Street, where Wallace had previously presented productions featuring West End performers. The original complex was conceived as more than a conventional playhouse. Its principal auditorium seated 526 people and the building included the Casson Room, a studio space intended for smaller productions, youth work and other local activities. The theatre was opened on 17 September 1969 by Princess Margaret. Its development was supported by local fundraising, contributions from Leatherhead Urban District Council and assistance from the Arts Council. Wallace’s campaign reflected a broader effort to establish a professional-quality cultural institution outside London while retaining a strong connection with local audiences and amateur theatre. Although the Thorndike initially attracted audiences and presented professional theatre, it experienced persistent financial pressure. Operating deficits, combined with reductions in public subsidy, led to repeated appeals and changes in operation. A major fundraising appeal launched in 1988 sought £350,000 and received public support from figures including playwright Alan Ayckbourn, actors Prunella Scales and Timothy West, and local Member of Parliament Kenneth Baker. The venue temporarily closed in July 1990 before reopening three months later following a rescue initiative associated with producer and businessman Bill Kenwright. Further financial difficulties culminated in another closure in April 1997, when the theatre carried reported debts of almost £1.2 million. It reopened in October of that year under Screenworks, but that operation ended after slightly more than a month when the company entered voluntary liquidation with reported debts of £400,000. The building received Grade II listed status in July 1999, recognising its architectural and historical significance. A charitable trust was subsequently established to secure the venue’s future. Following refurbishment and organisational changes, it reopened in 2001 under the name Leatherhead Theatre. The reopened venue operated on a part-time basis and combined theatre, cinema, community use and meeting facilities. Its auditorium capacity was reduced to 495 seats, with three additional wheelchair places. The venue has also hosted local and amateur activity, including the Leatherhead Drama Festival, which began there in 2004 and continued for 16 years. The Leatherhead Theatre therefore represents both a professional theatre venture and a long-running civic cultural facility, with its identity shaped by live performance, film exhibition, community use and the preservation of a notable modernist building.
History
Leatherhead Theatre originated in the work of Hazel Vincent Wallace, who had established the Leatherhead Theatre Group at the former venue on Leatherhead High Street. That earlier building had been constructed in 1890 as the Victoria Hall and later operated as the Ace Cinema, whose auditorium seated approximately 300 people. Wallace used the venue to attract West End actors for limited engagements, but the scale of the building eventually restricted the productions that could be presented. She consequently pursued a new theatre for the town. The replacement venue was built on Church Street within the shell of the disused Crescent Cinema. The Crescent had been constructed in 1939 and operated for several decades under local ownership. Architect Roderick Ham retained the exterior walls but created a new interior in a modernist style, including a 526-seat auditorium, lobby and smaller studio theatre. The studio, known as the Casson Room, was intended for intimate performances, youth productions and other activities alongside the main programme. Wallace raised much of the construction cost through public appeals, supplemented by financial contributions from Leatherhead Urban District Council and the Arts Council. Wallace secured the agreement of Dame Sybil Thorndike for the new theatre to bear her name. The Thorndike Theatre opened on 17 September 1969, with Princess Margaret conducting the opening ceremony. It was intended to serve both professional theatre and the wider community, giving Leatherhead a purpose-built cultural venue while remaining connected to local theatrical activity. The theatre’s early popularity did not eliminate its structural financial problems. It regularly operated at a deficit, and the reduction of public subsidy placed additional pressure on its finances. In February 1988, the organisation launched a £350,000 appeal. The campaign attracted support from Alan Ayckbourn, Prunella Scales, Timothy West and Kenneth Baker, illustrating the venue’s significance within the regional theatre network and the local community. The Thorndike briefly closed in July 1990. It reopened three months later after a rescue bid led by producer and businessman Bill Kenwright. The recovery was not permanent. The theatre closed again in April 1997 with reported total debt of almost £1.2 million. A new operation reopened the building in October 1997, but the reopening lasted only slightly more than a month. The operator, Screenworks, entered voluntary liquidation while owing £400,000. The building was Grade II listed in July 1999. Its listing protected a significant example of post-war theatre architecture and recognised the importance of the surviving structure and its history. A charitable trust was then established to support the venue’s continuation. In 2001, after the period of closure and financial instability, the building reopened as the Leatherhead Theatre. The new operating model was part-time and broader in scope, combining theatre, cinema, community facilities and meeting-space use. The auditorium was configured for 495 seats together with three places for wheelchair users. The post-2001 venue continued the building’s mixed cultural role. It hosted live performance and film exhibition while also providing space for community organisations and local activities. In 2004 it became the home of the Leatherhead Drama Festival, an event for amateur theatre groups that continued for 16 years. The Leatherhead Theatre’s history is therefore marked by successive attempts to balance professional programming, public service, local participation and financial sustainability. Its present identity derives from both the original Thorndike project and the charitable, multi-purpose model adopted after its 2001 reopening.
- 2004
Leatherhead Drama Festival begins
[1]The annual festival for amateur theatre groups was launched at the venue and continued for 16 years.
- 2001
Reopens as Leatherhead Theatre
[1]A charitable trust supported the reopening under the Leatherhead Theatre name, with theatre, cinema, community and meeting uses.
- 1999
Building receives Grade II listing
[1]The theatre building was Grade II listed in July, recognising its architectural and historical importance.
- 1997
Second closure and failed reopening
[1]The theatre closed in April with substantial debt, then briefly reopened under Screenworks before that operator entered voluntary liquidation.
- 1990
Temporary closure and reopening
[1]The venue closed in July and reopened three months later after a rescue initiative led by Bill Kenwright.
- 1988
Financial rescue appeal is launched
[1]The theatre launched an appeal for £350,000 after years of operating deficits and reductions in public subsidy.
- 1969
Thorndike Theatre opens
[1]Roderick Ham’s modernist theatre opened on 17 September, inaugurated by Princess Margaret and named for Dame Sybil Thorndike.
- 1939
Crescent Cinema is constructed
[1]The Crescent Cinema was built on the site later used for the Thorndike Theatre; its exterior walls were subsequently retained in the theatre conversion.
- 1890
Victoria Hall is built
[1]The earlier Leatherhead venue that later became the Ace Cinema was constructed as the Victoria Hall.
Products and positioning
A locally rooted, multi-purpose cultural venue combining live theatre, cinema, community use and amateur performing arts within a Grade II listed modernist building.
Live performance venue · 1969
Main auditorium theatre
The principal performance space was created as a 526-seat auditorium for professional theatre and larger productions. After the 2001 reopening, the seating arrangement was reduced to 495 seats, with three additional wheelchair places. The auditorium remains the central theatrical component of the Leatherhead Theatre identity.
Film exhibition · 2001
Cinema
Cinema exhibition forms part of the venue’s post-2001 mixed-use model. The Leatherhead Theatre combines film screenings with live performance, allowing the building to function as a broader local cultural venue rather than solely as a producing or presenting theatre.
Studio theatre · 1969
Casson Room
The Casson Room was designed as a smaller studio theatre within the original Thorndike complex. It supported intimate performances, youth productions and other smaller-scale activities alongside the main auditorium.
Community venue · 2001
Community and meeting facilities
Following its 2001 reopening, the venue operated as a community space and meeting place as well as a theatre and cinema. This broader use was part of the charitable trust’s operating model for maintaining the building and serving local organisations.
Marketing campaigns
- 1988Thorndike Theatre financial appeal
United Kingdom
The theatre launched a public appeal seeking £350,000 to address operating difficulties associated with persistent deficits and reduced public subsidy. The appeal received backing from prominent theatre figures and the local Member of Parliament.
Outcome. The campaign was followed by a temporary closure in 1990 and a rescue-led reopening later that year, but the theatre’s financial problems ultimately continued.
Brand decisions
2001
Adoption of a charitable, multi-purpose operating modelStrategyBackground
After repeated closures and operator failures, a charitable trust was established to support the venue’s continuation.
Action taken
The building reopened as Leatherhead Theatre with part-time theatre, cinema, community-space and meeting-place functions, rather than relying exclusively on professional theatre operations.
Aftermath
The venue resumed cultural and community use under its present name, with a reduced auditorium capacity.
2001
Auditorium capacity is revisedGeneration changeBackground
The theatre was reconfigured for its reopening after the charitable trust took over its operation.
Action taken
Seating was reduced from the original 526-seat configuration to 495 seats, with three additional wheelchair places.
Aftermath
The reopened venue retained a substantial auditorium while incorporating accessibility spaces and a more limited part-time operating model.
Sources2 sources
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