Fís Éireann/Screen Ireland
In 2015, Heather Humphreys, the Minister for Arts, Heritage and the Gaeltacht, announced a decision to change the name of the agency,[3] saying that the name change "recognises the body's increasing interests beyond the world of cinema and reminds us how, in this digital age, filmmakers now rarely work in the medium of 'film'." On 10 April 2018, at a press conference for the publication of Investing in our Culture, Language and Heritage 2018–2027 (published as part of Project Ireland 2040), Josepha Madigan, the Minister for Culture, Heritage and the Gaeltacht, announced that from 18 June 2018, the agency would become known as Fís Éireann/Screen Ireland.[4][5]
International recognition
From 1993 to 2004, the organisation supported an indigenous industry which produced over 100 feature films. Irish film talent was recognized internationally and industry collaboration of Irish producers, writers and directors was well underway producing such work as Ailsa (1993), I Went Down (1997), About Adam (1999), Disco Pigs (2000), Bloody Sunday (2002), Intermission (2003), The Magdalene Sisters (2003), Omagh (2004), Man About Dog (2004), Adam & Paul (2004), Breakfast on Pluto (2005), The Wind that Shakes the Barley (2006) Once (2007), Garage (2007), The Secret of Kells (2009), His & Hers (2009) The Guard (2011), Albert Nobbs (2012), What Richard Did (2012), The Stag (2014), Calvary (2014), Song of the Sea (2014), The Lobster (2015), Brooklyn (2015) and Room (2015).
Notable Irish box office successes for Irish film include Intermission which grossed over €2 million at the Irish box office in 2003, Man About Dog which in 2004 grossed over €2.5 million at the Irish box office, The Guard which grossed over €18 million at the international box office and Brooklyn which had earned over €2 million at the Irish box office and €11 million at the US box office as of December 2015.
IFB-funded productions featured at major international awards include Six Shooter (Best Live Action Short Film, Academy Awards 2006), The Wind that Shakes the Barley (Palme d’Or, Cannes Film Festival 2006), Once (Best Original Song, Academy Awards 2008), The Secret of Kells (nominated for Best Animated Feature, Academy Awards 2010), Mea Maxima Culpa: Silence in the House of God (Exceptional Merit in documentary Filmmaking, Emmy Awards 2013), Song of the Sea (nominated for Best Animated Feature, Academy Awards 2015), The Lobster (Jury Prize, Cannes Film Festival 2015), Room (People's Choice Award, Toronto International Film Festival 2015), The Killing of a Sacred Deer and The Breadwinner (Academy Awards nomination).
International production
From 1994 to 2004, there were high levels of international film productions choosing Ireland as a location for filming as a result of the Irish tax incentive for film and television in section 35 of the Finance Act 1987 (later section 481 of the Taxes Consolidation Act 1997). This film production tax incentive made Ireland more competitive for film production than its international competitors. As a result of the high levels of incoming production into Ireland, the craft and skills base of Irish crews improved, and those crews were then also available to work on Irish films. Major international films shot in Ireland during this period include Braveheart and Reign of Fire.
In the 21st century Ireland has become the base for a number of high-end international TV dramas including The Tudors (2007–2010), Ripper Street (2012–2016), Penny Dreadful (2014–2016), Vikings (2013–present), Into the Badlands (2017–present), and Nightflyers (2018–present).
Animation
The agency did not initially have a policy of funding animation. In 1991, a group of animators and animation students established the Anamú Animation Base, promoting the growth of independent Irish animation. Along with other groups, Anamú successfully lobbied for the film board to support animation projects. From the late 1990s, the film board has provided support to Ireland's animation industry.[6]
Board
As of 2017, the board was chaired by Annie Doona, the president of Dún Laoghaire Institute of Art, Design and Technology, where the National Film School is located. At that time, the board also consisted of producer Katie Holly, the managing director of Blinder Films; Larry Bass, founder and CEO of ShinAwil Productions; Mark Fenton, founder and CEO of Masf Consulting; Rachel Lysaght, founder and lead creative producer of Underground Films; Kate McColgan, producer and managing director of Calico Productions and Marian Quinn, writer, director and founder of Janey Pictures.
In 2021 the Board consisted of Susan Bergin (Chair Designate), Zelie Asava, John McDonnell, Ray Harman, Eoin Holohan, Marian Quinn, and Kate McColgan.[7] In 2024 Susan Bergin resigned and Ray Harman assumed the role of Chairperson of the Board, with Catherine Magee as a new appointee to the board and Désirée Finnegan having a five year contract extension.[8]
In 2025 Screen Ireland hired Kate McColgan as its Head of Television; which includes being responsible for the management of the Screen Ireland slate across television and animation series, from development to production.[9]
