Fundação Nacional de Artes
Brazilian government foundation responsible for supporting and developing the arts across Brazil.
Last updated August 25, 2026
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Overview
Fundação Nacional de Artes, commonly known as Funarte, is a Brazilian government foundation linked to the Ministry of Culture. It is a national public institution rather than a commercial consumer brand, and its work covers the development, support, preservation, and dissemination of artistic activity throughout Brazil. Its principal fields are visual and plastic arts, music, dance, theater, and circus. Funarte was established in 1975, during Brazil's military-dictatorship period, under the initiative of Culture Minister Ney Braga. From its creation, the foundation was intended to stimulate cultural activity on a national scale. Its responsibilities have included professional training for artists, technicians, and cultural producers; support for artistic production and research; circulation of artists and cultural goods; preservation of cultural memory; and audience development. These activities have been delivered through scholarships, prizes, public programs, workshops, publications, technical advice, collections, and support for cultural events. The foundation operates across Brazil and has also supported cultural activity abroad. It maintains or administers cultural spaces in Rio de Janeiro, São Paulo, Minas Gerais, and the Federal District. It has also made portions of its collections available online without charge, extending access beyond its physical venues. In this sense, Funarte combines the functions of a grant-making institution, cultural producer, archive, training organization, venue operator, and public-policy agency. During its early period, Funarte worked alongside several other institutions connected to the then Ministry of Education and Culture, including the National Institute of Folklore, the National Foundation of Scenic Arts, and the Brazilian Cinema Foundation. Its initial scope emphasized music and the visual arts, while later institutional arrangements brought related cultural bodies within broader administrative structures. The organization underwent a major interruption during the administration of President Fernando Collor de Mello. In 1990, cultural institutions were abolished or reorganized, and Funarte was incorporated into the newly created Brazilian Institute of Art and Culture, known as IBAC. The original Funarte therefore ceased to exist as a separate institution for a period. In 1994, the Funarte name and acronym were restored as the public cultural administration evolved. Funarte's leadership has included artists, writers, performers, cultural administrators, and other public figures. The list of presidents and senior leaders includes José Cândido de Carvalho, Aloísio Magalhães, Ziraldo, Ewaldo Correia Lima, Edino Krieger, Ferreira Gullar, Márcio Souza, Antonio Grassi, Celso Frateschi, Sérgio Mamberti, Guti Fraga, Francisco Bosco, Stepan Nercessian, Miguel Proença, Dante Mantovani, Tamoio Marcondes, and Maria Marighella. The succession reflects the institution's changing political and cultural environment. Funarte's public value lies in its national reach and its focus on cultural infrastructure that commercial markets may not reliably provide. Its programs seek to strengthen artistic careers, sustain cultural memory, increase access to artistic work, and connect institutions and audiences across Brazil. Because it is a state foundation, its priorities and leadership are shaped by government policy, administrative restructuring, and public funding rather than by conventional brand competition.
History
Funarte was created in 1975 by the Brazilian government, during the military dictatorship, with Culture Minister Ney Braga associated with its establishment. Its original purpose was to encourage, coordinate, and develop cultural activity across Brazil. The foundation initially concentrated on music, including popular and classical music, and on plastic and visual arts. In its early institutional environment, Funarte operated alongside the National Institute of Folklore, the National Foundation of Scenic Arts, and the Brazilian Cinema Foundation. These bodies were connected to the Ministry of Education and Culture, an administrative structure that was later separated and reorganized as the Ministry of Culture. Funarte's role expanded beyond direct artistic production: it supported training, research, dissemination, preservation, and the creation of audiences for the arts. The foundation's activities have included scholarships, prizes, circulation initiatives, workshops, publications, technical consulting, cultural-event support, and collection management. Its programs have been designed for artists, technicians, producers, researchers, institutions, and audiences. Funarte has maintained cultural spaces in Rio de Janeiro, São Paulo, Minas Gerais, and the Federal District, while also supporting activity throughout the country's states and, in some cases, abroad. Parts of its holdings have been made freely accessible online. A significant institutional break occurred after Fernando Collor de Mello became president. In 1990, his administration abolished or reorganized a number of cultural institutions. In December of that year, the Brazilian Institute of Art and Culture, or IBAC, was created under the Secretariat of Culture of the Presidency of the Republic. IBAC brought Funarte together with the National Foundation of Scenic Arts and the Brazilian Cinema Foundation. The separate Funarte institution consequently ceased to operate under its original structure. In 1994, the Funarte acronym and name were brought back as the country's cultural administration evolved. Funarte has had a succession of leaders drawn from literary, artistic, musical, theatrical, and administrative backgrounds. Its presidents have included José Cândido de Carvalho, Aloísio Magalhães, Ziraldo Alves Pinto, Ewaldo Correia Lima, Edino Krieger, Ferreira Gullar, Márcio Souza, Antonio Grassi, Celso Frateschi, Sérgio Mamberti, Guti Fraga, Francisco Bosco, Stepan Nercessian, Miguel Proença, Dante Mantovani, Tamoio Marcondes, and Maria Marighella. Edméa Falcão served as executive director during the 1983–1984 period identified in the reference material. The institution's history illustrates the dependence of Brazilian cultural infrastructure on public administration. It has survived changes in ministry structures, institutional mergers, leadership, and political priorities while retaining a national mission. In its contemporary form, Funarte functions as a public arts-support and cultural-infrastructure body, combining grants and awards with education, research, preservation, programming, venues, and digital access.
- 2023
Maria Marighella listed as president
[1]Maria Marighella was identified as the foundation's president.
- 1994
Restoration of the Funarte identity
[1]The Funarte acronym replaced IBAC in the reorganized cultural administration.
- 1990
Integration into IBAC
[1]Funarte was absorbed into the newly created Brazilian Institute of Art and Culture during a broad government reorganization of cultural institutions.
- 1985
Ziraldo leads the foundation
[1]Cartoonist Ziraldo Alves Pinto became president; during this period Funarte also operated as a distributor of newspaper strips and related features.
- 1975
Creation of Funarte
[1]The Brazilian government established the National Arts Foundation to promote and develop cultural activity throughout the country.
Products and positioning
A national public arts institution that combines cultural policy, artistic support, training, preservation, research, programming, and access. Funarte is positioned as an enabling infrastructure for Brazilian culture rather than as a commercial entertainment brand.
Public cultural funding
Arts grants and scholarships
Funarte provides scholarships, prizes, and other support mechanisms intended to help artists, technicians, producers, and cultural projects develop and reach audiences. These instruments are part of its public-policy mission rather than commercial product sales.
Arts education
Training and workshops
The foundation promotes workshops and professional-development activities for participants in the arts. The stated purpose is to strengthen artistic, technical, and production capabilities across disciplines and regions.
Publishing
Cultural publications
Funarte publishes books and related cultural material, supporting the documentation, circulation, and interpretation of Brazilian artistic activity.
Archives and cultural heritage
Collections and digital access
The foundation recovers and creates collections, preserves cultural memory, and makes part of its holdings freely available online. These resources extend public access to material beyond Funarte's physical cultural spaces.
Cultural venues and programming
Cultural spaces and events
Funarte maintains cultural spaces in selected Brazilian states and the Federal District and supports events and artist-circulation programs across Brazil and, in some cases, internationally.
Brand decisions
1994
Restoration of the Funarte nameOtherBackground
Brazil's public cultural institutions continued to be reorganized after the creation of IBAC.
Action taken
The Funarte acronym replaced IBAC in the relevant institutional arrangement.
Aftermath
The Funarte name resumed its role as the public identity associated with national arts support.
1990
Transfer of Funarte functions into IBACStrategyBackground
The Collor administration abolished or reorganized cultural institutions and created the Brazilian Institute of Art and Culture under the presidential Secretariat of Culture.
Action taken
Funarte was incorporated into IBAC together with related cultural bodies, ending its separate institutional operation under the original structure.
Aftermath
The Funarte identity was subsequently restored in 1994 when the cultural-administration framework changed again.
Sources2 sources
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