Chicago Access Network Television
Chicago Access Network Television (CAN TV) is Chicago's public, educational, and government-access cable television service.
Last updated October 14, 2026
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Overview
Chicago Access Network Television, commonly known as CAN TV, is a public, educational, and government-access cable television service serving Chicago, Illinois. It provides a platform for residents, nonprofit organizations, community groups, civic institutions, independent producers, and local government to create and distribute noncommercial television programming. Rather than operating as a conventional commercial broadcaster, CAN TV functions as a community media institution whose mission is tied to public participation, local information, civic dialogue, cultural expression, and media training. The organization traces its institutional origins to the creation of the Chicago Access Corporation in 1983. The City of Chicago established the corporation as an independent nonprofit responsible for administering the city's public-access channels. CAN TV's funding model is connected to cable-franchise arrangements between cable companies and the City of Chicago. Under those arrangements, participating cable providers support the service and are required to carry its five channels in the Chicago market. The network has historically been available through major local cable systems, including AT&T, Comcast, RCN, and WOW. CAN TV operates five channels with different programming emphases. CAN TV19 carries public-affairs, entertainment, documentary, and arts programming. CAN TV21 emphasizes live programming, call-in shows, community events, and arts coverage. CAN TV27 provides around-the-clock local news and information. CAN TV36 is devoted primarily to religious and inspirational programming. CAN TV42 combines an interactive community bulletin board with blues and jazz content associated with WDCB-FM. Together, the channels provide a distribution system for programming that may not fit commercial television formats or mainstream news agendas. Chicago residents and nonprofit organizations can submit noncommercial programs without a submission fee. The service broadcasts more than 10,000 new local programs in a typical year, including independently produced shows and content created with CAN TV facilities and equipment. Community producers have included seniors, attorneys, people with disabilities, neighborhood organizations, activists, educators, artists, and cultural groups. CAN TV also provides classes in video production and, after training and membership requirements are met, access to cameras, editing suites, and television-studio facilities. A significant part of CAN TV's role is live and unedited coverage of civic life. Its programming has included public forums, political hearings, protests, arts events, neighborhood discussions, and community meetings. Chicago-based nonprofit organizations can produce live call-in programs on subjects such as youth media education, neighborhood development, domestic violence, and public policy. CAN TV distributes some programming online as well as through its cable channels, extending the reach of its community-media function beyond traditional television. Programs associated with CAN TV include Chicago Newsroom, which brings journalists and newsmakers together to discuss local stories; Perspectivas Latinas, which highlights organizations and issues affecting Chicago's Latino communities; and Political Forum, which provides a direct channel between Chicago residents and public officials. The network has also carried or supported programs such as Chic-a-go-go, JBTV, Labor Beat, and SAIC's ExTV, along with independent services including Free Speech TV and the Illinois Channel. CAN TV remains an active community-media service, although its leadership and operating practices became the subject of public criticism in the 2020s. Articles and accounts from current and former staff, community producers, union participants, former board members, and other stakeholders raised questions about management, resource allocation, labor relations, access to facilities, and the treatment of controversial programming. These disputes have not displaced CAN TV's core identity as a Chicago public-access institution, but they have created scrutiny around how the organization balances executive priorities, employee relations, community access, and its public-service mission.
History
Chicago Access Network Television developed from Chicago's public-access cable infrastructure. In 1983, the City of Chicago established the Chicago Access Corporation as an independent nonprofit to manage the city's public-access channels. The organization was created within the framework of cable-franchise arrangements, under which cable companies provide financial support for public, educational, and governmental access and carry the resulting channels on their systems. The service's institutional purpose differs from that of a commercial television network. CAN TV gives residents and nonprofit organizations the opportunity to create noncommercial programming and make it available to a citywide cable audience. This model supports local voices that may receive limited exposure through commercial broadcasters, including neighborhood associations, civic groups, cultural organizations, religious communities, educators, activists, people with disabilities, and independent producers. CAN TV operates five channels, each with a distinct programming profile. CAN TV19 combines public affairs, entertainment, documentaries, and arts coverage. CAN TV21 is oriented toward live programming, call-in formats, community events, and arts coverage. CAN TV27 functions as a continuous local news and information channel. CAN TV36 carries religious and inspirational programming. CAN TV42 presents an interactive bulletin board alongside blues and jazz programming connected with WDCB-FM. The channels have been carried by cable providers serving Chicago, including AT&T, Comcast, RCN, and WOW. Production access is central to the organization's work. Chicago residents can take classes in video production and, after becoming members and completing relevant training, use cameras, edit suites, and studio facilities. Nonprofit organizations and individuals can submit eligible noncommercial programming without a submission charge. CAN TV has reported a volume of more than 10,000 new local programs in a typical year, ranging from independently produced shows to programs made with the organization's equipment and facilities. The network's programming includes both regular series and event-based coverage. Chicago Newsroom brings journalists and newsmakers together to examine local issues. Perspectivas Latinas focuses on organizations and concerns affecting Chicago's Latino population. Political Forum provides a televised avenue for residents to engage with government. Community-produced and historically associated programs have included Chic-a-go-go, JBTV, Labor Beat, and SAIC's ExTV. CAN TV has also carried outside public-interest services such as Free Speech TV and the Illinois Channel. Live and unedited coverage of public life is another important part of CAN TV's identity. The service has covered public forums, political demonstrations, hearings, community events, and arts activities. Nonprofits have used dedicated studio facilities for live call-in discussions addressing youth media training, neighborhood development, domestic violence, and other civic matters. Some programs and events are distributed online in addition to cable transmission. In the 2020s, the organization came under criticism from some employees, former employees, community producers, union participants, and former board members. Published accounts raised allegations involving management style, financial and operational priorities, labor relations, staffing decisions, facility access, and the handling of controversial community content. One former employee-related dispute was described as ongoing litigation, and a long-term producer and board member was reported to have filed a Better Business Bureau complaint. CAN TV disputed the broader characterization of its governance and stated that it operated in good faith and with attention to legal and organizational best practices. The controversies remain part of the institution's recent public record, while CAN TV continues to be identified primarily with public-access television and community media in Chicago.
- 2023
Management and labor-relations criticism becomes public
[1]Published reporting documented allegations from staff and community producers concerning management, union relations, resource allocation, facility access, and programming decisions.
- 1983
Chicago Access Corporation established
[1]The City of Chicago established the Chicago Access Corporation as an independent nonprofit to manage public-access cable channels.
Five-channel CAN TV service operates in Chicago
[1]CAN TV operates five channels carried by cable providers serving Chicago, with programming spanning public affairs, live community content, local news, religious programming, arts, and an interactive bulletin board.
Production training and equipment access expanded community participation
[1]The organization developed classes and member access to cameras, editing suites, and television studios, enabling residents and nonprofits to produce local programming.
Products and positioning
A civic and community-media platform that gives Chicago residents and nonprofit organizations access to television distribution, production training, equipment, studio facilities, and local public-affairs programming.
Cable television channel
CAN TV19
CAN TV19 presents a broad public-access mix including public-affairs discussions, entertainment, documentaries, and arts programming. Its general-interest format gives community producers a home for programs that do not fit the more specialized profiles of the network's other channels.
Cable television channel
CAN TV21
CAN TV21 emphasizes live and interactive programming, including call-in shows, community events, and arts coverage. The channel supports direct participation and timely broadcasts from Chicago organizations and local events.
Cable television channel
CAN TV27
CAN TV27 is the network's continuous local news and information channel. It provides a distribution outlet for Chicago-focused reporting, public information, and community perspectives that may receive limited space on commercial news stations.
Cable television channel
CAN TV36
CAN TV36 carries religious and inspirational programming supplied through the public-access system. Its format reflects CAN TV's accommodation of community and faith-based organizations within a noncommercial local-media framework.
Cable television channel
CAN TV42
CAN TV42 combines an interactive community bulletin board with blues and jazz programming associated with WDCB-FM. The channel provides both practical community information and locally relevant music content.
Media training and production access
Community production and training services
CAN TV offers video-production classes and, through its membership and training system, access to cameras, editing facilities, and a television studio. These services enable Chicago residents and nonprofit groups to create and distribute noncommercial programming.
Controversies
2023
Criticism of executive leadership and workplace practices
Reporting cited allegations from current and former employees and community producers concerning management conduct, use of funds, an allegedly anti-union workplace culture, staffing priorities, reduced studio access, restrictions on props and facilities, and the treatment of controversial community programming. CAN TV disputed the broader narrative and stated that it operated in good faith and with appropriate legal and governance practices.
Employee lawsuit and Better Business Bureau complaint
Public reporting referenced an ongoing lawsuit brought by a former employee and a Better Business Bureau complaint filed by a long-term producer and board member. The matters were discussed alongside continuing concerns from community producers and former organizational participants.
Sources2 sources
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