The Chanel ready-to-wear collection is a showcase held by luxury fashion house Chanel biannually for spring-summer and autumn-winter seasons during Paris Fashion Week to an audience of media, retailers, buyers, investors, and customers, under the auspices of the Chambre Syndicale du Prêt-à-Porter des Couturiers et des Créateurs de Mode.[1]
Chanel Ready-to-Wear Spring 2012 Runway Show
The Chanel Ready-to-Wear Spring 2012 Runway Show was presented on October 4, 2011 at the Grand Palais in Paris.With a massive seascape production, which Vogue described as spectacular and risk-taking, Creative Director Karl Lagerfeld unveiled 84 new looks with unconstructed jackets, cutaway backs,[2] ostrich feather skirts, and sequined dresses in a lighter, iridescent palette of whites, creams, nudes, and metallics that shifted to pinks, corals, and blacks.[3]
For a sportier element, Lagerfeld added drawstring waists and bomber jackets. The collection featured a variety of fabrics ranging from tweed, organza, lace, chiffon and lamé to knit, silk, and leather. With a slight 1920s influence,[4] design details included drop-waists, pearl belts, seaweed panniers, boxy tweed jackets, and ruffles that mimicked sea sponges.[2] There were also aquatic-themed accessories with handbags, shoes, and jewelry shaped as seashells, conch shells, and coral.[5]
Chanel Ready-to-Wear Fall 2012 Runway Show
The Chanel Ready-to-Wear Fall 2012 Runway Show was presented on March 5, 2012 at the Grand Palais in Paris. Vogue Runway described the runway set as the Fortress of Solitude.[10] Karl Lagerfeld transitioned from the depths of the ocean to the center of the Earth with 68 new looks.[11]
The presentation's featured silhouette focused on a three-piece ensemble of jacket, shirt, and pants. The collection's dichotic inspiration sources were mineralogical and cubist. Embroidered crystals along the hemlines and cuffs referenced the former influence, while color-blocking and the angularity of the design details evoked the latter. Even the models' eyebrows were embellished by the couture embroidery house, Maison Lesage.[10]
Vogue UK described the collections as a feast of color and texture with a feel of sorcery; this season's palette included petrol green, purple, emerald, amethyst, and sapphire.[12] Michel Gaubert provided the runway soundtrack.[10]
Chanel Ready-to-Wear Spring 2013 Runway Show
The Chanel Ready-to-Wear Spring 2013 Runway Show was presented on October 1, 2012 at the Grand Palais in Paris. Vogue Runway described the set as having an architectural modernism.[15] With an installation of 13 oversized wind turbines and solar panels[16] across the length of the catwalk[17] signifying a message of sustainable energy, Lagerfeld unveiled 80 new looks.[15] The set was designed to underscore the collection's theme of ease and serenity.[17]
This season's featured silhouette statements were boleros and A-line skirts, dresses, and jackets. The creative director used three-dimensional chiffon cut-outs to create more lightness, volume, and movement. He eschewed his typical use of braids, buttons, and chains in favor of a more liberal placement of pearl embellishments[15]
Chanel Ready-to-Wear Fall 2013 Runway Show
The Chanel Ready-to-Wear Fall 2013 Runway Show was presented on March 4, 2013 at the Grand Palais in Paris.[20] The House of Chanel marked its centennial anniversary[21] with a production designed to celebrate the brand's market strength.An illuminated oversized globe spun in the center of the venue, with at least 300 pinned branded flags, one for every Chanel boutique,[22] as the creative director ushered out 80 new looks to the soundtrack of Daft Punk's "Around the World."[23]
The collection featured loose, bulky jackets, A-shapes, dropped-torsos,[24] asymmetric hems, and statement sleeves. Fabrications included tweed, quilted silk, boucle wool, cashmere, chiffon. This season's palette featured black, white, teal, red, and grey.[21]
Chanel Ready-to-Wear Spring 2014 Runway Show
The Chanel Ready-to-Wear Spring 2014 Runway Show was presented on September 30, 2013 at the Grand Palais in Paris.[28] This season, Lagerfeld staged an art exhibit[29] reminiscent of Andy Warhol, the designer referenced Pop Art for a Pop Fashion collection,[30] ushering out 89 new looks.[31] The Grand Palais was transformed into a huge gallery of paintings and sculptures.The pieces included iconic Chanel symbols such camellias, pearls, and a bottle of No.5.[28]
Ensembles included shrunken sweaters, leather pants, flared skirts, and voluminous tweed jackets. Accessories varied from graffiti-style backpacks, canvas shoppers with bead appliqué, metallic leather mini purses, and logo-emblazoned plexiglass bags. This season's palette varied from white and black to pink and purple.
Chanel Ready-to-Wear Fall 2014 Runway Show
The Chanel Ready-to-Wear Fall 2014 Runway Show was presented on March 3, 2014 at the Grand Palais in Paris.[35] This season, Lagerfeld's team transformed the Grand Palais into a 139,930-square-foot supermarket labyrinth, one that took each model 4.5 minutes to traverse.[36] Monikered by Elle as the world's most luxurious[37] and chicest supermarket,[38][39] the Chanel Shopping Center was stocked with Chanel-branded merchandise, everything from doormats, paint pots, and chainsaws to Pringles, Coco Pops, and bath salts—[40] even the guests' seats were fashioned out of cardboard boxes.[41]
Chanel Ready-to-Wear Spring 2015 Runway Show
The Chanel Ready-to-Wear Spring 2015 Runway Show was presented on September 30, 2014 at the Grand Palais in Paris.[48] The production was a 130-meter-long catwalk[49] set as Boulevard Chanel staging a fashion protest.[50] Lagerfeld's team recreated an urban cityscape with building facades, wrought-iron terraces, pavements, and puddles.[51] This season's underlying theme was female empowerment.This was a collection about individuality and self-expression, which is why there were so many mix and match pieces.[49]
This feminine fashion expressionism was that women should be able to dress exactly how they want.[52]
Chanel Ready-to-Wear Fall 2015 Runway Show
The Chanel Ready-to-Wear Fall 2015 Runway Show was presented on March 10, 2015 at the Grand Palais in Paris.[63] Titled the "French Collection,"[64] this season the Grand Palais was transformed into Brasserie Gabrielle, a Left Bank cafe,[65] with polished wood, leather, brass, and an oval bar.[66] Ensembles focused on layering separates:[67] blouses, cardigans, sweater gowns,[66] oversized anoraks, leather joggers, lace leggings,[68]
Chanel Ready-to-Wear Spring 2016 Runway Show
The Chanel Ready-to-Wear Spring 2016 Runway Show was presented on October 6, 2015 at the Grand Palais in Paris. This season the venue was transformed into an airport terminal[75] with double C luggage carts and airline staff.[76] The Chanel Airlines Terminal included a departures board highlighting destinations for upcoming events in Shanghai, Salzburg, New York, London, and Rome.[77]
Ensembles included tweed suits, pencil skirt, dropped shoulder jackets, and knitted skirts.[78] Accessories this season varied from quilted carry-on bags and velcro sandals to driving gloves and[76] aviator sunglasses. This season's palette featured white, black, silver, pink, and powder blue.
Chanel Ready-to-Wear Fall 2016 Runway Show
The Chanel Ready-to-Wear Fall 2016 Runway Show was presented on March 8, 2016 at the Grand Palais in Paris. While the presentation didn't include some of the more elaborate sets that the house has been known for in recent seasons,[81] the runway show did give every one of its 3,000 guests a gilded front seat along a 600-meter runway.Vogue UK described the collection as Chanel for the new generation.
Influenced by elevated streetwear, the silhouettes were less ladylike with a utilitarian luxe, with more deconstructed and frayed pieces.[82] The collection featured a leaner silhouette with suits, shrunken jackets, metallic skirts, and trench coats.Accessories were oversized with jeweled belt buckles, long knitted gloves, and layered pearl necklaces.[83] This season's palette included white, grey, black, silver, fuchsia, and red.Materials ranged from tweed, jacquard, matelasse, and leather to lamé, chiffon, organza, and lace.[84]
Mica Arganaraz opened the presentation, which featured 93 looks.
Chanel Ready-to-Wear Spring 2017 Runway Show
Monikered "Intimate Technology" as a celebration to all things digital,[88] the Chanel Ready-to-Wear Spring 2017 Runway Show was presented on October 4, 2016 at the Grand Palais in Paris which had been converted to a giant mainframe computer[89] clicking, whirring, and flashing away[90] with brightly wired[90] circuit boards.This Chanel Data Center was the technological backdrop to robot attendants (CocoBots)[88] in Chanel suits who welcomed show guests.
Vogue Italia described the science-fiction influenced setting as having a server room palette of white, blue, purple, green, pink, and black. Fabrications included cotton, lace, silk, tweed, leather, and lurex. Silhouettes were oversized and layered;[91]
Chanel Ready-to-Wear Fall 2017 Runway Show
The Chanel Ready-to-Wear Fall 2017 Runway Show was presented on March 7, 2017 at the Grand Palais in Paris. Vogue heralded Creative Director, Karl Lagerfeld as fashion's astronomer-in-chief with his starship themed-presentation,[96] when at the finale a giant Chanel-branded rocket,[97] measuring 35 meters or 115 feet high appeared to jettison off the catwalk to the soundtrack of Elton John's "Rocket Man."[98] The inspiration came from local news, specifically an obsession with Thomas Pesquet,[99] a French aerospace engineer, pilot and European Space Astronaut,[100] who was part of ESA's Expedition 50 and 51 from November 2016 to June 2017.[101]
Chanel Ready-to-Wear Spring 2018 Runway Show
The Chanel Ready-to-Wear Spring 2018 Runway Show was presented on October 3, 2017 at the Grand Palais in Paris. Vogue Runway described the outdoors scenario production as an indoor Gorges du Verdon.The famous southeastern natural wonder was a metaphor for the themes of optimism, handcraft, and forward-looking fashion.[110]
Lagerfeld showed plastic coats and capes; fringed tweed; and lurex textures with crystal-jeweled accents. The collection also featured plastic boots, hats and other protective gear layered over tweed suits and dresses, with space-age accents. With comparisons to Andre Courreges and Paco Rabanne, the collections had 1960s futurism references with 1980s undertones. Donna Summer's "I Feel Love," provided the soundtrack. Materials used included tweed, macramé, chiffon, PVC, denim, georgette, silk, and leather. The palette ranged from ivory, straw, navy, and black to turquoise, emerald, and pink.[111][112][110][113]
Chanel Ready-to-Wear Fall 2018 Runway Show
The Chanel Ready-to-Wear Fall 2018 Runway Show was presented on March 6, 2018 at the Grand Palais in Paris.Vogue Runway described the backdrop as a forest, with a runway blanketed by leaves, branches, and moss.The mood of the show was romantic and nostalgic, evoking 1980s movie star glamour.[118][119][120][121]
Women's Wear Daily noted that Lagerfeld was channelling his inner Thoreau with 21 oak and poplar trees lining the "Chanel woods" production.[119]
With 81 looks, Grace Elizabeth opened the show, while Luna Bijl closed it.[122]
Chanel Ready-to-Wear Spring 2019 Runway Show
The Chanel Ready-to-Wear Spring 2019 Runway Show was presented on October 2, 2018 at the Grand Palais in Paris.Monikered by Vogue Runway as the “C-side,” the Spring 2019 Ready-to-Wear collection was set against a backdrop of a tropical beachside runway,[125] complete with a tiki hut and mini boardwalk.[126] Transitioning from previous seasons of forests and waterfalls, this season's Chanel beachscape featured sand, turf, waves, and lifeguards.[127] For those concerned about the lavishness or potential waste of the production, the program notes assured guests that the water used to create the 25 centimeter depth and 131 x 32 meter surface would be “reprocessed via the common sewage system operated by Eau de Paris,” while every grain of sand would be “put back into the usual circuit of the construction industry, for which it was initially intended.”[128] The production design was said to be reminiscent of Karl Lagerfeld's childhood holidays on the island of Sylt.[129]
Chanel Ready-to-Wear Fall 2019 Runway Show
The Chanel Ready-to-Wear Fall 2019 Runway Show was presented on March 5, 2019 at the Grand Palais in Paris set against a snowy, alpine backdrop, monikered a miniature Gstaad by Cathy Horyn. The show was especially somber, following the passing of longtime Creative Director & Visionary, Karl Lagerfeld on February 19, 2019. The Wertheimer family appointed Lagerfeld in 1983 to spearhead the collection; for nearly four decades, he guided the house through pop cultural, political, and technological shifts. The runway collection opened with a moment of silence and a voiceover from one of Lagerfeld's podcasts.[135][136][137][138]
This season the production team transformed the Grand Palais into Chalet Gardenia, a vast, snowy mountain retreat with chiming bells.[139] The palette included black, white, tan, fuchsia, teal, and dark orange.
Chanel Ready-to-Wear Spring 2020 Runway Show
The Chanel Ready-to-Wear Spring 2020 Runway Show was presented on October 1, 2019 at the Grand Palais in Paris.It was Virginie Viard's first ready-to-wear collection since the passing of Karl Lagerfeld on February 19, 2019.This season was set against a Parisian backdrop of Rue Cambon reimagined rooftops, drainpipes and airvents included.[153][154] The designer debuted tweed playsuits, coatdresses, bell-shaped skirts, tiny shorts, and sequined jackets. Jackets with flounced collars, ruffled tops with balloon sleeves, and voluminous skirts with petticoats were the more prominent design details. Day looks were accessorized with two-tone, embellished sandals, little hats, and large silk and tweed handbags. Jewelry pieces included pearl brooches, cuff bracelets, and crystal necklaces. For evening, tiered dresses and skirts were constructed of chiffon, organza, and feathers. Stripes, checks, and color blocking were featured in a palette of red, orange, pink, blue, black, and white.[155][156][157]
Chanel Ready-to-Wear Fall 2020 Runway Show
The Chanel Ready-to-Wear Fall 2020 Runway Show was presented on March 3, 2020 at the Grand Palais in Paris. The starting point got the 72-look collection was an archived 1980’s photograph of the house’s former Creative Director, Karl Lagerfeld and his oft-muse, Italian journalist Anna Piaggi. The two were captured in Edwardian equestrian-themed ensembles, which Virginie Viard described as romantic. The image evoked a collection inspired by an unbridled liberation with Pegasus motifs throughout. The silhouettes harkened back to a secondary influence, Coco Gabrielle Chanel’s passion for horse racing, featuring jodhpurs, leg-of-mutton sleeves, patchwork tweeds, and riding boots. While the third reference point was Claude Chabrol’s 1968 film, The Does.[166][167] Chanel runway shows are renowned for their production value, where the backdrop is integral to the themes of each collection. This season that translated to a stage of undulating steps in the House’s trademark black and white representing the Seine River. It was monikered by L’Officiel as a collection for a fashion girl with an active lifestyle. In addition to its signature duochromatic palette, there were also elements of pink and green, with models walking in groups of two of three. Upon arrival, guests were promptly directed to scan a QR Code which led to a campaign video (short film) directed by Inez and Vinoodh featuring Margaret Qualley and Rianne van Rompaey.[168]
Chanel Ready-to-Wear Spring 2021 Runway Show
The Chanel Ready-to-Wear Spring 2021 Runway Show was presented on October 6, 2020 at the Grand Palais in Paris. The collection was inspired by the cinematic muses the House has dressed for both productions and in real life. It sought to capture a glamourous golden era, paying homage to the actresses and brand ambassadors (Grace Kelly,Jeanne Moreau, and Marilyn Monroe, to name a few) Chanel has partnered with more than a century.The production design included giant letters spelling out Chanel, evocative of the Hollywood sign.[174][175] “I was thinking about them who make us dream so much. But without wanting to replicate. Without falling into a vintage citation. I wanted it to be very joyful, colorful, and very vibrant too,” noted Creative Director Virginie Viard.[176] Given the limitations of in person gatherings during the pandemic, the House found other creative ways to capture the presentation by commissioning a series of videos and stills by Dutch photographers Inez van Lamsweerde and Vinoodh Matadin. Marion Cotillard and Anna Mouglalis were among the guests wearing mandatory white masks at the intimate runway show. With 70 looks, the 80’s inspired silhouette featured strong shoulders, petal pushers, oversized cardigans, and mini skirts. The palette was predominantly neutral in ecru and black, highlighted with neon accents.
Chanel Ready-to-Wear Fall 2021 Runway Show
The Chanel Ready-to-Wear Fall 2021 Runway Show was presented on March 9, 2021 at the Paris nightclub Chez Castel as the traditional Grand Palais was closed for renovations. Viard aimed to evoke the intimacy and spontaneity of old-school fashion shows, where models dressed themselves and mingled backstage. The nightclub backdrop seemed to hark back to a time before masks, quarantine, and social distancing. Once again, the House commissioned a campaign film by Inez Van Lamsweerde and Vinoodh Matadin to set the tone, capturing models moving through the club’s staircases and salons, creating a “girls’ night in” vibe.[182][183][184] “I wanted to show in a small place, a club,” as explained to Vogue Editor Hamish Bowles by Viard during a Zoom preview. “I don’t like big rave venues; I prefer that kind of place that is more intimate. Karl was always telling me about the shows he staged in the ’70s with the girls getting dressed on their own in a restaurant in Paris,” she added.[185] The collection juxtaposed heavier tweed jackets against delicate chiffon dresses. Thematically, it evoked winter sports with Nordic elements, intarsia sweaters, shearling vests, puffer jackets, maxi coats, ski pants, and quilted mini skirts. One look, a tweed kilt layered over a knitted jumpsuit posthumously paid homage to a former muse of the House, Stella Tenant, who had passed away the December prior.
Chanel Ready-to-Wear Spring 2022 Runway Show
With the Grand Palais still under renovations in preparation for the 2024 Summer Olympics, the Chanel Ready-to-Wear Spring 2022 Runway Show was presented in a temporary exhibition hall, the Grand Palais Éphémère, in the Champ de Mars on October 5, 2021. The presentation depicted the bygone supermodel era, installing an elevated runway flanked on either side by a mosh pit of flash photographers, where models paused to pose, smile, and flip their hair. Inez van Lamsweerde and Vinoodh Matadin posed as old-school photographers.[192][193] A giant image of model Vivienne Rohner holding a camera dominated the decor, symbolizing the intimate relationship between fashion and photography Viard was inspired by the glamour of old-school fashion shows, the magic of photography, and the legacy of Karl Lagerfeld, who used to shoot Chanel campaigns himself. The show opened with a short film by Inez & Vinoodh featuring Chanel muses like Lily-Rose Depp, Jennie (Blackpink), and Quannah Chasinghorse, all holding cameras.[194] “Fashion is about clothes, models and photographers... It’s a magical object and a sexy gesture, which evokes so many memories. I used to love the sound of flashbulbs going off at the shows in the ’80s,” designer Virginie Viard recalled in today’s Chanel show notes. “I wanted to recapture that emotion.”[195]
Chanel Ready-to-Wear Fall 2022 Runway Show
The Chanel Ready-to-Wear Fall 2022 Runway Show was presented on March 8, 2022 at the Grand Palais Éphémère. The staging resembled a countryside meadow in Scotland, with brown seats, a green runway to mimic the River Tweed, and pops of color to represent the flowers Gabrielle Chanel plucked as a color story guide for her fabric makers. The collection was a dedicated homage to tweed, Chanel’s iconic fabric, which Gabrielle “Coco” Chanel famously borrowed from her British lover, the Duke of Westminster. Viard drew inspiration from the River Tweed in Scotland, with its earthy tones and misty landscapes, captured in photographs by Inez van Lamsweerde and Vinoodh Matadin. The show also nodded to British heritage and aristocratic countryside style, with references to Balmoral Castle and Princess Diana, including a soundtrack featuring Jonny Greenwood’s score from Spencer.[203] With 70 looks, the collection included leather shift dresses, long skirts, rubber boots, and thigh-high waders stamped with interlocking Cs. Gabrielle Chanel first popularized the use of men’s suiting in her early designs, oversized riding jackets hinted at her love affair with the Duke of Westminster. Tweed, which has become the House’s signature textile was not only reserved for jackets, it was utilized for knitwear, belts, buttons, and three dimensional camellia brooches. The palette was punk rock influenced with magenta, turquoise, navy, and black. “There’s nothing sexier than wearing the clothes of the person you love. I’m fascinated by this ever-contemporary gesture,” offered Viard in her press statement.[204][205]
Chanel Ready-to-Wear Spring 2023 Runway Show
The Chanel Ready-to-Wear Spring 2023 Runway Show presented on October 4, 2023 was inspired both by brand Ambassador and longtime muse, Kristen Stewart and Alain Resnais’sL’Annee Derniere a Marienbad (Last Year at Marienbad), a favorite of both Gabrielle Chanel and Karl Lagerfeld. The 1961 film’s dreamlike, enigmatic atmosphere influenced the show’s cinematic presentation and aesthetic, with a predominantly black and white palette and backdrop was central to the show’s narrative. Her voice and image opened the show in a short film, setting a reflective tone about identity and transformation.[207][208][209] Held at the Grand Palais Éphémère, the show featured a 360° cinema screen playing scenes from Last Year at Marienbad, creating an immersive, theatrical experience. The runway emphasized freedom of movement and expression, aligning with Viard’s vision of “allure” as an inner attitude rather than external display.[210] The silhouettes were flowy, loose shapes made of silk, chiffon, and tulle, emphasizing lightness and ease. The color palette was dominated by black and white, with touches of pastels, gold, and crushed velvet. Textures and embellishments included feathers, sequins, pearls, and bows while rhinestones added whimsy and femininity.
Chanel Ready-to-Wear Fall 2023 Runway Show
The Chanel Ready-to-Wear Fall 2023 Runway Show was presented on March 7, 2023. The central motif of the collection was the camellia flower, a long-standing symbol of the Chanel house since Coco Chanel first used it in 1923. Viard emphasized that the camellia is “more than a theme—it’s an eternal code of the house,” representing softness and strength.[214]The show also drew inspiration from cinema and French fashion history, with actress Nana Komatsu featured in a film by Inez & Vinoodh that played during the show. Held at the Grand Palais Éphémère in Paris, the set featured a giant white camellia and cinematic visuals, creating a dreamy, immersive environment. The 66 looks were dominated by a neutral The Color Palette in black, white, and gray, with touches of dusky pink and earthy tones, reflecting a subdued elegance. Camellia motifs were prominently featured throughout in embroideries, buttons, angora patterns, and polka-dot-like prints on jackets, coats, and accessories The Silhouettes included tweed suits paired with bermuda shorts, bloomers, or leather shorts; while white floral lace tights and knee boots added a romantic touch; and Camellia-print silk dresses layered over sweaters and long johns closed the show. Lace, velvet, tweed, and angora were used to create depth and softness. Asymmetry was featured throughout amongst coats and dress slits, adding modernity to classic Chanel shapes.[215][216][217]
Chanel Ready-to-Wear Spring 2024 Runway Show
The Chanel Ready-to-Wear Spring 2024 Runway Show was presented on October 3, 2023. The collection was deeply inspired by the modernist architecture and Cubist gardens of Villa Noailles, a historic site tied to Chanel’s legacy and the avant-garde art scene of the 1920s. The show was staged at the Grand Palais Éphémère in Paris, with a teaser filmed at Villa Noailles by Inez & Vinoodh, starring Rianne Van Rompaey. The collection’s visual language echoed the villa’s architecture, purity, and artistic legacy —clean lines, cubist motifs, and sun-drenched palettes.[219][220]“This Spring-Summer 2024 Ready-to-Wear collection is an ode to liberty and to movement, and tells a story that has its origins in the gardens of the villa Noailles,” explained Virginie Viard.[221] This inspiration was reflected in the light silhouettes, geometric patterns, and playful color palette. The collection featured patchworks, asymmetrical contrasts, and stripes—mirroring the villa’s modernity. Classic Chanel tweed was reimagined in bright stripes, terrycloth textures, and toweling cotton, including skirt suits and hooded capes. The brand’s iconic tweed appeared in multicolored bathrobes, black and pink jackets, and striped terrycloth blazers, blending tradition with casual luxury.[222]
Chanel Ready-to-Wear Fall 2024 Runway Show
The Chanel Ready-to-Wear Fall 2024 Runway Show was presented on March 5, 2024 at the Grand Palais Éphémère in Paris. The collection had a millenary-dominant focus, with oversized wide-brimmed sunhats; it was inspired by a sartorial merger of 20’s silhouettes favored by founder Gabrielle Chanel and vintage collections designed by Virginie Viard’s mentor and longtime Creative Director, Karl Lagerfeld.[229]The set and production value evoked a cinematic seaside mise-en-scène recreated Deauville’s boardwalk with a wraparound screen by Inez & Vinoodh; the show opened with a short film starring Penélope Cruz and Brad Pitt, paying homage to Claude Lelouch’s 1966 film ‘Un homme et une femme.’ The soundtrack featured tracks included Air’s "Sexy Boy," "Kelly Watch the Stars," and "Remember."[230][231] The silhouettes included broad-shouldered pea coats; long belted robe coats over tweed suits; box-pleated skirts, culottes and cropped trousers; chunky sailor sweaters; negligee-inspired dresses; and thigh-high sheepskin boots. The “Deauville sky” pastel and sunset palette—pink, mauve, orange, and pale blue—was anchored by brown and gold lamé; fabrications knits, chiffon, and silk to tweed, denim, and shearling accents.[232][233]
Chanel Ready-to-Wear Spring 2025 Runway Show
The Chanel Ready-to-Wear Spring 2025 Runway Show was held on October 1, 2024 Who What Wear at the Grand Palais in Paris. Fashionotography. Following Virginie Viard’s departure, a new creative director had not yet been appointed; the collection was designed by Chanel Creation Studio. Prominent silhouettes and design details amongst the 77 looks included feathers, chiffon capes, aviator jackets, flight suits, sheer dresses and tweed suits with shorts. Fashionotography The palette featured candy pastels, blacks, whites, beiges, and shimmering sequins and feather prints. Westmount Fashionista Fabrications ranged from tweed and sequined denim to chiffon, tulle, and silk charmeuse.[239][240][241] Production and set design details included a giant aviary structure under the Grand Palais dome, where Riley Keough performed “When Doves Cry.” It hearkened back to a 1991 campaign featuring longtime muse and ambassador, Vanessa Paradis. Vittoria Ceretti, Mica Arganaraz, Liu Wen, and Lulu Tenney were featured models.Guests and ambassadors included Jennie (Blackpink), Laufey, and Rebecca Armstrong.[242][243]
Chanel Ready-to-Wear Fall 2025 Runway Show
The Chanel Ready-to-Wear Fall 2025 Runway Show was presented on March 11, 2025 at the Grand Palais in Paris. Once again, in between creative directors, the 71 ensembles were designed by the in-house Creation Studio. The silhouettes included distorted proportions, layering, capes, tweed layering, and trompe-l’oeil tulle. MilleWorld The palette was composed of black, white, champagne, bronze, and pastels. Fabrications featured were tweed, tulle, chiffon, organza, silk satin, and grenadine tweed. The collection’s design details featured bows, ribbons, pearls, camellias, and oversized pearl heels. The show’s soundtrack mixed strings with electronic beats. Dakota Fanning, Tyla, Charlotte Casiraghi, and Simone Ashley were in attendance.Chanel Ready-to-Wear Spring 2026 Runway Show.[245][246][247][248][249]
Chanel Ready-to-Wear Spring 2026 Runway Show
The Chanel Ready-to-Wear Spring 2026 Runway Show premiered on October 6, 2025, at the Grand Palais in Paris, marking the debut of newly anointed creative director, Matthieu Blazy. The set transformed the space into a planetarium with a suspended solar system of glowing planets over a glossy black runway. Blazy framed the debut as the “Universe of Chanel.” Show notes and reporting describe three chapters—Un Paradoxe, Le Jour, and L’Universel—moving from masculine–feminine tension to lived‑in daywear and a universal finale.[250][251][252] Key looks featured cropped, boxy jackets with low‑slung wrap skirts; menswear‑derived tailoring referencing Boy Capel as well as fluid daywear and lived‑in classics, knit v‑necks and skirt sets with camellias at the hem. Silk separates and gowns balanced seduction with restraint for evening. The palette was composed predominantly of neutrals — beige, ivory, black — with Art Deco influences. It was accentuated by vivid pops of tomato red and mint.[253][254]
The production included stylized, oversized installations[6] of giant sea life sculptures: stingray, sea horse, shark, anemone, and coral branches in a variety of matte, glossy, and sparkly finishes.[7]
Florence Welch provided the soundtrack with a live performance of "What the Water Gave Me."[2]Saskia de Brauw opened the runway show.Freja Beha Erichsen, Arizona Muse, Karlie Kloss, Tao Okamoto, Heidi Mount, Fei Fei Sun, Lindsey Wixson, Miranda Kerr, Joan Smalls, Candice Swanepoel, and Liu Wen were amongst the models who also walked the show.Stella Tennant closed the presentation.[8]
Fashion Critic Tim Blanks described the runway presentation as "a magical underwater environment." Following the October 4, 2011 presentation, Blanks asked Lagerfeld at what point did the theme of the undersea world assert itself on the collection. Lagerfeld replied, "Nothing is more modern than the shapes in the ground of the sea who have billions of years. The sea is the same all over the world; so it's a manualization in a very modern, graphic way—and where pollution hadn't reached yet."
Blanks noted the paradoxical metaphor of creating something very modern out of something very old. "I'm happy you say that," noted Lagerfeld. "In fact, the oldest things are the most modern in a way."[9]
Kati Nescher
opened the runway show.
Stella Tennant, Caroline Brasch Nielsen, Karmen Pedaru, Cara Delevingne, Edie Campbell, Lily Donaldson, Magdalena Frackowiak, and Bette Franke were amongst the models who also walked the show.
Tim Blanks described the pieces as new, seductive, yet wearable. Vogue Italia Editor in Chief, Franca Sozzani remarked of the collection, "It's so different from anyone, because it makes you feel like you're dreaming, but at the same time, you know that you could wear."When characterizing the runway design to Blanks, Lagerfeld said, "What is more modern? This looks like a city of skyscrapers that has exploded, in a way—so I think, nature is not such a bad designer, no? And the other inspiration in terms of cuts and shapes and embroideries is Czech cubism. I thought it was an interesting expression."[14]
for a look that he described to WWD as fresh and light, with different proportions and volumes.
Lagerfeld, who is approaching his 30th anniversary as Creative Director of Chanel, continues to modernize the house, without reinventing its core aesthetic.
This season, he showed cropped jackets, cocoon shapes, trapeze cuts, bell sleeves, wide-cut jackets, skirt-dresses, embroidered flowers, and organza pinwheels.[17][16]
Kati Nescher opened the runway show.Yumi Lambert, Lily McMenamy, MacKenzie Drazan, Stella Tennant, Jacquelyn Jablonski, Iselin Steiro, Lindsey Wixson, Montana Cox, Kaitlin Aas, Aymeline Valade, and Cara Delevingne were amongst the models who also walked the show.Marte Mei van Haaster closed the presentation.[18]
"No braids, no classic channel buttons, no chains—just pearls, pearls, and pearls, and that's all," as Lagerfeld described his new collection to Style.com's Blanks. "It's all about volume and lightness, because normally volume and lightness don't go together. Everything is airy."
When asked if this was the biggest thing he'd ever done, in terms of the production scale, the designer responded, "I don't judge my things in terms of size. Energy is the most important thing in life. The rest comes later."[19]
The darker collection was offset by glittering tweeds
Ashleigh Good opened and closed the runway show. Xiao Wen Ju, Marine Deleeuw, Iris van Berne, Josephine Le Tutour, Nadja Bender, Daphne Groeneveld, Meghan Collison, Shu Pei Qin, and Louise Parker were amongst the models who also walked the show.[26]
Actress and model Milla Jovovich said of the collection, "I love how he really brought in a lot of the essence of Coco Chanel into this collection, whether it was some of those more billowy coats—that was just so quintessentially Coco. I love how he is always able to take history and meld it with the future in the most beautiful, sensible way."
As told to Style.com, Lagerfeld noted of his collection, "It was dark, but I don't think it was sad. It's not easy to run around in pink all day. It's a very cosmopolitan, international look. It's a global look women can wear all over the world… An interesting thing is that today it's not that Europe, as big as the amount of shops, it's the rest of the world, it's the new world. And that's very interesting, because French luxury industry survives doing so well because there are all of those new fortunes in a new part of the world. And this is something I wanted to show too, that they see all the flags there in this new world… It's globalization, a fashion globalization."[27]
, Lagerfeld noted that the show's concept began several months ahead of the collection as satire and the idea that people overact to art today.
The designer created an art installation of 75 pieces as a backdrop to his presentation.[32]
Cara Delevingne opened runway show.Devon Windsor, Ming Xi, Ieva Laguna, Grace Hartzel, Holly Rose Emery, Grace Mahary, and Josephine Skriver were amongst the models who also walked the show.Lindsey Wixson closed the presentation.[31][33]
When asked about the art installation, Lagerfeld replied, "I designed it. I made small models, and then they make it bigger. Yes, I made everything. It's not different young artists; only one old artist—it's me… And I think it was right for today, no? Because life is not a red carpet. This is for daily life; that was the idea in fact."[34]
Remixes of Lady Gaga and Rihanna provided the runway soundtrack.A closing announcement created a bit of a fashion stampede, when the frenzied audience ran towards the runway clamoring for giveaways, "The shopping centre will be closing shortly, please help yourself to the complimentary fruit and veg and please come again."[40]
The season's silhouette was anchored by hourglass shapes[41] and strong shoulders.Most outfits were layered over leggings. Corseted waistlines and knee-length skirts were paired with trapeze coats. Fabrications included tweed, cashmere, jersey, knitwear, silk, leather, and chiffon. The multi-hued palette varied from pink, orange, yellow, and green, to burgundy purple, grey, and black.[42] Featured accessories ranged from padlock necklaces and quilted headphones to sneakers and sneaker boots.[43] With a sportier vibe, the show's setting made a commentary on everyday consumerism.[44]
Interviewed post-show, Rihanna said, "I think the show was fun. It was young… I loved the silhouettes. I really, really loved the layering, the colors, the tweed—I wanted so many pieces right away… Everything was brilliant. I think was very me. I feel like I could wear everything in the collection."[45]
"We saw the punk girl. I think I saw the sophisticated, the very young teenagers—they were all there, it feels like a brand that you can wear throughout any age," noted Alicia Vikander.[45]
"I think that's one of the most extraordinary things about Karl," added Keira Knightley, "For however long he's been doing this, he continues to reinvent and continues to be forward-thinking, and always about the present and the future."[45]
Cara Delevingne opened runway show, which featured 78 looks.Lindsey Wixson, Julia Nobis, Binx Walton, Kati Nescher, Malaika Firth, Stella Tennant, Pauline Hoarau, Lexi Boling, Anna Ewers, Kendall Jenner, Fei Fei Sun, and Marine Deleeuw were amongst the models who also walked the show.Nastya Sten closed the presentation.[46][47]
The silhouettes included everything from double-breasted suits, utility field jackets, and flared trousers to polo shirts with jogging pants, box-pleated skirts, and evening gowns.
Some of the finale protest signs read, "Tweed is Better Than tweet," "Be Your Own Stylist," "Make Fashion not War," "Free Freedom," "Ladies First"[54]
"Women's Rights Are More Than Alright," and "History is Her Story."[55]Chaka Khan's "I'm Every Woman" provided the runway soundtrack.[56][57]
Cara Delevingne opened the runway show, which featured 86 looks, with a megaphone in hand.[58] Melina Gesto, Josephine Le Tutour, Sanne Vloet, Charlotte Free, Daphne Groeneveld, Georgia May Jagger, Sam Rollinson, Lexi Boling, Zlata Mangafic, Valery Kaufman, Taylor Hill, Gigi Hadid, Kendall Jenner, Joan Smalls, and Gisele Bündchen were amongst the models who also walked the show.Lindsey Wixson closed the presentation, culminating in a feminist march protest.[59][60][61]
As told to Tim Blanks of Style.com, Lagerfeld noted, "I like the idea to show the clothes in the street, girls walking like as if they were walking in the street. And also, there are all kinds of pieces; everybody can use, play with. It's not professional… There are no 70s, no 60s—it's more of a Mod de Viv than mod."
W Magazine's Editor-in-Chief Stefano Tonchi said of the presentation, "Karl is such a great social commentator. It's true that fashion is supposed to be the mirror of society, but he really put the mirror on our faces and he reflects the feeling and the mood and the ideas that people have in their mind.[62]
Cara Delevingne opened and closed the runway show, which featured 98 looks.Mica Arganaraz, Kendall Jenner, Joan Smalls, Grace Mahary, Sasha Luss, Taylor Hill, and Lily Donaldson were amongst the models who also walked the show.[73]
Style.com described the runway show as Lagerfeld's love letter to Paris, "This was for the attitude, for the femininity, for the spirit of Chanel, for a kind of renewed sexiness from another age, to make it more modern," the designer explained to Tim Blanks post-show.[74]
"The message of Chanel that evolved in something bigger, more futuristic, which I thought was interesting," noted Caroline de Maigret."What I'm always amazed in Karl's work for Chanel is the relationship he has with France. Last time we had the demonstration in the streets that belonged to us. Now we have the French brasserie, and it moves me in a way. It's like my cultural roots that come out."[74]
"The whole brasserie side was lovely because it is like being at my corner cafe and the feeling of being very French... And there were loads of tweeds and silhouettes that reminded me of France, reminded me of the 1960s in France and this whole culture of cafes at the time." said Lou Doillon.[74]
"I'm a stranger so I have a distorted view on French life, because you know I'm a little tired also of people saying 'Oh France isn't good anymore.' Even the French, the famous French-bashing—so I wanted to show that are few things are not that bad and typically French, and they should enjoy what they have," Lagerfeld added. "The minute I finish one, I have to think about the next one, eh? That's why so many designers think the speed is too big and I don't think so. It's a nonstop dialogue, and if you are not ready to have a nonstop dialogue with fashion, you should do another job."[74]
Fabrications ranged from wool, leather, denim, lurex, and PVC to sequins, crystals, silk, chiffon, and tulle.[79]
Edie Campbell opened the presentation, which featured 95 looks.Lexi Boling, Lauren de Graaf, Josephine Le Tutour, Greta Varlese, Lineisy Montero, Chiara Scelsi, and Kendall Jenner were amongst the models who also walked the show.Mica Arganaraz closed the runway show.[80]
Lagerfeld told Style.com post-show, "Getting to the skies, you have to go through an airport... So I wanted to make the perfect airport, where boarding is a pleasure and not a nightmare, like it is now."[75]
"This airport was like we needed more Utopian than real things; we wanted to avoid security alerts, missed luggage, all that kind of stuff. So, it was more like a happy airport," observed Michel Gaubert.[75]
"We're flying high class and it was beautiful," said Audrey Marnay."All the prints at the beginning and the look with the long skirts, it's always a new thing."[75]
"I thought the collection was very fresh and colorful. There were a lot of twists at first. And I love the way the fabrics, they were like graphism on the tweed of red and blue and white. It's always a surprise with Karl, I never know where I'm going to end up."[75]
"I like the shape of airplanes. I love airplanes. It's like a kind of butterfly," Lagerfeld added. "They also wear very formal things with nothing. The Chanel suits, there's no buttons, no braids, no pockets and it just looks Chanel. I think that's fun."[75]
Edie Campbell, Sarah Brannon, Selena Forest, Natalia Siodmiak, Felice Veen, Julia Bergshoeff, Frederikke Sofie, Bhumika Arora, Alanna Arrington, Vittoria Ceretti, Gigi Hadid, Bella Hadid, and Kendall Jenner were amongst the models who also walked the show.
Pharrell Williams told Vogue Magazine, "This show was like synchronized swimming. We got to experience his thoughts manifested, to have all of the models walk a half a mile was a huge proposition—but he pulled it off."[87]
Lagerfeld explained, "I think the dream of a lot of people is to be on the front row for once in their life. Because the people in row number five, they don't see the detail with half a mile of runway, but the music was made that they could walk quickly and everything; it's for a fast life, you can move, you can travel..."[87]
puff jackets were paired chiffon dresses in techno
and laser optic prints, while tweed jackets were worn over lace dresses.
Lagerfeld created a dichotomy between the modern, metallic tweeds, which he juxtaposed against delicate underpinnings: slips, camisoles, lace shorts, and bed jackets.[92] Accessories were metallic and embellished from ballet pumps, crystal belts, and[91] bold necklaces[90] to fluorescent bags with Chanel spelled out in LED lights; circuit-board clutches, and baseball caps, worn sideways.
Amanda Sanchez opened the presentation, which featured 86 looks to Donna Summer's "I Feel Love."[93]Teddy Quinlivan, Greta Varlese, Josephine Le Tutour, Jasmine Tookes, Romee Strijd, Jing Wen, Vittoria Ceretti, Taylor Hill, Lia Pavlova, Sarah Brannon, and Odette Pavlova were amongst the models who also walked the show.Cris Herrmann closed the runway show.[94]
Lily-Rose Depp said of the collection, "I loved the suits with the oversized coasts and skirts, and also the back-to-front jackets. You could see the little chain down the back with the Chanel logo."[95]
"I found the mixture of tradition and technology fascinating," noted Caroline de Maigret post-show."The classic chic, the jackets, but reworked in innovative fabrics. I loved the little wires, the computer cables that echoed the thread in the clothes."[95]
"My favorite thing was the colorful tweed suits," explained Nana Komatsu. "I also liked how the models wore their caps to the side. It's very street style."[95]
"A house like Chanel has these iconic pieces, which are renewed by Karl in a totally different way each time," observed Gaspard Ulliel."I think it's a very young collection."[95]
"The set was a perfect backdrop for the collection with its play on light and color," stated Anna Mouglalis."There was a mixture of delicacy, modernity, and tradition that was really beautiful."[95]
The Los Angeles Times described the collection as a launchpad for interstellar luxe.[102] This style space odyssey's,[103] silhouettes featured boxy tweed jackets, Bermuda shorts, silver leather suits,[96] foil quilted capes, glitter boots, and diamanté collars. The ensembles were accessorized with
bejeweled ear warmers,[102] sparkly arm warmers, silver backpacks, and minaudière in the shape of a rocket. This season's palette was black, silver, white, grey, and blue. Fabrications included tweed, leather, shearling, wool, silk, lurex, chiffon, and jersey, embellished with crystals and sequins.[104]
Cara Taylor opened the presentation, which featured 96 looks.[93] Birgit Kos, Camille Hurel, Catherine McNeil, Frederikke Sofie, Kendall Jenner, Gigi Hadid, Josephine Le Tutour, and Arizona Muse were amongst the models who also walked the show.Ondria Hardin closed the runway show.[105][106]
Business of Fashion Editor-at-Large Tim Blanks noted that after shows in Tokyo and Cuba, that Karl Lagerfeld had taken his collection to space, the final frontier.[107]
"I just was thinking to myself how much it's elevated over the years," noted Rita Ora."And just how now we can just have fun with glitter and sparkles. And like the models are all young and just it's kind of like really refreshing to see someone like Karl still really embrace kind of the new generation."[107]
"He likes new things!" observed Ines de la Fressange, "He's never turned to the past and he never wants to talk about the past and he hates nostalgia. And it's funny, how he's a visionary."[107][108][109]
Each season, Lagerfeld transforms the Grand Palais into a new world; previous productions have been morphed into an art gallery, a supermarket, and a rocket launching pad, but this season it was an outdoor oasis[114][115] landscaped with towering cliffs, waterfalls, rocks, manmade lagoons, and sculpted panels, measuring 50' tall by 275' wide.[116][115]
With 89 looks, Kaia Gerber opened the show, while Grace Elizabeth closed it.For beauty, Sam McKnight styled the models in ponytails and Tom Pecheux referenced the 1980s with blue eyeshadow and red lipstick.[112][117]
The collection featured outer pieces ranging from tweed jackets to chubby fur coats and quilted puffers and closed with a finale of twelve black lace dresses.
The hemlines varied from mini to knee and ankle-length.
The pallette included black, grey, rust, dark green, cobalt, burgundy, gold, and ivory.
The designs incorporated tweed, lame, mohair, jacquard, velvet, leather, fur, satin, and lace.
For the most part, the silhouettes were clean, with elongated jackets, a-line coats, and voluminous skirts.[124]
As reported by Vogue Italia, “It is the beach of one of my favourite places—nothing is going on there— no boats because the sea is too rough,” Lagerfeld explained. “I went as a child – and back once for a campaign with Claudia Schiffer and Shalom Harlow,” he continued. “It's the least polluted place on earth in the middle of the North Sea—in my childhood you had to take little fishing boats to go over. But the same landscape changes every day—the dunes move with the wind.”[130]
As told to WWD, Poppy Delevingne said post-show. “It was like going to the most glamorous beach party of all time.” She continued, “I loved all the pastel colors, all the tweeds, all the raffia hats and sandals. I loved all the models barefoot, I loved all the sunshine-y looks,” she said. “I feel like I’ve just taken a holiday, so ‘thank you, Karl.’”[131]
The collection of 82 pastel looks in shades of mint, yellow, white, and pink,[132] referenced late 1980s and early 1990s with oversized blazers and bike shorts.Accessories included beach ball minaudières, terry cloth handbags,[133] and oversized straw hats.The models carried two crossbody bags simultaneously.[126] Embroideries, playful prints, and logo-emblazoned tweed vests, caftans, and tunics were also featured.[134]
Fabrications and prints ranged from houndstooths and tweeds to striped and fair isle.
Silhouttes varied from floaty chiffon dresses, leather pants, jumpsuits, heavy capes, highwaisted pants, and puffer jackets embellished with fur, feathers, and snowflakes.[140]David Bowie's “Heroes,” provided the runway soundtrack.[140]
Cara Delevingne opened the runway presentation of 72 looks,[141] while Luna Bijl closed it.[142]Camille Hurel,[143]Mica Arganaraz,[144] Carolina Thaler,[145]Anok Yai,[146]Jing Wen,[147]Selena Forrest,[148]Soo Joo Park,[149]Anna Ewers,[150]Kaia Gerber,[151] and Penelope Cruz[152] also walked in the show.
Many critics noted Viard's desire to stay true to the brand's iconic, signature tweeds and Lagerfeld's grand production values, while injecting her sense of wit and youthfulness, reinterpreting the tweed suit as a romper for spring and pairing metallic shorts with camellia-laden jackets.[158]
As told to the Italian Bureau of Fashion Network by Bruno Pavlovsky, President of Fashion at Chanel, “It's a collection that is the image of Virginie, very young, full of energy. It especially highlights her exceptional knowledge of the brand; 30 years with Karl; a perfect understanding of Mademoiselle Chanel's contribution and in addition her own inspiration.” [159]
According to Vogue, Viard drew inspiration from the French New Wave Cinema of the 1950s and 1960s or the atmosphere of the Nouvelle Vague.She cited Brand Ambassador Kristen Stewart's biopic Seberg, along with Jean-Luc Godard's Breathless as reference points.Notably, French YouTuber and comediene Marie Benoliel caused a stir, by crashing the presentation, when she jumped up onto the runway from the audience.[160][161] She was promptly escorted off the runway by Gigi Hadid.[162]
Fashionista noted the brand's inclusivity with model casting.[163] Maike Inga opened the runway presentation of 83 looks, while Rianne van Rompaey closed it.Sacha Quenby, Anna Ewers, Jing Wen, Gigi Hadid, Kaia Gerber, Lexi Boling, Felice Noordhoff, Sara Grace Wallerstedt, and Vittoria Ceretti also walked the show.[164]
Hubert Barrere, Artistic Director of Lesage, also observed. “You know that with Virginie, everything is simple and obvious. I think that's maybe the message of this collection. Simpler, less fuss-one fabric that we can texturize, make lighter, more flexible, maybe even a bit more shiny, like the zinc roofs of Paris and the like lights of Paris and that simply makes everyone dream.”[165]
The collection featured casual silhouettes with relaxed styles such as cropped tops, elevated sweatpants, and sporty jackets, alongside Chanel’s iconic tweed blazers and tailored coats.
Accessories included statement necklaces, oversized belts, pearl-strapped quilted bags, and even quilted AirPod cases added a playful, modern twist.Models wore only one style of boot, inspired by Lagerfeld’s riding boots, as a tribute to the late designer.[171]
The collection received mixed reviews.
While some praised its wearability and youthful energy, others felt it lacked cohesion and clarity.
Critics noted that the show seemed like a transitional moment for Viard, who was still defining her vision for Chanel post-Lagerfeld.
Design details included breakaway pants, ascots, and oversized gold buttons.
Washington Post, Critic-at-Large, Robin Givhan noted.
“It takes time to find one’s footing, even for designers such as Viard who have a history with the house.
This sophomore stumble is a reminder that successions — along with revivals — are one of the most challenging exercises for fashion houses.
They require walking in another person’s shoes while simultaneously altering them to fit.” She continued on to note how the shows were fraught with tension during the onset of coronavirus.[172][173]
Models Rianne van Rompaey, Vittoria Ceretti.
Mica Arganaraz, Blesnya Minher, Madeleine Fischer walked in the runway show.[177]
The collection blended logo-heavy daywear with streamlined glamour, including: black and white floral dresses with bare shoulders; a black chiffon gown trimmed with ostrich feathers; a black bustier minidress with a chiffon train; a sleeveless tunic and pant combo with a deep V neckline. Accessories were minimal, and silhouettes were more relaxed and pared down compared to Karl Lagerfeld’s era. WWD praised the collection’s elegant simplicity and its suitability for awards season, noting its blend of glamour and wearability. Tribute to Magazine highlighted the joyful and vibrant energy of the collection, calling it “pandemic-proof” in its escapism and cinematic nostalgia. Fashionista criticized the collection for lacking true glamour, describing some silhouettes as ill-fitting or overly commercial. The review questioned the coherence of Viard’s vision and the intended audience for the designs.[178][179][180]“It felt like watching your very cool aunt or an extremely sassy, confident teenager,” as told to Vogue by playwright Jeremy O. Harris, “and I love how disparate those polarities are—so cool and great—and two women I want to be friends with and... want to be.Like, who doesn’t want to be Regina George?!”[181]
As larger audiences had been banned during the pandemic, the intimate venue featured only 20 models as opposed to the typical 80 featured during a runway show.
Chanel Ambassadors and Friends, Margaret Qualley, Jennie Kim, Angèle and G-Dragon joined remotely to countdown to start of the show
Classic Chanel tweed was reimagined in boxy silhouettes, oversized coats, and kilts layered over knit jumpsuits.
The collection included après-ski elements: faux-fur moon boots, puffer jackets, and shaggy bags evoked alpine luxury.
Festive attire ranged from sheer slips, sequined dresses, and holographic fabrics added a flirtatious, nightlife-ready edge.
Standout accessories varied from lipstick-holder necklaces and quilted mini bags to wide-brimmed hats and sequined ballet flats.[186][187]
The show was praised for its intimate, sensual atmosphere and playful contrasts—a departure from Chanel’s grand spectacles.
Critics noted Viard’s growing confidence in blending heritage with modernity, and her ability to reinterpret Chanel codes for a younger, edgier audience.[188]
“This collection is a mix of two influences: the ambiance of ski holidays, which I adore, and a certain idea of cool Parisian chic, from the 1970s to now.” explained Viard.[189]
Elle Magazine noted how virtual shows allowed the creatives behind some of the more grand productions to contextualize the storytelling through a more intimate lens and the audience to focus more intently on design details.
Harper’s Bazaar characterized the collection’s styling as having a streetwise edge, with an effortless throw-on-and-go attitude designed for lively, free-spirited girls who like to party.[190]
“I don’t know if this is because of the times we live in, but I wanted something warm, lively,” Viard expressed in the show notes.
“I imagined the models doing a show for themselves, going from room to room, crossing each other in staircases, piling their coats up in the cloakroom and going up to the next floor to get changed.”[191]
Photography served in part as the inspiration for this season’s collection, but it was also a tribute to Viard’s predecessor.
It is an enduring part of Maison’s DNA, Viard explains, “Karl Lagerfeld used to photograph the Chanel campaigns himself.
Today, I call upon photographers.
I love the way that they see Chanel.
It supports and inspires me.”
The runway backdrop included a black and white portrait of model Vivienne Rohner taking a photo.
The collection featured simple black-and-white or gold bathing suits with chain belts opened the show, setting a playful, sexy tone.
Classic Chanel tweed was reimagined in pastel pinks, lilacs, and yellows, often in mini dresses or cropped jackets.
This season’s collection had a bohemian 60’s feel with denim, butterfly prints, and chiffon that seemed to connote a sense of cautious optimism.
The silhouettes and palette also gave a nostalgically referential nod to Clueless with preppy pastel suiting, Mary Jane heels, and multicolor crochet jackets.
The color story included black, white, mauve, and pink hues.
Ensembles were accessorized with long necklaces, belted midriffs, and neon hoops.
The looks were accessorized with quilted bags, oversized chains, flared heels, and Mary Janes with pirate-style buckles completed the looks.
The show was praised for its cinematic energy, playful sensuality, and homage to Chanel’s heritage.Critics noted Viard’s growing confidence in blending retro glamour with modern femininity, creating a collection that felt both nostalgic and fresh.[198][199][200][201][202]
The venue was fully immersed in tweed—walls, floors, and seating were all covered in the fabric, reinforcing the theme.
Guests were encouraged to wear tweed, creating a cohesive and immersive experience.
Viard played with layering tweeds of different weights, mixing them with richly textured cardigans and sweaters.
The palette ranged from psychedelic pinks, purples, and greens to earthy browns and greys, reflecting the Scottish landscape.
Chanel’s signature flower appeared in tweed form on knitwear.
Accessories included Victorian-style long skirts, rhinestone-covered shoes, and leggings with bow details added a romantic, eclectic flair.
The collection was seen as a confident assertion of Chanel’s ownership of tweed, especially in light of other fashion houses embracing the fabric.
Critics noted Viard’s continued exploration of Coco Chanel’s personal history, bringing a more intimate and historically rooted perspective to the brand.
Of the 71 looks, standout pieces included: black and white tops paired with sheer capelets and two-tone tweed flats; crushed velvet dresses with side slits and lace detailing; and Mini handbags, wide-leg pants, and flats for a more casual, modern Chanel look.[211][212]
“Of the people around me, she is the closest to Gabrielle Chanel—at least, to my idea of her,” creative director Virginie Viard wrote in the show notes.[213]
The bold use of paintbox brights, checkerboards, and hand-drawn floral prints added a youthful and artistic flair. Relaxed ensembles included neoprene suits, lace dresses, sunray-pleated tops, open-breasted jackets, and low-waisted trousers, emphasizing comfort and movement. The collection featured flat sandals, slouchy caftans, pajama-inspired pieces, and drop-waist knit sets, reinforcing the collection’s laid-back elegance. The show transitioned seamlessly from swimsuits and organza babydolls to sportswear and evening dresses—all unified by a sun-kissed aesthetic.[223] Layered fine jewelry, camera bags, and flip-flops with Chanel logos complemented the looks, nodding to both Coco Chanel’s legacy and Karl Lagerfeld’s photography passion. Accessories were abundant: sunglasses, strands of pearls, gold chains, and logo necklaces. These paid further homage to Lagerfeld’s photography and Chanel’s mix of costume and fine jewelry. Runway Magazine praised the collection’s elegance and nonchalance, highlighting its seamless blend of sportswear, lace, and tweed, calling it a “harmonious blend of opposites”. The Impression rated the show highly for styling, craftsmanship, and retail readiness, noting its appeal to younger audiences and its clever mix of high-low fashion elements. Fashionista emphasized the liberated use of color and silhouette, calling it a bold departure from Viard’s typically restrained palettes. The Zoe Report celebrated the update to “French girl cool,” noting the collection’s effortless chic and wearable luxury.[224] Vogue Philippines highlighted the historical ties to Chanel’s past and the artistic references to the 1920s, calling the collection both timeless and contemporary. The publication also emphasized Viard’s modern interpretation of Chanel’s heritage, noting the subtle nods to the 1920s and the Noailles’ patronage of the arts.[225] W Magazine highlighted the simplicity and wearability, noting Viard’s continued emphasis on effortless elegance. Fashionotography described the show as a “luxury stroll” through Chanel’s legacy, celebrating casual sophistication and timeless Parisian chic. Celine Magazine emphasized the fusion of tradition and innovation, applauding Viard’s poetic interpretation of Chanel’s heritage. Mayfair Magazine highlighted the seaside sophistication and wearable luxury, describing the show as a “visual symphony” of stripes and geometric patterns. FHCM (Fédération de la Haute Couture et de la Mode) celebrated the collection’s joyful spirit, fluidity, and emancipation from structure.[226][227][228]
Naval references (middy/sailor collars), cinematic prints (35mm film and ticket motifs), stacks of signature jewelry, and cinched cardigans were prominent in the design details.
Models Vivienne Rohner, Amelia Gray,Lulu Tenney, Angelina Kendall, and Mahany Pery walked the show.
Notable guests and ambassadors spotted at the RTW show included Jennie Kim, Penélope Cruz, Margaret Qualley, Vanessa Paradis, Riley Keough, Naomi Campbell, Olivia Dean, Angèle, Caroline de Maigret, among others.[234][235]
WWD described the collection as having a relaxed allure with belted tweed coats and cozy knits against of the seaside resort town. Elle monikered it as ‘Wintry seaside’ romance, with a boardwalk runway under a golden-hour screen and hats galore. The Impression’s critique noted a nostalgia over newness, singling out denim puffer and leather looks as modern highlights, but questioned the oversized floppy hats. W Magazine underscored the collection’s emphasis on hats, slouchier jackets, softer suiting, and pastel accessories as youthful updates to house codes.[236][237][238]
The runway playlist included: “Rhythm Is a Dancer” (Alex Christensen & The Berlin Orchestra), Paula Cole “I Don’t Want to Wait,” The Corrs “Runaway,” Gipsy Kings, MC Solaar, and a Nutcracker pas de deux.
Production house Bureau Betak designed the immersive solar‑system installation with a mirrored black floor and planetary lights.
Model Awar Odhiang closed the show, twirling in a joyful moment that went viral.
Notable Guests and house ambassadors in attendance included: Nicole Kidman, Margot Robbie, Penélope Cruz, Jennie (Blackpink), Tilda Swinton, Pedro Pascal, Lily‑Rose Depp, Kendall Jenner, and new ambassador, Ayo Edebiri amongst others.[256][257]
Women’s Wear Daily praised Matthieu Blazy’s debut as a transformative moment for Chanel, describing it as 'spectacular and unexpectedly intimate.' The review highlighted Blazy’s reinterpretation of Chanel codes, including cropped menswear tailoring inspired by Boy Capel and collaborations with Charvet shirting.
The show’s cosmic planetarium set at the Grand Palais symbolized Chanel’s ‘Universe,’ reaffirming Blazy’s commitment to balancing heritage with modernity.[258]
ELLE emphasized the cultural magnitude of Blazy’s debut, calling it a 'standstill moment' in the industry.
The opening boxy gray suit was interpreted as a confident reset of Chanel’s fundamentals.
The review praised Blazy for reconstructing house codes with a mix of minimalism, intelligence, and boldness.
The star-studded audience underscored the show’s cultural relevance.[259]
Vogue highlighted Blazy’s technical precision and material innovation.
Fabric refinement—especially lighter tweeds using viscose—was praised.
Nicole Phelps noted Blazy’s archival research and collaborations with Charvet, resulting in reengineered pieces like chain-weighted shirting.
The collection was deemed youthful, confident, and assured.[260]
Harper’s Bazaar Singapore described the debut as a 'culture-shifting' moment, celebrating Blazy’s balance of wit, rigor, and reverent rebellion.
The publication praised the reimagined tweed—rendered tactile and erotic—and highlighted the crushed flap bag as a symbol of modern reinterpretation of the archive.[261]
The Impression emphasized the cosmic set design and Blazy’s bridging of heritage with modernity.
While praising the soulful craftsmanship, the review acknowledged some restraint, noting the collection’s strengths revealed themselves best up close.
The reinterpretation of tweed suits and 1920s influences signaled a confident new direction.[262]
Town & Country celebrated the show as ‘out-of-this-world,’ praising the mix of playful femininity with deconstructed classics.
The review highlighted fluid knits, silks, and exuberant color as hallmarks of Blazy’s fresh and youthful vision.[263]
CR Fashion Book interpreted the collection as a love letter to Chanel’s rebellious spirit.
The review highlighted the three-part structure, disruptions to tailoring (rolled sleeves, cropped blazers), and the emotional resonance of the planetary setting.
It tied Blazy’s work to themes of liberation, modernity, and sensuality.[264]
