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King Conga

King Conga was a short-lived Fremont, California percussion manufacturer known for pioneering fiberglass conga drums.

Last updated August 31, 2026

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Overview

King Conga was a percussion manufacturing company based in Fremont, California, founded by Cirilo "Mitch" Basas in the late 1960s. The company became notable as one of the early manufacturers to produce conga drums with fiberglass shells, an approach that offered an alternative to traditional wooden construction. Although King Conga operated for only a few years, surviving instruments have acquired a strong reputation among players and collectors for their sound and build quality. The company’s manufacturing work was carried out in a Fremont shop by Basas and his partner Ray McGinnis. They handled the design and fabrication of the fiberglass drums and their hardware themselves, while McGinnis also painted much of the artwork applied to the shells. This combination of in-house production and hand-finished decoration gave the instruments a distinctive identity at a time when fiberglass congas were still relatively uncommon. King Conga’s original range consisted of four standard drum sizes: the 9.5-inch Requinto, 10.5-inch Quinto, 11.5-inch Conga, and 12.5-inch Tumba. The range covered the principal sizes used in traditional conga sets, allowing players to assemble a graduated group of instruments from the brand. The company’s original endorser was the respected conguero Armando Peraza, whose association helped connect the young manufacturer with the professional percussion world. King Conga ceased operations in the early 1970s. The company is reported to have produced approximately 2,000 drums during its existence, making surviving examples comparatively limited. Its historical importance rests less on commercial scale than on its early adoption of fiberglass construction and the continuing esteem attached to its instruments. Because the business ended decades ago and publicly documented information is limited, details about its distribution, financial performance, corporate structure, and later ownership are not established in the available reference material.

History

King Conga emerged in Fremont, California, during the late 1960s under the direction of Cirilo "Mitch" Basas. The company operated during an important period in the development and broader acceptance of modern Latin percussion equipment. Rather than relying solely on established wooden-drum traditions, Basas and his manufacturing partner Ray McGinnis worked with fiberglass, producing shells and hardware in their own Fremont shop. The use of fiberglass was a defining feature of the company. Fiberglass could provide a durable, consistent shell and allowed manufacturers to explore forms and finishes different from conventional wood construction. King Conga was among the early companies to bring this material into conga production. Its drums were not mass-produced on a large industrial scale; the available account describes a small operation in which design and fabrication were performed by Basas and McGinnis. McGinnis also painted much of the artwork on the finished drums, adding a hand-crafted visual element to the instruments. King Conga established a four-drum product range corresponding to the principal conga sizes. The Requinto measured 9.5 inches, followed by the 10.5-inch Quinto, the 11.5-inch Conga, and the 12.5-inch Tumba. This naming and sizing structure enabled musicians to select individual drums or assemble a conventional graduated set. The company’s original endorser was Armando Peraza, a prominent conguero whose endorsement gave the brand a meaningful connection to professional Latin percussion. The company’s commercial life was brief. It ceased operations in the early 1970s after producing approximately 2,000 drums since its inception. No reliable public information in the supplied material establishes a more precise founding date, sales structure, distribution network, revenue history, or reason for closure. Despite its short existence, King Conga retained a legacy among percussionists and vintage-instrument collectors. Its fiberglass congas are often described as having an especially strong sound, and surviving instruments are valued for their rarity, construction, decoration, and place in the early history of fiberglass conga manufacturing.

  • Company founded in Fremont

    [1]

    Cirilo "Mitch" Basas founded King Conga in Fremont, California, during the late 1960s.

  • Early fiberglass conga production

    [1]

    King Conga became one of the early manufacturers to produce conga drums using fiberglass shells, with design and fabrication performed in its Fremont shop.

  • Armando Peraza endorsement

    [1]

    The renowned conguero Armando Peraza served as King Conga’s original endorser.

  • Operations ended

    [1]

    King Conga ceased operations in the early 1970s after producing approximately 2,000 drums.

Products and positioning

An early, craft-oriented fiberglass conga manufacturer whose instruments were associated with professional percussion and are now regarded as collectible vintage drums.

  • Fiberglass conga drum

    Requinto

    The Requinto was King Conga’s smallest original conga size, measuring 9.5 inches. It formed the high-register end of the company’s four-drum range and could be used as part of a graduated set of fiberglass congas.

  • Fiberglass conga drum

    Quinto

    The 10.5-inch Quinto occupied the next size in King Conga’s original range. Like the other models, it was produced with a fiberglass shell and in-house hardware, and it was intended for use in traditional conga configurations.

  • Fiberglass conga drum

    Conga

    The standard 11.5-inch Conga was one of the central sizes in King Conga’s product line. It shared the company’s fiberglass construction and hand-finished production approach and was designed to sit between the Quinto and Tumba in a multi-drum setup.

  • Fiberglass conga drum

    Tumba

    The 12.5-inch Tumba was the largest of King Conga’s four original sizes. Its position at the low end of the range made it suitable for completing a graduated conga set, while its fiberglass construction reflected the company’s defining manufacturing approach.

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