AIP Records

AIP Records was created in 1983 by Greg Shaw’s Bomp! Records to carry forward the Pebbles series of archival rock compilations. Pebbles had originated in 1979–1980 through BFD Records of Kookaburra, Australia, which is commonly characterized in the available account as a likely fictitious label and location. AIP maintained the early volumes and developed the project into a substantial body of reissues devoted to obscure mid-1960s recordings. The central editorial subject was the American regional rock underground. The recordings, later broadly associated with garage rock and psychedelic rock, had generally been overlooked when first released and were known primarily to collectors. In combination with the related Highs in the Mid-Sixties series, the AIP program grew to more than 50 LPs and approximately 800 songs. The releases provided historical documentation of local scenes and helped make rare singles accessible to listeners outside the original collecting networks. AIP subsequently expanded into British material. The English Freakbeat series and Electric Sugar Cube Flashbacks series presented British recordings from the same general period, giving the imprint a transatlantic scope. The label issued both LPs and CDs. Its early Pebbles CDs generally followed the LP sequence and added bonus tracks. One Pebbles LP was later treated as more appropriate for the English Freakbeat sequence because its contents were British, illustrating the label’s use of flexible thematic and geographic categories. The later catalog included the Essential Pebbles, Planetary Pebbles, and You Gotta Have Moxie series. A release titled New Fruit by Sky Saxon, the former leader of the Seeds, was identified as an exception to the otherwise series-based structure of the AIP catalog. This program reinforced the imprint’s identity as a collector-oriented archive rather than a conventional artist-development label. In 2007, AIP released Pebbles, Volume 11 on CD, described as the final album in the principal Pebbles series. The reference material also reports that LPs were no longer being manufactured and that many releases, particularly in the Freakbeat and Electric Sugar Cube Flashbacks lines, were out of print. Some AIP titles continued to be offered through the Bomp! Records website. No reliable source in the supplied material establishes a formal closure date, current ownership, or present manufacturing activity; the label’s current status therefore remains unknown.

• 2007

  Pebbles, Volume 11 is released

  [1]AIP Recordsen.wikipedia.org

  AIP issued Pebbles, Volume 11 on CD, identified in the available reference as the last album in the principal Pebbles series.

• 1983

  AIP Records is established

  [1]AIP Recordsen.wikipedia.org

  Bomp! Records, associated with Greg Shaw, started AIP Records to continue the Pebbles series.

• 1980

  Initial Pebbles run reaches ten volumes

  [1]AIP Recordsen.wikipedia.org

  The initial Pebbles sequence issued during 1979–1980 reached ten volumes before AIP took responsibility for keeping the series in circulation.

• 1979

  Pebbles series begins before AIP

  [1]AIP Recordsen.wikipedia.org

  The first Pebbles volumes were issued through BFD Records of Kookaburra, Australia, establishing the archival compilation project later continued by AIP Records.

A specialist archival label focused on obscure and historically significant 1960s rock recordings, particularly garage rock, psychedelic rock, freakbeat, and regional scenes.

• Archival compilation series · 1983

  Pebbles series

  AIP’s defining compilation line, collecting obscure mostly American recordings from the mid-1960s. The series emphasized regional garage rock and psychedelic rock and eventually extended to at least eleven principal volumes, with later CDs often adding bonus material or adopting regional themes.

• Regional archival compilation series

  Highs in the Mid-Sixties

  A companion series concentrating on American regional music scenes. Together with Pebbles, it documented hundreds of otherwise obscure mid-1960s recordings and broadened the label’s geographic and thematic coverage.

• British rock archival compilation series

  English Freakbeat

  AIP’s British-focused compilation line, presenting recordings commonly associated with the freakbeat tradition. The series appeared on LP and CD, although the available account states that all Freakbeat discs were eventually out of print.

• British rock archival compilation series

  Electric Sugar Cube Flashbacks

  A second British-oriented archival series issued by AIP. It formed part of the label’s effort to document obscure 1960s recordings beyond the American material most closely associated with Pebbles.

• Archival compilation series

  Essential Pebbles

  A later AIP line built around the Pebbles archival concept. The supplied reference identifies the series but does not provide a complete release chronology or detailed title list.

• Archival compilation series

  Planetary Pebbles

  A later extension of the Pebbles brand. It belonged to AIP’s series-based catalog of rare and historically notable rock recordings, but the supplied sources do not specify its full geographic scope or release chronology.

• Archival compilation series

  You Gotta Have Moxie

  One of AIP’s later named compilation lines. It continued the imprint’s collector-oriented approach, although the supplied reference does not provide enough information to summarize individual volumes or a precise musical remit.

• Album

  New Fruit

  An AIP release by Sky Saxon, the former leader of the Seeds. The reference identifies it as an exception to the label’s otherwise series-based catalog.

• 2007

  Release Pebbles, Volume 11Product launch

  Background

  AIP had developed the Pebbles project into a long-running archival compilation program.

  Action taken

  The label released Pebbles, Volume 11 on CD.

  Aftermath

  The release was described as the final album in the landmark Pebbles series.

  Source

• 1983

  Create an archival imprint to continue PebblesStrategy

  Background

  The initial Pebbles volumes had been issued before AIP existed, and Bomp! Records sought to keep the compilation project in circulation.

  Action taken

  Greg Shaw’s Bomp! Records established AIP Records as a dedicated label identity for continuing the series and related archival projects.

  Aftermath

  AIP expanded the project into American regional compilations, British-focused series, CD reissues, and additional Pebbles-related lines.

  Source

• 2007

  Pebbles, Volume 11 becomes the final album in the series[1]AIP Recordsen.wikipedia.org

  Product launch · Product generation

  AIP Records released Pebbles, Volume 11 on CD, described in the reference material as the final album in the landmark Pebbles series.

• 1983

  AIP Records is established to continue the Pebbles series[1]AIP Recordsen.wikipedia.org

  Other

  Greg Shaw's Bomp! Records started AIP Records as an archival imprint intended to continue the Pebbles compilation project.

• AIP LP manufacturing ends and multiple titles go out of print[1]AIP Recordsen.wikipedia.org

  Other

  The available account states that AIP LPs were no longer being manufactured and that many Freakbeat and Electric Sugar Cube Flashbacks releases had become out of print, although titles remained available through the Bomp! Records website.

1. 1AIP Recordsen.wikipedia.org