20th Century Fox Records
A defunct recording label associated with 20th Century-Fox, known for film soundtracks, adult-oriented albums, pop hits and the long-running recording of “The Little Drummer Boy.” US record label (1972-1978)
Last updated October 30, 2026
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Overview
20th Century Fox Records was the recorded-music label associated with the American film studio 20th Century-Fox. Its history was not a single uninterrupted operation, but a sequence of related businesses and imprints that operated from the late 1930s through the early 1980s. The label’s activities sat between Hollywood soundtrack exploitation, studio promotional recordings, archival releases and conventional popular-music publishing. The earliest related activity preceded the formal 20th Century-Fox label. Fox Film Corporation used records connected with its Movietone sound system in the late 1920s and later issued the Fox Movietone series, including music from Fox films. A semi-private studio line followed from about 1938 to 1943. These white-label discs were made from performances recorded on 20th Century-Fox soundstages and were primarily promotional items or gifts for studio personnel and visitors rather than ordinary commercial releases. The studio’s first substantial postwar record venture began in 1958 as 20th Fox Records. Henry Onorati, recruited from Dot Records, led the label and brought with him an unreleased Christmas recording that was reworked into “The Little Drummer Boy” by the Harry Simeone Chorale. The single and the associated album became the label’s signature property and gave the new company an unusually durable seasonal catalogue asset. Under Onorati, the album program emphasized adult listeners, deluxe packaging, archival material and film-related releases, while the singles program sought wider pop success. After Onorati returned to Dot in 1962, Basil J. Bova took over. In 1963, the label was renamed 20th Century-Fox Records and adopted a design incorporating the film studio’s branding. Its singles and album operations remained partly distinct: singles pursued pop and novelty records, whereas albums concentrated on soundtracks, traditional performers, jazz and historical material. The soundtrack to Cleopatra reached number two on the Billboard album chart, although the film’s severe financial losses created cost pressure across the studio and ultimately affected the record business. ABC Records handled distribution from 1966, and the imprint became increasingly focused on soundtrack albums. A short-lived budget line, Movietone Records, was also used for catalogue material. The studio closed the record company in 1970, with ABC distributing existing stock. The business was revived in 1972 under the shorter name 20th Century Records, led by Russ Regan and backed by a substantial financial commitment from 20th Century-Fox. This second commercial phase produced major successes involving Barry White, the Love Unlimited Orchestra, Love Unlimited, Carl Douglas, Edwin Starr, Stephanie Mills, Leon Haywood and Carl Carlton. It also issued the 1977 Star Wars soundtrack and distributed The Alan Parsons Project’s debut album in most territories outside Europe. Regan left in 1976, and the label later reverted to the 20th Century-Fox Records identity. Distribution arrangements changed several times, including relationships with ABC Records, United Artists Records and RCA Records. In 1982, PolyGram acquired operational control and the catalogue. Current reissues of the historic catalogue are associated with Universal Music Enterprises and the Mercury Records/Republic Records organization. The label itself is defunct; its catalogue survives through later corporate owners and licensing arrangements. It should not be confused with later Fox-branded music ventures, including Fox Music and the 20th Century Fox Television Records imprint launched in the 2000s.
History
The history of 20th Century Fox Records developed in several stages. Fox Film Corporation experimented with sound-on-disc material around the period when its Movietone sound system was being introduced. From 1933 to 1937, Fox Movietone records were made for distribution through Fox theatres, including songs associated with Fox productions. These records were not yet the later commercial 20th Century-Fox label, but they established a connection between the studio’s films, its theatres and recorded sound. A further studio-only series appeared between approximately 1938 and 1943. The records used white labels with typed or mimeographed information and contained performances recorded on 20th Century-Fox soundstages. They were promotional items and giveaways rather than a broad retail programme. For roughly the next fifteen years, the studio did not operate a major record label, although its music division remained active in licensing film songs and soundtrack material to companies such as Capitol Records. Contractual arrangements involving film stars also meant that several important Fox musical soundtracks appeared on other labels. In 1958, Fox created 20th Fox Records and placed Henry Onorati in charge. The label’s early breakthrough came from “The Little Drummer Boy,” recorded by the Harry Simeone Chorale. The recording had originated as an unreleased Christmas piece and was reshaped for the new label. It quickly became a seasonal standard and remained one of the company’s most important catalogue properties. Onorati also established an album programme aimed at adult listeners, using deluxe presentation and a mixture of soundtrack, archival and newly recorded material. Releases drew on performers such as Glenn Miller, George Gershwin, Shirley Temple, Eubie Blake, Claude Hopkins, Stuff Smith and Hugo Winterhalter. Onorati left in 1962 and was replaced by Basil J. Bova. In May 1963, Bova renamed the label 20th Century-Fox Records and connected its visual identity directly to the studio. The company maintained separate emphases for singles and albums. Singles attempted to reach the pop market, while albums remained more adult-oriented and soundtrack-focused. The soundtrack album for Cleopatra was a notable success, reaching number two on the Billboard album chart before the film’s commercial failure intensified financial pressure within the studio. The studio’s closure of its newsreel division also removed a potential source of documentary audio projects, while proposed expansion into folk and psychedelic rock did not develop. ABC Records distributed the label from 1966. During this period the imprint issued soundtrack albums and a short-lived budget catalogue line called Movietone Records. Albums connected with Valley of the Dolls and Hello, Dolly! were among its later film-related successes. The studio terminated the record operation in 1970, though ABC continued to distribute earlier stock, particularly material built around “The Little Drummer Boy.” The business returned in early 1972 as 20th Century Records. Russ Regan became its leader, and the parent studio committed a budget of one million dollars per year for the first three years. The relaunch quickly moved beyond a purely soundtrack-based model. The DeFranco Family, Maureen McGovern and Barry White were among the early signings, while Brighter Side of Darkness delivered the 1973 hit “Love Jones.” The revived label then achieved substantial success with Barry White and related acts, Carl Douglas, Edwin Starr, Stephanie Mills, Leon Haywood and Carl Carlton. It also issued the Star Wars soundtrack in 1977 and distributed The Alan Parsons Project’s debut album in most territories except Europe. Regan left in 1976 to establish Parachute Records. Barry White later formed Unlimited Gold Records after choosing not to renew with Fox. The label reverted to the 20th Century-Fox Records name and changed distribution partners, including a 1978 arrangement involving Carl Davis’s Chi Sound Records and a later agreement with RCA Records in 1979. PolyGram acquired control of the operation and its catalogue in 1982. Existing artists and contracts, including those involving Stephanie Mills, Dusty Springfield and Carl Carlton, were transferred to Casablanca Records. After Casablanca was dissolved in 1986, its catalogue moved to Mercury Records. Universal Music Group, through the successor companies of PolyGram, is associated with the surviving catalogue, while reissues are handled through Universal Music Enterprises and related labels.
- 1982
PolyGram acquires the business
[1]PolyGram purchased operational control and the catalogue, ending the label’s independent corporate existence.
- 1977
Star Wars soundtrack issued
[1]The label released the soundtrack associated with the film in relevant markets.
- 1976
Russ Regan leaves
[1]The label’s head departed to establish Parachute Records.
- 1973
“Love Jones” becomes an early revival hit
[1]Brighter Side of Darkness gave the revived label an important early chart success.
- 1972
20th Century Records is revived
[1]Russ Regan relaunched the label with new branding, investment and a broader commercial strategy.
- 1970
Original label operation closes
[1]The studio ended new production by the record subsidiary.
- 1966
ABC Records takes over distribution
[1]ABC became the label’s distributor while the release programme became primarily soundtrack-based.
- 1963
Name changed to 20th Century-Fox Records
[1]The label adopted the studio name and logo in a formal identity change.
- 1962
Basil J. Bova succeeds Henry Onorati
[1]Onorati departed for Dot Records and Bova assumed leadership.
- 1958
20th Fox Records launches
[1]Henry Onorati became head of the new commercial label.
Products and positioning
A Hollywood studio-affiliated label combining soundtrack exploitation with adult-pop, archival and seasonal catalogue recordings. Its later 1970s incarnation operated more like a conventional commercial pop label while retaining a strong connection to film music.
Christmas recording · 1958
The Little Drummer Boy
The Harry Simeone Chorale recording was adapted from a previously unreleased Christmas piece and issued by 20th Fox Records in 1958. It became the label’s defining hit and a durable seasonal standard. The associated album was repeatedly repackaged and reissued, including under the title The Little Drummer Boy, and later entered the PolyGram and Universal catalogue.
Soundtrack albums · 1958
Film soundtrack albums
The label issued soundtrack albums connected with 20th Century-Fox productions, including Cleopatra, Valley of the Dolls, Hello, Dolly!, Zorba the Greek, The Bible: In the Beginning, Doctor Dolittle and Patton. Some releases included narration or dialogue from the films, and the soundtrack programme became especially important after the label shifted toward soundtrack-only output in the late 1960s.
Popular and archival albums · 1958
Adult-oriented album programme
Under Henry Onorati and Basil J. Bova, the label developed albums aimed at adult listeners. The programme included archival material associated with performers such as Glenn Miller, George Gershwin and Shirley Temple, alongside new or contemporary recordings by veteran artists including Eubie Blake, Claude Hopkins and Stuff Smith.
Popular music · 1972
1970s commercial pop catalogue
The revived 20th Century Records expanded into mainstream pop, soul, disco and related styles. Its catalogue included Barry White and his associated groups, Carl Douglas, Edwin Starr, Stephanie Mills, Leon Haywood, Carl Carlton, Brighter Side of Darkness and Maureen McGovern, among others.
Film soundtrack · 1977
Star Wars soundtrack
The label issued the soundtrack associated with Star Wars in 1977 as part of its later soundtrack and popular-music programme. The release is among the best-known film-related titles connected with the label’s 1970s period.
Brand decisions
1982
Sell operational control and catalogue to PolyGramM&ABackground
Marvin Davis, who had acquired 20th Century Fox, was not interested in retaining the record company.
Action taken
PolyGram acquired operational control in April and purchased the catalogue in July; artists and current contracts were transferred to Casablanca Records.
Aftermath
The original label ceased to exist as an independent business. Its catalogue later moved through Casablanca and Mercury, ultimately becoming part of the Universal Music Group-related catalogue.
1972
Revive the label as 20th Century RecordsStrategyBackground
After the original operation was closed in 1970, 20th Century-Fox sought to return to the record business with a more commercially focused structure.
Action taken
Russ Regan was appointed to lead the relaunch, supported by a planned annual budget of one million dollars for the first three years.
Aftermath
The revived label became profitable quickly and produced major 1970s successes in soul, disco, pop and soundtrack releases.
Planned annual operating budget. $1 million (First three years after the 1972 revival)
1966
Shift toward soundtrack albums under ABC distributionStrategyBackground
ABC Records assumed distribution while the studio was dealing with financial and organizational pressure after the commercial failure of Cleopatra.
Action taken
The label reduced its broader recording ambitions, issued mainly soundtrack LPs and briefly used Movietone Records for budget catalogue material.
Aftermath
New output ended when the studio shut the label in 1970, although ABC continued distributing existing stock.
1963
Rename and visually align the label with the film studioStrategyBackground
Basil J. Bova assumed leadership after Henry Onorati’s departure and faced uncertainty about the label’s corporate direction.
Action taken
The company changed 20th Fox Records to 20th Century-Fox Records and adopted branding incorporating the studio logo.
Aftermath
The label continued separate singles and album programmes, with albums remaining strongly oriented toward soundtracks and adult listeners.
Sources1 sources
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