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Keith-Albee Theatre

A historic performing-arts and cinema venue in downtown Huntington, West Virginia, known for its 1928 New Spanish Baroque design and connection to the Keith-Albee vaudeville circuit.

Last updated August 25, 2026

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Overview

Keith-Albee Theatre is a historic performing-arts venue in downtown Huntington, West Virginia, located opposite the Frederick Building. It opened in 1928 as one of the most ambitious theaters in the region and was conceived during the heyday of American vaudeville, when large touring circuits linked major theaters across the eastern United States. The venue took its name from the Keith-Albee-Orpheum organization associated with vaudeville impresarios B. F. Keith and Edward Albee, and it became part of the broader Keith-Albee touring network. The theater was developed and built by Huntington brothers Abe B. Hyman and Sol J. Hyman. Scottish-born theater architect Thomas W. Lamb designed the building, applying a lavish New Spanish Baroque vocabulary that reflected the theatrical architecture of the 1920s. At its opening, the venue was described locally as a “temple of amusement” and was regarded as one of the largest theaters in the United States. Construction reportedly cost $2 million in 1928, an exceptional investment for a regional entertainment venue. The theater opened to the public on May 7, 1928, while its opening-day performance on May 8 featured Rae Samuels, a vaudeville performer known as the “Blue Streak of Vaudeville.” The auditorium originally accommodated approximately 3,000 patrons. Its interior emphasized spectacle as much as performance, with elaborate plaster ornament, chandeliers, balconies, cosmetic rooms, smoking rooms, and fireplaces adjoining the men’s and women’s restrooms near the main lobby. The theater was also equipped with a Wurlitzer organ capable of accompanying silent films and producing a wide range of sound effects. The original organ was removed and sold in the 1950s as the popularity of live accompaniment declined, but a 1927 Wurlitzer was later obtained and reinstalled in 2001 through the work of Huntington native Robert Edmunds and the Huntington Theatre Organ Project. Like many traditional theaters, Keith-Albee faced structural pressure from television, changing moviegoing habits, and the rise of multiplex cinemas during the 1960s and 1970s. To respond to competition from newer venues with surround sound and multiple screens, the Hyman family divided the main auditorium into three movie theaters. Two smaller auditoriums were created in the eastern and western sections of the original space, and a fourth theater was subsequently added in a street-facing retail area. That additional space later became a screening room. Although its principal role shifted over time between vaudeville, motion pictures, and live events, the building retained a strong connection to Huntington’s cultural identity. Its 50th-anniversary program in 1978 recreated a vaudeville show with singer Rudy Vallee. In 1988, the theater hosted a pre-opening screening of Rain Man attended by Dustin Hoffman, Barry Levinson, and Mark Johnson. The venue also hosted the December 12, 2006, premiere of We Are Marshall, a film closely associated with Huntington and Marshall University; the theater appears in the movie, and actors Matthew McConaughey and Matthew Fox and director Joseph McGinty Nichol attended. Keith-Albee ended its regular run as a functioning movie theater in 2006. After nearly eight decades of Hyman family ownership, the family donated the property to the Marshall University Foundation. The foundation subsequently transferred it to the newly established Keith-Albee Performing Arts Center Foundation. The theater therefore moved from private family ownership toward nonprofit stewardship, preserving it as a historic venue and community cultural asset. Its present identity is centered on heritage, live performance, film presentation, restoration, and civic use rather than on a conventional commercial theater-chain model.

History

Keith-Albee Theatre was built in Huntington, West Virginia, during the peak period of large-scale vaudeville and movie-palace construction. Huntington brothers Abe B. Hyman and Sol J. Hyman commissioned the theater, which was designed by Thomas W. Lamb, a Scottish-born architect known for designing approximately 150 theaters internationally. The building was named after the Keith-Albee-Orpheum organization and was intended to participate in the prominent Keith-Albee touring circuit associated with B. F. Keith and Edward Albee. The theater opened in May 1928. Its public opening took place on May 7, followed by an opening-day performance on May 8 featuring Rae Samuels, a vaudeville performer known as the “Blue Streak of Vaudeville.” With approximately 3,000 seats, the venue was regarded at the time as one of the largest theaters in the United States. Its reported construction cost was $2 million. The building’s New Spanish Baroque design used elaborate plasterwork, chandeliers, balconies, and richly appointed public facilities to make a visit to the theater an experience of architectural spectacle as well as entertainment. The original facility supported both live performances and silent cinema. A Wurlitzer organ accompanied films and performances and was reputed to be capable of producing many different sound effects. That organ was removed and sold during the 1950s, after live musical accompaniment had lost importance in commercial cinema. In 2001, a 1927 Wurlitzer was acquired and installed through the Huntington Theatre Organ Project, led in part by Huntington native Robert Edmunds. During the 1960s and 1970s, the venue encountered competition from television, the expanding film industry, and newer multiplex theaters. The Hyman family adapted the building by dividing the principal auditorium into three movie theaters. Two smaller screens occupied the eastern and western sections of the original auditorium, while a fourth theater was later added in a street-facing retail area. The latter space eventually became a screening room. These changes allowed the property to continue operating as a cinema while the economics and technology of film exhibition changed. Keith-Albee’s heritage was periodically highlighted through special programming. For its 50th anniversary in 1978, the theater presented a recreation of a vaudeville show starring Rudy Vallee. In 1988, it hosted a pre-opening screening of Rain Man attended by Dustin Hoffman, Barry Levinson, and Mark Johnson. The building received further national attention in 2006 when it hosted the premiere of We Are Marshall on December 12. Matthew McConaughey, Matthew Fox, and director Joseph McGinty Nichol attended, and the theater appears in the film. Later in 2006, regular movie-theater operations ended. Following nearly 80 years of Hyman family ownership, the family donated the property to the Marshall University Foundation. That foundation passed the property to the newly created Keith-Albee Performing Arts Center Foundation. This transition shifted the theater from a privately operated cinema toward nonprofit cultural stewardship. Its significance now rests on its architecture, local history, connections to vaudeville and film, and continuing potential as a performing-arts and community venue.

  • 2006

    We Are Marshall premiere

    [1]

    The theater hosts the premiere of We Are Marshall, a production connected to Huntington and Marshall University.

  • 2006

    Transfer to nonprofit ownership

    [1]

    After regular movie-theater operations end, the Hyman family donates the property to the Marshall University Foundation, which transfers it to the Keith-Albee Performing Arts Center Foundation.

  • 2001

    1927 Wurlitzer reinstalled

    [1]

    A 1927 Wurlitzer organ is installed through the Huntington Theatre Organ Project, restoring organ music to the venue.

  • 1988

    Rain Man pre-opening screening

    [1]

    Keith-Albee hosts a pre-opening screening of Rain Man attended by Dustin Hoffman, Barry Levinson, and Mark Johnson.

  • 1978

    50th-anniversary vaudeville revival

    [1]

    The theater marks its 50th anniversary with a recreated vaudeville show starring Rudy Vallee.

  • 1960

    Main auditorium converted into multiple cinema screens

    [1]

    The Hyman family divides the principal auditorium into three movie theaters in response to changing competition and exhibition technology.

  • 1950

    Original Wurlitzer organ removed

    [1]

    The original theater organ is removed and sold during the postwar decline of live accompaniment for motion pictures.

  • 1928

    Theater opens in downtown Huntington

    [1]

    Keith-Albee Theatre opens to the public in May with a roughly 3,000-seat auditorium designed by Thomas W. Lamb and associated with the Keith-Albee vaudeville circuit.

Products and positioning

A landmark regional performing-arts and cinema venue positioned around historic architecture, community cultural programming, and the preservation of Huntington’s entertainment heritage.

  • Performing-arts venue · 1928

    Historic theater and auditorium

    The core offering is the historic Keith-Albee building, whose approximately 3,000-seat auditorium and New Spanish Baroque interior were designed for large-scale public entertainment. Its plaster ornament, balconies, chandeliers, and specialized public rooms embody the movie-palace architecture of the 1920s. The venue’s identity is tied to both architectural heritage and use as a civic gathering place.

  • Live entertainment · 1928

    Live performances and vaudeville programming

    Keith-Albee was established as part of the Keith-Albee vaudeville circuit and originally presented touring live entertainment alongside motion pictures. Later heritage programs, including the 1978 vaudeville recreation, have maintained this historical association. The venue’s performing-arts role distinguishes it from a conventional commercial cinema.

  • Cinema exhibition · 1928

    Motion-picture screenings

    Film exhibition was a central part of the theater’s operations for most of the twentieth century. The building was initially equipped for silent-film presentation with a Wurlitzer organ and was later subdivided into multiple screens to compete with multiplexes. Regular movie-theater operations ended in 2006, although screenings and special film events remain part of its heritage and venue capabilities.

  • Organ and heritage programming · 2001

    Wurlitzer organ presentations

    The theater’s organ tradition began with its original Wurlitzer, which accompanied silent films and live events. After the first instrument was sold in the 1950s, a 1927 Wurlitzer was purchased and reinstalled in 2001 through the Huntington Theatre Organ Project. The restored instrument supports historic demonstrations, musical presentations, and silent-film accompaniment.

Marketing campaigns

  • 2006We Are Marshall premiere

    Huntington, West Virginia

    Keith-Albee hosted the premiere of We Are Marshall, a film portraying events connected with Marshall University and Huntington. Major cast and production figures attended, and the building appears in the film.

    Outcome. The premiere connected the historic theater with a nationally distributed film and local civic history.

  • 197850th-anniversary vaudeville revival

    Huntington, West Virginia

    A recreated vaudeville show starring Rudy Vallee celebrated the theater’s fiftieth anniversary and reinforced its connection to early twentieth-century live entertainment.

    Outcome. The program functioned as a heritage celebration and highlighted the venue’s original vaudeville identity.

Brand decisions

  • 2006

    End regular cinema operations and transfer the property to nonprofit stewardshipStrategy

    Background

    After almost eighty years of Hyman family ownership, the theater’s commercial movie-house operations came to an end.

    Action taken

    The Hyman family donated the property to the Marshall University Foundation, which transferred it to the Keith-Albee Performing Arts Center Foundation.

    Aftermath

    The venue shifted from family-owned commercial cinema operations toward nonprofit preservation and performing-arts use.

  • 2001

    Restore a theater organOther

    Background

    The original Wurlitzer had been removed and sold in the 1950s, leaving an important part of the theater’s silent-film heritage absent.

    Action taken

    The Huntington Theatre Organ Project acquired a 1927 Wurlitzer and arranged its installation in the theater.

    Aftermath

    Organ music and historic silent-film accompaniment became possible again at the venue.

  • 1960

    Convert the main auditorium into multiple movie theatersStrategy

    Background

    Television, changing moviegoing habits, and newer multiplexes created pressure on large single-screen theaters.

    Action taken

    The Hyman family divided the main auditorium into three screens and later added a fourth theater in a street-facing retail space.

    Aftermath

    The building continued operating as a cinema while adapting its historic layout to contemporary exhibition economics.

Recent events

  • 2006

    Keith-Albee hosts We Are Marshall premiere[1]

    Campaign · Other

    The theater hosted the December 12 premiere of We Are Marshall, with principal cast and production figures attending; the venue also appears in the film.

  • 2006

    Regular movie-theater operations end and property moves to nonprofit stewardship[1]

    M&A · Other

    Keith-Albee ended its run as a regular movie theater. The Hyman family donated the property to the Marshall University Foundation, which transferred it to the newly formed Keith-Albee Performing Arts Center Foundation.

  • 2001

    Replacement Wurlitzer organ installed[1]

    Other

    A 1927 Wurlitzer organ was purchased and installed at the theater through the Huntington Theatre Organ Project, restoring an important feature of the venue’s silent-film and live-performance heritage.

  • 1928

    Keith-Albee Theatre opens in Huntington[1]

    Other

    The new theater opened to the public in May 1928, introducing a large New Spanish Baroque venue associated with the Keith-Albee vaudeville circuit.

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