Cinema Skhole
A Nagoya mini-theater founded in 1983 by director Koji Wakamatsu, known for Asian cinema and independent films.
Last updated September 28, 2026
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Overview
Cinema Skhole is a mini-theater located in Nakamura-ku, Nagoya, Japan, founded on February 19, 1983, by film director Koji Wakamatsu. Its name derives from the Latin word 'schola,' meaning school, reflecting Wakamatsu's intent to create a space for young filmmakers to screen works that mainstream distributors would not handle. The theater opened with 59 seats and was originally named 'K・WAKAMATSU Cinema Skhole.' It is noted as the first case of a Japanese film director owning his own cinema. Over the decades, Cinema Skhole has become a hub for Asian cinema, independent films, and retrospectives of Japanese masters. It introduced Japan's first 3D system for a mini-theater in 2012 and gained attention for early screenings of hits like 'One Cut of the Dead' in 2018. The theater celebrated its 40th anniversary in 2023, with a change in management and continued dedication to alternative film culture.
History
Cinema Skhole was founded by film director Koji Wakamatsu and opened on February 19, 1983, in Nakamura-ku, Nagoya. Wakamatsu wanted to provide a venue for young filmmakers to show films that mainstream theaters would not screen. Initially, he planned to open a theater in Shinjuku, Tokyo, but could not find suitable real estate, so he rented a building west of Nagoya Station owned by an acquaintance. The theater opened with 59 seats under the name 'K・WAKAMATSU Cinema Skhole.' The opening program featured three of Wakamatsu's own films: 'Violated White Coat,' 'Season of Terror,' and 'Saint Girl Torture.' Attendance was low initially, but the theater gradually gained a following. Junji Kimata, formerly of Ikebukuro Bungeiza, became the first manager. In the 1980s, the programming shifted toward Asian cinema, and by 1986, it had settled into a primarily Asian film lineup. From the late 1980s, it also screened Japanese classics by directors like Akira Kurosawa and Yasujiro Ozu. In 1992, Wakamatsu began hosting film camps with guest directors such as Kinji Fukasaku and Yojiro Takita, which nurtured many filmmakers. In 2003, the theater's 20th anniversary, the flat floor was sloped for better viewing. Wakamatsu died in 2012 after a traffic accident, and the theater held a memorial screening. That year, it became the first mini-theater in Japan to introduce a 3D system for the film 'Flashback Memories 3D.' In 2018, it was among the first theaters to screen the indie hit 'One Cut of the Dead,' which became a major success. In 2023, the theater celebrated its 40th anniversary with a special screening and talk event. Atsushi Tsuboi became the second manager, while Kimata became the representative. A commemorative film, 'Youth Jack: Can't Stop, We'll Stop 2,' was produced, and a 40th-anniversary book was published. In 2024, the theater warned about unauthorized use of its address and photos on a fake film festival website.
Cinema Skhole opens in Nagoya, founded by Koji Wakamatsu.
Programming shifts to focus primarily on Asian cinema.
Wakamatsu begins hosting film camps with guest directors.
20th anniversary; theater floor is sloped for better viewing.
Founder Koji Wakamatsu dies; memorial screenings held.
First mini-theater in Japan to introduce a 3D system.
Screens 'One Cut of the Dead,' which becomes a major hit.
40th anniversary; Atsushi Tsuboi becomes second manager.
Warns about unauthorized use of its address and photos on a fake film festival website.
Products and positioning
A mini-theater dedicated to Asian and independent cinema, serving as a cultural hub in Nagoya.
Asian cinema screenings
Regular programming focused on films from Korea, India, China, and other Asian countries.
Independent and art films
Screens small-scale and self-produced films not handled by major distributors.
Retrospectives
Focuses on Japanese masters like Akira Kurosawa and Yasujiro Ozu, and series like Nemuri Kyoshiro.
3D screenings
Introduced in 2012, the first for a Japanese mini-theater.
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