The Philharmonia Chorus is an independent self-governing symphony chorus based in London, UK. Since its foundation in 1957 the Chorus has given over 900 concerts and made over 100 recordings. The Chorus Master is Gavin Carr.
Foundation
The Philharmonia Chorus was founded in early 1957 by EMI as a choral counterpart to their in-house recording orchestra, the Philharmonia Orchestra, founded twelve years earlier. The Chorus’s first concert, a performance on 12 November 1957 of Beethoven's Ninth Symphony, completed a cycle of Beethoven symphonies in London’s Royal Festival Hall with the Philharmonia Orchestra conducted by Otto Klemperer and was recorded with the same performers.
The principal mover in both ventures was Walter Legge who, to create his chorus, turned to Wilhelm Pitz, then chorus master of the Bayreuth Festival. Between the first rehearsal in February 1957 and first concert there was a long period of preparation during which Pitz rehearsed the Chorus in not only the scheduled Beethoven but also in choral passages from Wagner’s Die Meistersinger von Nürnberg. From that preparatory work emerged a chorus unique for its blend of the British choral tradition and German musical training and discipline, and for a dramatic quality found more typically in opera than in a symphony chorus. The full yet homogeneous and professionally disciplined sound immediately attracted critical notice.
Early years
Under Legge’s management and Pitz’s training the Chorus worked with many distinguished conductors of the time: Wolfgang Sawallisch, Sir Thomas Beecham, Herbert von Karajan, Leopold Stokowski, Sir John Barbirolli, Sir Adrian Boult and - in a relationship that became especially close - Carlo Maria Giulini. Benchmark recordings of Lucia di Lammermoor with Maria Callas and Tullio Serafin, Sir William Walton conducting his own Belshazzar's Feast, Brahms's Ein deutsches Requiem, Beethoven’s Fidelio and Mahler’s Second Symphony under Klemperer, and Verdi's Requiem and Quattro pezzi sacri with Giulini won particular acclaim. Tours followed to the Edinburgh Festival, to Lucerne, and with Giulini to Parma where the audience in the Teatro Regio paid the Chorus the remarkable compliment of showering carnations on this British chorus singing Verdi to Italians.
Self-governance
When Legge relinquished management in 1964, the re-formed New Philharmonia Chorus became a self-governing body independent of both EMI and the New Philharmonia Orchestra with a Council of Management of twelve Directors elected by the members, a system of governance which remains in place today. The first concert of both New Philharmonia Orchestra and New Philharmonia Chorus took place on 27 October 1964, a performance of Beethoven’s Ninth Symphony again conducted by Klemperer. In succeeding years the Chorus performed and recorded works with further renowned conductors: Pierre Boulez, Lorin Maazel, George Szell, Daniel Barenboim and Rafael Frühbeck de Burgos (notable recordings of Mendelssohn’s Elijah, Orff’s Carmina Burana and Haydn's Die Schöpfung), Colin Davis (a memorable concert performance of Hector Berlioz's Les Troyens) and further collaborations with Walton, Benjamin Britten conducting his Spring Symphony, and a landmark performance, later released on LP and then CD, of Britten’s War Requiem conducted by Giulini, with Britten himself conducting the chamber ensemble. During the 1960s the Chorus was considered by many critics to be the finest symphony chorus in the UK and perhaps also in Europe.
On his retirement in 1971, Wilhelm Pitz was succeeded as Chorus Master by Walter Hagen-Groll (from the Deutsche Oper of West Berlin), in 1975 by Norbert Balatsch (chorus master of both the Vienna State Opera and the Bayreuth Festival), in 1980 by Heinz Mende (former chorus master of the Chor des Bayerischen Rundfunks in Munich), and then in 1984 by Horst Neumann (chorus master of the MDR Rundfunkchor
Reinstatement of the original name
On 1 September 1977 the Chorus was able to take back its former name, Philharmonia Chorus, and later the same month gave two performances of Mahler’s Eighth Symphony in Belgium with the similarly reinstated Philharmonia Orchestra under Michael Tilson Thomas.
These years saw the Chorus tour widely throughout Europe: several staged operas in the Roman Théâtre antique d’Orange, Haydn’s Die Schöpfung in Paris and London to mark the UK’s entry into the European Economic Community in 1973, Handel’s Judas Maccabaeus with Sir Charles Mackerras at the Teatro alla Scala Milan in 1980 followed ten years later by a second appearance at La Scala in Bach’s Mass in B minor under Giulini. A 1979 recording of Mozart’s Requiem with the Philharmonia Orchestra conducted by Giulini won the 1981 Grammy Award for Best Choral Performance.
In the UK there were engagements with Riccardo Muti (including a 1979 recording of Carmina Burana which in 2021 was BBC Record Review's choice for best recording of the work), Sir Georg Solti, Lovro von Matačić, Giuseppe Sinopoli - appointed Principal Conductor of the Philharmonia Orchestra in 1984 and with whom the Chorus also appeared in Parma, Taormina and Rome (Gurre-Lieder with the Accademia Nazionale di Santa Cecilia) - Rafael Kubelik, Kurt Sanderling (including the Chorus's second recording of Beethoven's Ninth Symphony), Sir Andrew Davis, Seiji Ozawa, Vladimir Ashkenazy,
New horizons
In 1992 David Hill became Chorus Master and Artistic Director. Director of Music at Westminster Cathedral and later at Winchester Cathedral, he was the first Briton to hold the post. He was succeeded in 1998 by Robert Dean, formerly Head of Music at Scottish Opera and Professor of Singing at the Guildhall School of Music & Drama. In these years the Chorus performed Rachmaninov’s Vespers in Westminster and Winchester Cathedrals and recorded it, accompanied Luciano Pavarotti “in the Park” and at Leeds Castle, remixed Beatles numbers, and performed before HM The Queen for the 50th Anniversary of VE Day. At London's Royal Festival Hall, its traditional home, the Chorus appeared regularly with Claus Peter Flor and Leonard Slatkin, both Principal Guest Conductors of the Philharmonia Orchestra.
In December 1997 the Chorus celebrated its 40th Birthday with the Patron, HRH The Prince of Wales, in attendance at a Gala performance of Verdi’s Requiem with the Philharmonia Orchestra conducted by James Levine, followed three days later by a performance of Mahler’s Eighth Symphony with the same conductor. During this period the Chorus performed for the first time with Valery Gergiev and Sir Mark Elder, and sang under the baton of Sir Edward Heath at his 80th Birthday concert in Salisbury Cathedral, performing there also in Symphony for the Spire. Several European tours of Beethoven's Ninth Symphony followed with Giulini and the European Community Youth Orchestra, with Sir Yehudi Menuhin and the Sinfonia Varsovia, and in December 1999 with Sir Simon Rattle and the Orchestra of the Age of Enlightenment
Recent developments
The Chorus has continued to tour abroad, performing in Germany at the Rheingau Festival, and in Spain and France, with several appearances in Valencia with the Orquesta de Valencia conducted by Yaron Traub and in Lille with the Orchestre National de Lille including a cycle of Mahler Symphonies under Alexandre Bloch and Poulenc's late work Sept répons des ténèbres. The Chorus's 60th Anniversary in November 2017 was celebrated with a performance of Walton’s Belshazzar’s Feast with the Philharmonia Orchestra conducted by Edward Gardner.
Following Stefan Bevier's death in January 2018, another singer and conductor, Gavin Carr, was appointed Chorus Master. Before Covid-19 brought activity to a halt he had prepared the Chorus for performances in London (including Mahler 2 under Jakub Hrůša), Bath and Lille, including a performance in March 2019, captured on DVD, of Berlioz's Grande Messe des morts with the Philharmonia Orchestra in St Paul's Cathedral under John Nelson to mark the sesquicentenary of the composer's death.
The Chorus re-started in September 2021 following Covid-19 with a performance of Belshazzar's Feast with the Royal Philharmonic Orchestra under their Music Director Vasily Petrenko. Since then with the same forces the Chorus has performed in The Dream of Gerontius, War Requiem, Mahler's three choral symphonies and in 2023 a concert performance of Tchaikovsky's one-act opera Iolanta. In an unusual combination, the full Philharmonia Chorus partnered the Academy of Ancient Music
Chorus Masters
- 1957-1971 Wilhelm Pitz
- 1971-1975 Walter Hagen-Groll
- 1975-1980 Norbert Balatsch
- 1980-1983 Heinz Mende
- 1984-1992 Horst Neumann
- 1992-1998 David Hill (Artistic Director)
- 1998-2007 Robert Dean (Artistic Director)
- 2008-2010 Edward Caswell (Artistic Director)
- 2010-2018 Stefan Bevier
- 2018- Gavin Carr
Accompanists
The Chorus has had four Accompanists: first, Viola Tunnard, followed in 1962 by her duet partner Martin Penny, both collaborators with Britten at Aldeburgh. From 1984 to 2012, the Accompanist was Stephen Rose, Senior Coach at the Opera department of the Guildhall School of Music & Drama and of the National Opera Studio in London. The current Accompanist is multiple prize-winner Timothy End.
Chairman: Richard Harding
References
This page, written by members of the Philharmonia Chorus, was adapted from material on the Philharmonia Chorus's own website, with the permission of the Philharmonia Chorus.