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Association des Critiques et des journalistes de Bande Dessinée

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A French professional association representing critics and journalists who cover comics and bande dessinée.

Last updated August 25, 2026

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Overview

The Association des Critiques et des journalistes de Bande Dessinée, commonly known as the ACBD, is a French professional association for critics and journalists specializing in comics, graphic novels, manga, and related forms of bande dessinée. Founded in 1984, it operates within the French-language comics ecosystem and provides a collective professional identity for people who write, broadcast, or otherwise report on the medium. The association is best known publicly for its awards, which recognize notable works published in French. Its principal distinction is the Grand Prix de la critique, historically known as the Bloody Mary Prize. The award is associated with critical recognition of French-language bande dessinée and forms part of the ACBD's contribution to the visibility and evaluation of comics as a literary and cultural field. The association also presents a Prix Comics for comics translated from English into French and a Prix Asie for Asian comics translated into French. Together, these awards give attention to both domestic francophone production and translated work. The ACBD's activities also include documentation and analysis of the comics sector. From 2000 through 2016, it published annual reports concerning the bande dessinée industry. These reports formed a recurring overview of developments in the market and helped position the association not only as an awards body but also as a source of professional and sectoral commentary. The organization is not a commercial product brand, retailer, publisher, or media conglomerate. Its role is principally professional, editorial, and cultural: it connects members of the comics-criticism and comics-journalism community, supports public recognition of works, and contributes critical perspectives on the French comics landscape. Publicly available reference material does not establish a founder, a formal corporate parent, a precise headquarters, or a current list of officers. Its official website is hosted at acbd.fr and is in French.

History

The ACBD was founded in France in 1984 as an association for critics and journalists working on comics and bande dessinée. Its creation reflected the growing importance of comics journalism and criticism as specialized fields within French cultural publishing. Rather than functioning as a publisher or a commercial entertainment company, the association serves as a professional network and a collective voice for people who assess, review, document, and report on comics. A central part of the ACBD's public activity has been its prize program. The association awards several distinctions for works available in French. The best-known is the Grand Prix de la critique, which recognizes French-language bande dessinée and was formerly called the Bloody Mary Prize. The prize places professional criticism at the center of the selection process and gives the association a visible role in the annual comics calendar. The ACBD also created or administers distinctions focused on translated comics, including the Prix Comics for works translated from English into French and the Prix Asie for Asian comics translated into French. These categories broaden the association's scope beyond French production and acknowledge the importance of translation in the French comics market. From 2000 to 2016, the association published annual reports on the bande dessinée industry. This reporting activity added an analytical and documentary dimension to its work. The reports contributed recurring professional commentary on the state of the sector, alongside the association's continuing awards and criticism-related activities. The available reference material does not identify the association's founder, headquarters, internal governance structure, membership total, or individual current and former executives. It also does not establish a parent organization or commercial owner. The ACBD remains identifiable as a French association rather than as a conventional consumer brand. Its public identity rests on the expertise of its critics and journalists, its awards for comics published in French, and its historical contribution to documenting the French-language bande dessinée industry.

  • 2016

    Annual industry reports conclude

    [1]

    The period during which the ACBD published annual reports on the bande dessinée industry ended after 2016.

  • 2000

    Annual industry reporting begins

    [1]

    The association began publishing annual reports covering the bande dessinée industry.

  • 1984

    Association founded

    [1]

    The Association des Critiques et des journalistes de Bande Dessinée was established in France as a professional association for comics critics and journalists.

Products and positioning

A professional and cultural institution for French comics criticism and journalism, combining peer recognition through awards with sector analysis and public advocacy for bande dessinée.

  • Comics award

    Grand Prix de la critique

    The ACBD's principal critics' prize for French-language bande dessinée. It was previously known as the Bloody Mary Prize and represents the association's central form of peer and professional recognition for comics published in French.

  • Comics award

    Prix Comics

    An ACBD distinction for comics originally published in English and translated into French. The award highlights translated English-language work within the French comics market.

  • Comics award

    Prix Asie

    An ACBD prize for Asian comics translated into French. It recognizes translated Asian work and reflects the association's attention to the international circulation of comics in the French-language market.

  • Industry report · 2000

    Annual bande dessinée industry reports

    A series of annual reports on the bande dessinée industry published by the association from 2000 through 2016. These reports provided recurring professional and sectoral analysis rather than functioning as commercial products.

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