Community Arts Music Association
Community Arts Music Association, or CAMA, is a Santa Barbara arts organization that presents classical and orchestral concerts.
Last updated August 26, 2026
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Overview
Community Arts Music Association (CAMA) is a performing-arts organization based in Santa Barbara, California. It is described as the oldest arts organization in Santa Barbara and has built its identity around presenting live classical music and orchestral performances for the local community. The organization traces its beginnings to the autumn of 1919, when community-minded Santa Barbarans established the Civic Music Committee in the period following the First World War. The committee's initial objective was to bring significant musical performances to the city, beginning with the newly established Los Angeles Philharmonic, founded in 1919 by philanthropist William Andrews Clark Jr. CAMA's organizational form changed during the 1920s. In 1926, responsibility for the music-presentation work was assumed by the Music Branch of the Community Arts Association. That branch subsequently developed into the organization known today as the Community Arts Music Association. The transition gave the organization a more durable institutional structure while preserving its central purpose: connecting Santa Barbara audiences with prominent performers and ensembles. Across its history, CAMA has presented a substantial range of major figures in classical music. Artists associated with its concert history include cellist Pablo Casals, composer and pianist Sergei Rachmaninoff, pianist Vladimir Horowitz, violinist Jascha Heifetz, composer Igor Stravinsky, pianist Artur Schnabel, violinist Isaac Stern, and singer Marian Anderson. These engagements helped establish CAMA as an important regional presenter and brought internationally recognized musical figures to Santa Barbara audiences. The Los Angeles Philharmonic has appeared through CAMA programming on an annual basis since the organization's early history, making the orchestra a continuing part of its artistic profile. Beginning in the 1950s, CAMA's orchestral program broadened beyond the Los Angeles Philharmonic. The series came to include performances by orchestras from outside Southern California, including the New York Philharmonic and the Royal Concertgebouw Orchestra. This expansion strengthened CAMA's role as a presenter of major symphonic institutions rather than a venue focused only on a single resident or regional ensemble. CAMA's principal activity is concert presentation rather than the manufacture or sale of consumer products. Its public-facing offerings consist of concert series, individual performances, and related audience access to visiting soloists, chamber musicians, and orchestras. The organization's historical significance rests on continuity: it has operated across more than a century of changes in musical taste, arts administration, and the Santa Barbara cultural landscape while retaining a focus on high-level live performance. Public reference material identifies its Santa Barbara base and long-running concert mission, but does not provide sufficient information here about its current executive leadership, governance structure, budget, attendance, or detailed present-day programming.
History
Community Arts Music Association began in Santa Barbara in the autumn of 1919 under the name Civic Music Committee. The founding group consisted of local residents who wanted to strengthen the city's cultural life after the First World War by arranging public musical performances. Its first major artistic objective was to present the Los Angeles Philharmonic, an orchestra founded in the same year by philanthropist William Andrews Clark Jr. The music-presentation activity was incorporated into a broader institutional framework in 1926, when the Community Arts Association's Music Branch took over the committee's work. Over time, this branch evolved into the modern Community Arts Music Association, commonly known as CAMA. The change connected the concert program to a larger community-arts structure while preserving its emphasis on bringing professional musicians and ensembles to Santa Barbara. From the 1920s onward, CAMA's programs included prominent performers from several areas of classical music. Its historical roster includes Pablo Casals, Sergei Rachmaninoff, Vladimir Horowitz, Jascha Heifetz, Igor Stravinsky, Artur Schnabel, Isaac Stern, and Marian Anderson. The breadth of this list indicates that the organization presented instrumental soloists, composers, conductors, and vocal artists rather than limiting itself to one type of performance. The Los Angeles Philharmonic remained a recurring part of CAMA's activities, with annual performances cited as a continuing feature of the organization's concert history. During the 1950s, CAMA expanded its orchestra series to include ensembles from beyond the immediate region. The broadened program included the New York Philharmonic and the Royal Concertgebouw Orchestra, alongside other orchestras. This development extended CAMA's reach as a regional cultural presenter and gave local audiences access to major American and European symphonic organizations. CAMA's institutional story is therefore defined less by commercial product development than by long-term cultural presentation. Its core offering has been the organization and promotion of live concerts, especially classical, chamber, and orchestral events. The available reference material establishes its 1919 origins, its 1926 organizational transition, its historic artist presentations, and the expansion of its orchestra series in the 1950s. It does not establish detailed information about current officers, staff, governance, finances, venues, educational programs, or the precise composition of its present season. Those areas require further verification from current organizational records or official publications.
- 1950
Orchestra series expands
[1]Beginning in the 1950s, CAMA broadened its orchestra series beyond the Los Angeles Philharmonic to include major ensembles such as the New York Philharmonic and the Royal Concertgebouw Orchestra.
- 1926
Music Branch assumes the concert program
[1]The Music Branch of the Community Arts Association took over the Civic Music Committee's work, eventually developing into the modern Community Arts Music Association.
- 1920
Early decades of distinguished artist presentations
[1]During the 1920s and subsequent decades, CAMA presented major classical artists including Pablo Casals, Sergei Rachmaninoff, Vladimir Horowitz, Jascha Heifetz, Igor Stravinsky, Artur Schnabel, Isaac Stern, and Marian Anderson.
- 1919
Civic Music Committee established
[1]Community-minded Santa Barbara residents formed the Civic Music Committee to present musical performances in the postwar period, with the newly founded Los Angeles Philharmonic among its initial objectives.
Products and positioning
A long-established Santa Barbara presenter of classical and orchestral music, positioned around cultural stewardship, access to distinguished performers, and continuity of live concert programming.
Concert presentation · 1919
Classical concert series
CAMA's central offering is a program of live classical-music concerts presented for audiences in Santa Barbara. The historical program has included solo recitals, vocal performances, chamber-oriented presentations, and appearances by major orchestral institutions. The available sources do not specify the current season's exact format, number of concerts, or venue arrangements.
Orchestral performance · 1919
Orchestra series
The orchestra series is a long-running part of CAMA's identity. The Los Angeles Philharmonic has been a recurring featured ensemble, and from the 1950s the series expanded to include orchestras from outside Southern California, including the New York Philharmonic and the Royal Concertgebouw Orchestra.
Artist performance · 1920
Visiting artist presentations
CAMA has presented visiting soloists and other prominent classical musicians over the course of its history. The documented artist roster includes Pablo Casals, Sergei Rachmaninoff, Vladimir Horowitz, Jascha Heifetz, Igor Stravinsky, Artur Schnabel, Isaac Stern, and Marian Anderson.
Sources2 sources
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