Lydia Zimmermann

Lydia Martina Zimmermann Kuoni (born 30 December 1966) is a Spanish Catalan actress and film director.[1]

Biography

Lydia Zimmermann was born in Barcelona, Catalonia, the daughter of Swiss Yves Zimmermann, a graphic designer, and Bignia Silvia Zimmermann-Kuoni, an anthropologist and textile designer.

She studied film in VCA Melbourne, Australia, and has worked and filmed in Spain, Haiti, Burkina Faso, Myanmar, Colombia and Switzerland.[1]

In addition, Zimmermann has taught at the European Film Actor School, at the Pompeu Fabra University Communication Department as an Associate Professor offering directing and screenwriting courses and presenting the works during conferences held at the Escola Superior de Cinema i Audiovisuals de Catalunya, as well as at the Ciné Institute in Jacmel, Haiti.[2] She is one of the founders of the

Work

Zimmermann is probably best known for her directorial debut Aro Tolbukhin. En la mente del asesino (2002), codirected with Agustí Villaronga and Isaac Pierre Marcel Racine,[5] in which she also had an uncredited cameo and for which she appeared, together with Racine and Villaronga, on Versión española, directed by Félix Piñuela and broadcast by Televisión Española, on 1 April 2005 and on Sala 33, directed by Àlex Gorina i Macià and broadcast by TV3, on 18 December 2010.[6] She has also, among other activities, played the role of a caregiver in Agustí Villaronga's film Moon Child (1989), her acting debut, as well as the roles of a mourner in Antoni Aloy's 1999 film adaptation of the 1898 Henry James novella The Turn of the Screw titled Presence of Mind, a mother in Gemma Ventura's 2009 short film about Carl Jung The Jung Files and once again in the 2010 film Elisa K, directed by Jordi Cadena i Casanovas and Judith Colell, in which she appears among the acknowledged, and of Ana de Pombo in Agustí Villaronga's 2013 television series Carta a Eva broadcast by La 1.[7] She appeared on 27 November 2014 on the television program Àrtic broadcast by Betevé. She codirected with Agustí Villaronga a television documentary titled Fe about and broadcast by RTVE as part of the series 50 años de on 10 December 2009, and worked as a camera operator during the production of Mariano Barroso's 1994 film Mi hermano del alma and the 2011 film Barcelona, abans que el temps ho esborri directed by Mireia Ros.[8]

Zimmermann's video art, dealing with topics ranging from Andrei Tarkovsky's 1966 film Andrei Rublev, Blanca Portillo's incarnation of Mary during a stage adaptation of Colm Tóibín 2012 novel The Testament of Mary directed by Agustí Villaronga, the Cercle Artístic de Sant Lluc, and fashion designer Jesús del Pozo to Théodore Géricault's 1818–1819 painting The Raft of the Medusa as well as his other work, a 2012 homage to Maria Mercè Marçal titled Ferida arrel: Maria-Mercè Marçal and the personas of Elisabeth Kübler-Ross and Robert Capa, supported by the Consell Nacional de la Cultura i de les Arts and by Banco Sabadell, has appeared at the Centre d'Art Santa Mònica and at the Cercle Artístic de Sant Lluc. Two television films directed by her, La dona de gel (2003) and Perfecta pell (2005), were broadcast by RAI and TV3, and she has also written a screenplay based on Paul Auster's 1995 short story collection The Red Notebook titled Correspondencia. She was also listed in the acknowledgments in Antonio Chavarrías' film Volverás.

birth name	Lydia Martina Zimmermann Kuoni
birth place	Barcelona, Catalonia, Spain
birth date	December 30, 1966
movement	Late modernism
yearsactive	1989–
notable works	Aro Tolbukhin. En la mente del asesino (2002)
known for	Filmmaking
children	1
website	Lydia Zimmermann's Official Website

Biography

Work

Reception

Bibliography

External links

References