Career
After Pratt, Bald joined the Englewood, New Jersey, studio of Jack Binder, one of the early comic-book "packagers" who would supply complete comics on demand for publishers entering the new medium[4] during what became known as the Golden Age of Comic Books. His first known professional comics work, via Binder, was the seven-page story "Justice Laughs Last," starring the super-speedster Hurricane, in Captain America Comics #7 (Oct. 1941), from Marvel Comics precursor Timely Comics,[7] Beginning in 1942, Bald, also via Binder, began drawing features including Golden Arrow and Bulletman for Fawcett Comics.[4] On December 7, 1942, Bald enlisted in the Marine Corps, serving with the 5th Marine Regiment-1st Marine Division and seeing combat in Cape Gloucester, Peleliu, and Okinawa from 1943 to January 1946, rising to the rank of captain.[8][2]
In the 1940s, Bald drew stories of such superheroes as Captain America, the Sub-Mariner, the Blonde Phantom, the Destroyer, and Miss America variously through comics cover-dated July 1949. He both wrote and drew a number of Millie the Model humor stories in the comics Georgie and Patsy Walker, and at least drew the teen-humor character Cindy in Georgie and Judy Comics and Junior Miss.[7]
Bald penciled the first appearance of the Sub-Mariner spin-off character Namora, in "The Coming of Namora" in Marvel Mystery Comics #82 (May 1947), but it is unclear if he helped create the character; the cover, which was sometimes created first, featured Namora drawn by Bob Powell. Similarly, Bald drew Timely's single issue of The Witness (Sept. 1948), starring a character co-created by writer-editor Stan Lee, but the cover for which was drawn by Charles Nicholas. Bald, with an unidentified writer, co-created the Timely superhero Sun Girl, who starred in a three-issue series cover-dated August to December 1948.[7]
His other comic book work included the character Crime Smasher in Fawcett's Whiz Comics in the 1940s, and many anthological horror/suspense stories in American Comics Group's Adventures into the Unknown, The Clutching Hand, Forbidden Worlds and Out of the Night from 1949 through late 1954. Also for ACG, he co-created the adventure feature Time Travelers in Operation: Peril #1 (Nov. 1950).[7]
From 1947 to 1949, he did advertising art for clients including Air France, Hertz, and Xerox, and illustrations for pulp magazines published by Street & Smith and Martin Goodman.[6]
In 1957, Bald transitioned to comic strips, beginning with Judd Saxon – about "an up-and-coming young executive",[9] or "an executive turned detective" written by Jerry Brondfield, for King Features Syndicate. Judd Saxon ended in 1963.
By this time, beginning October 15, 1962,[10] Bald had started drawing his next strip, Dr. Kildare.[9] Bald and writer Elliot Caplin produced the daily strip Dr. Kildare,[11] based on the television show of that name. A Sunday color strip was added beginning on April 19, 1964.[10] Comics historian Maurice Horn said, "Bald, who modeled the two principals on the actors who played them on television (Richard Chamberlain and Raymond Massey), drew the strip with breezy, self-assured elegance."[10] Bald continued to draw the Dr. Kildare strip for 22 years until 1984, long after the 1960s television series had ended.
In 1971, Bald (credited as K. Bruce)[12] created the comic strip Dark Shadows based on the Dark Shadows TV series, a soap opera featuring Jonathan Frid as vampire Barnabas Collins. That strip ended the following year. In addition to drawing comics, Bald also worked as a commercial artist.[13]
With the end of the Dr. Kildare strip in 1984,[10][11] Bald retired[13] — although Guinness World Records in 2017 declared him the world's oldest comic-book artist and the oldest artist to illustrate a comic-book cover, both at age 96,[14] when he came out of retirement to illustrate a variant cover for Marvel's Contest of Champions #2 (Jan. 2016).[15][16]