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Chinateatern

A private theatre and former cinema at Berzelii Park in central Stockholm, Sweden.

Last updated August 25, 2026

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Overview

Chinateatern, also commonly called China, is a private theatre venue in Stockholm, Sweden. It is located at Berzelii Park in the Norrmalm area, beside the Berns Salonger restaurant and entertainment complex. The venue was originally constructed in 1928 as a cinema, but its role developed over time into a broader performing-arts use. Its stage has hosted revues, comedies and musical productions, allowing the building to function both as a theatre and as a former movie house with a continuing place in Stockholm's live-entertainment landscape. The venue's history reflects the overlap between cinema, theatre and commercial stage entertainment in Stockholm. Although it began as a movie theatre, Chinateatern subsequently became associated with live productions and has been used during different periods by established Swedish theatrical organizations, including the Royal Dramatic Theatre. This changing use has made the venue adaptable rather than tied to a single theatrical form. Its programming history includes popular entertainment formats such as revue, comedy and musical theatre, alongside other stage presentations. Chinateatern became particularly popular during the 1980s, a period identified with a strong public profile for the venue. Its location in central Stockholm, near Berzelii Park and Berns, places it within one of the city's established cultural and nightlife districts. The theatre's identity is therefore based less on a conventional consumer product portfolio than on its building, stage, programming and continuing role as a host for live performance. The available reference material does not identify a founder, owner, parent group, current executives or a specific corporate listing. Chinateatern is described as a private theatre, and its official website presents the venue as an operating Stockholm performance destination. The theatre's present-day identity remains connected to theatrical and musical shows, while its architectural and institutional history preserves its earlier function as a cinema.

History

Chinateatern was built in Stockholm in 1928, originally serving as a movie theatre. The building is located at Berzelii Park in the Norrmalm district, next to Berns Salonger. Its initial cinema function placed it within Stockholm's urban entertainment infrastructure, but the venue later developed a substantial live-performance role. Over the years, Chinateatern has been used for several forms of stage entertainment. Its reported programming has included revues, comedies and musical shows, demonstrating a transition from a primarily cinematic venue into a theatre capable of accommodating popular live productions. Rather than being restricted to one theatrical institution or genre, the stage has served different uses at different times. During certain periods, it was used by established Swedish theatres, including the Royal Dramatic Theatre. The venue was especially popular in the 1980s. This period forms an important part of Chinateatern's public identity, although the available reference material does not specify individual productions, operators or management arrangements from that decade. Its central location and proximity to Berns have continued to associate it with Stockholm's wider restaurant, nightlife and entertainment district. Chinateatern is now described as a private theatre. Its contemporary identity is based on presenting live stage entertainment while retaining the historical significance of a building that began as a cinema. Publicly available reference material supplied for this entry does not establish the theatre's founder, ownership structure, parent company, executive leadership or detailed chronology of individual productions. Accordingly, those details are left unspecified rather than inferred.

  • 1980

    Strong popularity during the 1980s

    [1]

    Chinateatern was described as particularly popular during the 1980s. The available source does not provide a more precise year or production-level chronology.

  • 1928

    Venue constructed as a cinema

    [1]

    Chinateatern was built in Stockholm as a movie theatre, establishing the venue's original role in the city's entertainment sector.

  • Expansion into live theatre

    [1]

    The venue subsequently came to be used for revues, comedies and musical shows, developing a continuing stage function alongside its cinema history.

  • Use by established Swedish theatre organizations

    [1]

    During different periods, the stage was used by established Swedish theatres, including the Royal Dramatic Theatre.

Products and positioning

A centrally located Stockholm performance venue with roots as a 1928 cinema and a programming identity spanning theatre, revue, comedy and musical entertainment.

  • Performing arts

    Live theatre productions

    Chinateatern's core offering is access to live stage performance in its Stockholm venue. The theatre has hosted a range of productions over time rather than maintaining a single fixed artistic format. Its stage-based identity distinguishes it from its original cinema role and supports the venue's continuing use for public entertainment.

  • Comedy and variety theatre

    Revue performances

    Revues are among the performance forms associated with Chinateatern. This format places the venue within the tradition of popular stage entertainment built around a sequence of comic, musical or topical numbers rather than a single continuous dramatic narrative.

  • Theatre

    Comedy performances

    Comedy is another established part of the theatre's programming history. The available sources identify comedy as a type of production presented on the stage, but do not specify particular performers, productions, seasons or current program details.

  • Musical theatre

    Musical shows

    Chinateatern has also been used for musical shows. These productions extend the venue's role beyond spoken theatre and connect its programming with Stockholm's commercial live-entertainment market. Specific titles and production dates are not identified in the supplied references.

Sources2 sources

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