Comics
Pollack wrote for the comic book Doom Patrol, on DC Comics' Vertigo imprint, from 1993 to 1995. Her run of issues (64–87)[7] was a continuation of a 1960s comic which had recently become a cult favorite under Grant Morrison. Pollack took over the series in 1993 after meeting editor Tom Peyer at a party, telling him it was the only monthly comic book she would want to write at the time, and sending him a sample script. Towards the end of Morrison's run, Pollack began writing monthly "letters to the editor" in what she describes as a "gee-whiz fangirl" voice asking to take over the book when Morrison was finished. In the final letter, she claims that she had already told her mother that she had been given the job. Peyer then used that response to that letter to officially announce that Pollack was, in fact, taking over the book.[8]
During her tenure, Pollack dealt with such rarely addressed comic book topics as menstruation, sexual identity, and transsexuality. Her run ended two years later, with the book's cancellation.[9]
In addition to Doom Patrol, Pollack wrote issues of the Vertigo Visions anthology featuring Brother Power the Geek (1993) and Tomahawk (1998), the first 11 issues of the fourth volume of New Gods (1995), and the five-issue limited series Time Breakers (1996) for the short lived Helix imprint.[10]
In 2019, it was announced that Pollack was reuniting with Doom Patrol artist Richard Case and letterer John Workman to create a short story—titled "Snake Song"—for the Kickstarter funded "music-themed horror anthology" Dead Beats.[11][12]
In 2024, DC Comics published "DC Pride: A Celebration of Rachel Pollack" reprinting issue 70 of "Doom Patrol" and issue 1 of "Vertigo Visions: The Geek #1 'Homelands of the Dolls'" as well as an introductory tribute by Stuart Moore and a new story, "Shining Through the Wreckage" revisiting Pollack's Doom Patrol character Coagula written by Joe Corallo.
