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Atrium Casino

Atrium Casino is a historic Art Deco casino and performance venue in Dax, in southwestern France.

Last updated August 26, 2026

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Overview

Atrium Casino is a historic casino and cultural venue in Dax, a spa town in southwestern France. The building was conceived in the 1920s as part of an effort to strengthen Dax’s appeal as a spa and tourism destination. In 1925, the town’s mayor, Eugène Milliès-Lacroix, proposed the construction of a new casino. The project was assigned to Paris architect André Granet, assisted by Roger-Henri Expert, and was designed in the Art Deco spirit that shaped several major French cultural and leisure buildings of the period. The building was inaugurated in July 1928. Its opening included a performance of Gounod’s opera Mireille, attended by more than one thousand people. The design was organized around an open-air amphitheatre or central atrium, which gave the venue its name. Its reinforced-concrete structure and decorative program reflected the modern architectural ambitions of the period. The bar included stained-glass windows by Louis Barillet, a prominent French glass artist and designer. Atrium Casino formed part of a larger development that also included the neighboring Hôtel Splendid. The complex was linked to Dax’s spa economy, combining entertainment, hospitality, and social spaces for visitors. In 1968, the building was acquired by the municipality. Over subsequent decades, however, the reinforced-concrete construction proved vulnerable to the wet oceanic climate of western France. Structural deterioration and unsuccessful or incomplete repair efforts gradually reduced the building’s condition. Approximately sixty years after its inauguration, the casino was closed because of its poor state. Rehabilitation later proceeded in stages. The large auditorium was restored and adapted to accommodate up to 800 spectators. Its interior retained elaborate decorative features, including ceiling, wall, and proscenium ornamentation in gold and silver-toned stucco, depicting people and animals within floral designs. The auditorium was modernized with contemporary technical equipment and became a venue for dance, theater, concerts, and other performances. It received a historical-building listing in 1986, although that initial listing was subsequently rescinded. The casino area was restored separately and received historical-building protection in 2000. It reopened to the public in 2005. In its present identity, Atrium Casino is best understood not only as a gambling establishment but also as a municipally associated heritage property and entertainment venue. Its importance rests on the combination of Art Deco architecture, Dax’s spa-tourism history, and its continuing use for public performances and cultural events.

History

Atrium Casino emerged from Dax’s attempt to modernize and extend its spa-tourism offer during the 1920s. In 1925, Mayor Eugène Milliès-Lacroix proposed a new casino as a major attraction for visitors to the town. The municipality selected Paris architect André Granet, with assistance from Roger-Henri Expert, to develop the building. The designers worked within the ambitious Art Deco climate of the era, producing a venue intended to stand alongside the period’s modern cultural and leisure architecture. The project was developed in association with the neighboring Hôtel Splendid, creating a broader hospitality and entertainment complex. The casino opened in July 1928. Its inaugural program featured Charles Gounod’s opera Mireille, and more than one thousand people attended the performance. The building was notable for its reinforced-concrete construction and for its organization around an open-air amphitheatre or central atrium. This architectural feature provided the basis for the name Atrium Casino. Interior decoration contributed substantially to the venue’s identity. Among the best-known elements were stained-glass windows in the bar by Louis Barillet, whose work was widely recognized in France during the period. For several decades, the building served the leisure and tourism economy of Dax. In 1968, ownership passed to the municipality. The building’s long-term maintenance then became increasingly difficult. The reinforced concrete used in its 1920s construction was poorly suited to the humid oceanic environment of France’s western coast. Structural deterioration accumulated over time, while a succession of limited or unsuccessful remedial efforts failed to restore the building fully. Roughly sixty years after the opening, the casino closed because of its deteriorated condition. Restoration was subsequently undertaken as a more sustained heritage project. Work concentrated first on the large auditorium. The restored space could seat as many as 800 spectators and preserved the building’s most elaborate decorative features, including ornamental panels in gold and silver-toned stucco around the ceiling, walls, and proscenium. These panels depict human and animal figures set against floral motifs. Although the auditorium retained its historic appearance, it was equipped with modern technical systems so that it could function as a contemporary performance space. A first historical-building listing was granted to the auditorium in 1986, though that designation was later rescinded. The auditorium’s renewed use expanded beyond casino entertainment. It became suitable for dance, drama, concerts, and other shows, allowing the property to operate as a cultural venue as well as a historic building. Restoration of the casino area followed. That section received historical-building protection in 2000 and reopened to the public in 2005. The reopening marked the return of Atrium Casino as a functioning public destination after its period of closure and deterioration. Today, Atrium Casino represents the intersection of Dax’s spa-town history, French Art Deco design, municipal heritage preservation, and entertainment programming. Available reference material does not establish a separate corporate brand structure, a named private operator, a listed company, or a detailed record of executives and commercial campaigns. The venue’s documented significance is architectural and civic: it is a historic casino property whose restored spaces continue to support gaming-related and cultural uses.

  • 2005

    Casino area reopened

    [1]

    Following restoration, the casino area reopened to the public.

  • 2000

    Casino area listed as a historic building

    [1]

    The casino section received historical-building protection during the later restoration program.

  • 1986

    Auditorium receives an initial heritage listing

    [1]

    The restored large auditorium received an initial historical-building designation, although that listing was later rescinded.

  • 1968

    Municipal acquisition

    [1]

    The property, which formed part of a development including the Hôtel Splendid, was acquired by the municipality of Dax.

  • 1928

    Atrium Casino inaugurated

    [1]

    The new venue opened in July with a performance of Gounod’s Mireille attended by more than one thousand people.

  • 1925

    Casino project proposed

    [1]

    Dax mayor Eugène Milliès-Lacroix proposed building a casino to reinforce the town’s spa-tourism economy and attract visitors.

Products and positioning

A heritage-oriented casino and entertainment venue combining early twentieth-century Art Deco architecture with gaming, performing arts, and cultural programming in Dax.

  • Casino gaming and entertainment · 1928

    Casino area

    The casino area is the core gaming-related section of the historic property. It was restored after the building’s deterioration and received historical-building protection in 2000. The area reopened to the public in 2005. Available reference material confirms its casino identity and public reuse but does not specify the exact games, operating schedule, or current commercial operator.

  • Performing arts venue · 1928

    Atrium auditorium

    The large auditorium is a restored performance space capable of accommodating up to 800 spectators. It retains elaborate Art Deco decoration, including gold- and silver-toned stucco panels with human, animal, and floral motifs, while incorporating modern technical equipment. The space is used for a range of programming, including dance, drama, concerts, and other shows.

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